Warm, Wacky, and Wonderful: Good Theater's Revival of YOU CAN'T TAKE IT WITH YOU
Moss Hart and George S. Kaufman’s classic, YOU CAN’T TAKE IT WITH YOU, is eighty-six years young, and the latest revival at Portland’s Good Theater makes a strong case for the work’s perennial appeal. Directed by Brian P. Allen and featuring a cast of eighteen, most Good Theater veterans, this delightfully zany script, filled with wacky but loveable characters, delivers a timeless message about family and the secrets to true happiness.
BWW Review: Good Theater Season Frolics To a Close with DESPERATE MEASURES
Portland’s Good Theater’s final offering of its nineteenth season is a deliciously zany and stylish production of Peter Kellogg and David Friedman’s 2017 musical comedy, DESPERATE MEASURES, a witty, saucy sendup of Shakespeare’s MEASURE FOR MEASURE set in the Wild West. Directed by Brian P. Allen and Cary Libkin with musical staging by Raymond Marc Dumont, the comedy written in rhyming verse is a rollicking, madcap adventure from start to finish.
Good Theater to Stage Maine Premiere of DESPERATE MEASURES
After postponing the initial run due to COVID-19 during the spring of 2020, Good Theater is proud to finally present the Maine premiere of DESPERATE MEASURES. A smash hit off-Broadway in 2017 and 2018, DESPERATE MEASURES features music by David Friedman and book and lyrics by Peter Kellogg.
BWW Review: WILD MOUNTAIN THYME is Enchanting Escapism
WILD MOUNTAIN THYME, a film you’ve likely not heard of, is truly one of 2020’s most beautifully lyrical and heartwarming romances. Adapted from John Patrick Shanely’s 2014 hit Broadway play OUTSIDE MULLINGAR, the film is both a love letter to Ireland and fairy tale romance, featuring enchanting performances from Emily Blunt, Jamie Dornan, Christopher Walken, Dearbhla Molloy, and Jon Hamm.
BWW Review: The Insidious Spiral of Deceit: PACK OF LIES at the Good
The tautly paced, compactly plotted 1983 psychological spy thriller, PACK OF LIES by Hugh Whitemore, proves to be a cliff hanger for audiences at the Good Theater, where its recent revival, expertly directed by Brian P. Allen with a finely tuned ensemble cast, demonstrates the relevance of its message in the chaotic political context in which we currently live.
PACK OF LIES Comes to the Good Theater
Good Theater continues its 18th season with the Portland premiere of the acclaimed British drama PACK OF LIES by Hugh Whitemore. The production opens February 12th and plays through March 8th, 2020 at Good Theater's home, the St. Lawrence Arts Center, 76 Congress Street, Portland. For tickets and information, please call the Box Office at (207) 835-0895 or visit www.goodtheater.com.
John Patrick Shanley's OUTSIDE MULLINGAR Begins 6/19
Berkshire Theatre Group (BTG) presents Pulitzer, Tony and Oscar Award-winning playwright, John Patrick Shanley's (Doubt: A Parable, Moonstruck), Outside Mullingar, directed by Karen Allen (Film: Raiders of The Lost Ark, Scrooged, Animal House; BTG: Frankie and Johnny in the Clair de Lune, Moonchildren, Extremities).
South Coast Repertory Announces 2019-20 Season
Artistic Director David Ivers and Managing Director Paula Tomei today announced South Coast Repertory's 13-play, 2019-20 season, which builds on the theatre's 56-year foundation of stellar artistry. The offerings range from a two-person show to a large-cast musical and represent a kaleidoscope of classics and popular hits, along with four world premieres and three shows for young audiences and families. The season includes the world premiere of The Scarlet Letter by Kate Hamill, the musical She Loves Me (directed by Ivers), American Mariachi by Jose Cruz Gonzalez, Arcadia by Tom Stoppard and the beloved children's story, Alexander and the Terrible, Horrible, No Good, Very Bad Day. Subscription packages are currently on sale; single tickets will go on sale on June 10. More information is available at www.scr.org.
Coal Creek Theater Of Louisville Presents OUTSIDE MULLIGAR
Anthony and Rosemary are two introverted misfits straddling 40. Anthony has spent his entire life on a cattle farm in rural Ireland, a state of affairs that-due to his painful shyness-suits him well. Rosemary lives right next door, determined to have him, watching the years slip away. With Anthony's father threatening to disinherit him and a land feud simmering between their families, Rosemary has every reason to fear romantic catastrophe. But then, in this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and some kind of happiness. "Outside Mullingar" is a compassionate, delightful work about how it's never too late to take a chance on love.
BWW Review: OUTSIDE MULLINGAR at AIRE
Love makes the world go around, even when it seems to have stopped in its tracks. Such is the message of 'Outside Mullingar,' a romantic comedy that's perfect for the return of the American Irish Repertory Ensemble (AIRE).
BWW Review: Arizona Theatre Company Presents OUTSIDE MULLINGAR ~ Magnificent!
If I saw nothing else this season, Arizona Theatre Company's current production of OUTSIDE MULLINGAR would be enough to satisfy my soul. In his triumphant debut as the company's new Artistic Director, David Ivers has magnified John Patrick Shanley's Tony-nominated opus on love and birthright into a honey-sweet masterpiece of stagecraft. In so doing, he has stamped his signature as a worthy successor to the brilliant David Ira Goldstein and revealed his own distinctive artistic vision. Endowed with a brilliant cast, the show runs through March 4th at the Herberger Theater Center in Phoenix.
BWW Review: Spellbinding, Soul Searching Priestly Thriller at Good Theater
The sold out house in Portland's Good Theater sat riveted in their seats throughout as the tense, soul-searching drama of J. B. Priestly's An Inspector Calls as its twists and hairpin turns, its emotional revelations and its jarring ending played itself out with a combination of subtlety and punch. Director Brian P. Allen, his cast and creative team have created a mesmerizing theatrical experience that does complete justice to Priestly's passionate and ever-relevant 1945 play.