Robert Cuccioli & Edward James Hyland to Star in UNCLE TED: SCENES FROM THE MCCARRICK REPORT Reading
by Chloe Rabinowitz - Jun 14, 2022
The Peccadillo Theater Company will present Edward James Hyland and Robert Cuccioli in Uncle Ted: Scenes from the McCarrick Report, a new play by Dan Wackerman, directed by Michael Parva with John Fitzgibbon, Daren Kelly, Robert Verlaque, Kersti Bryan, Jonathan Brody, Jim Schubin, Michael Castillejos, and more.
Fellowship for Performing Arts' PARADISE LOST Has Been Extended
by Chloe Rabinowitz - Jan 24, 2020
Fellowship for Performing Arts announced today that the New York premiere of Paradise Lost will extend due to popular demand. Originally scheduled to conclude its run on Sunday, Feb. 23, 2020, Paradise Lost will now play an additional week, through Sunday, March 1, 2020.
Photo Flash: Go Inside Opening Night of PARADISE LOST
by Nicole Rosky - Jan 23, 2020
Written by award-winning playwright Tom Dulack (Incommunicado, Kennedy Center Prize for New American Drama; Road to Damascus) and directed by Michael Parva (Irena's Vow, Martin Luther on Trial), PARADISE LOST just opened last night, January 22, at Theatre Three at Theatre Row (410 W. 42nd Street, New York, NY 10036) for a run through Sunday, February 23, 2020. Tickets are on sale now at www.FPAtheatre.com.
Photo Flash: First Look at PARADISE LOST at Theatre Row
by Stephi Wild - Jan 22, 2020
Written by award-winning playwright Tom Dulack (Incommunicado, Kennedy Center Prize for New American Drama; Road to Damascus) and directed by Michael Parva (Irena's Vow, Martin Luther on Trial), performances of PARADISE LOST begin on Wednesday, January 15, with opening night set for Wednesday, January 22, at Theatre Three at Theatre Row (410 W. 42nd Street, New York, NY 10036) for a run through Sunday, February 23, 2020. Tickets are on sale now at www.FPAtheatre.com.
Alison Fraser, Lou Liberatore and More Join the Cast PARADISE LOST
by Chloe Rabinowitz - Dec 11, 2019
Fellowship for Performing Arts announced today complete casting for the New York premiere of PARADISE LOST, written by award-winning playwright Tom Dulack (Incommunicado, Kennedy Center Prize for New American Drama; Road to Damascus) and directed by Michael Parva (Irena's Vow, Martin Luther on Trial). Performances begin on Wednesday, January 15, with opening night set for Wednesday, January 22, at Theatre Three at Theatre Row (410 W. 42nd Street, New York, NY 10036) for a run through Sunday, February 23, 2020. Tickets are on sale now at www.FPAtheatre.com.
Fellowship for Performing Arts Has Announced World Premiere of PARADISE LOST and Full 2019-20 Season
by Chloe Rabinowitz - Oct 31, 2019
Fellowship for Performing Arts announced today its productions for late 2019 and early 2020, marking the company's fifth full season in New York. The season will be headlined by a new work, PARADISE LOST by Tom Dulack and inspired by the classic John Milton epic poem. The season also features the return of FPA's C.S. LEWIS' THE GREAT DIVORCE. Productions will take place at Theatre Three at Theatre Row (410 W. 42nd Street, New York, NY 10036). Tickets are on sale now at www.FPAtheatre.com.
Westport Country Playhouse Announces Script In Hand Playreading On April 23
by Julie Musbach - Apr 10, 2018
Westport Country Playhouse will present a Script in Hand playreading of the comedy, "Breaking Legs" by Tom Dulack, on Monday, April 23, at 7 p.m. The reading will be directed by Anne Keefe, Playhouse associate artist and curator of the playreading series. Tickets are $20 each.
TERMS OF ENDEARMENT, Starring Molly Ringwald, Begins Off-Broadway
by BWW News Desk - Oct 29, 2016
59E59 Theaters hosts the US premiere of TERMS OF ENDEARMENT, written by Dan Gordon, based on the book by Pulitzer Prize-winning author, Larry McMurtry and the Oscar-winning screenplay by James L. Brooks, and directed by Michael Parva.
BWW Interview: Liza Vann in IAGO at NJ Rep
by Marina Kennedy - Aug 12, 2016
Broadwayworld.com interviewed Liza Vann who will play Vivacity in James McLure's IAGO. Directed by the SuzAnne Barabas, the show will be performed at New Jersey Repertory Theatre from August 25th to September 25th.
NY Phil's Young People's Concerts Continue with 'Once Upon a Time: Babble and Verse,' 3/19
by Tyler Peterson - Feb 26, 2016
The 93rd season of the New York Philharmonic Young People's Concerts (YPCs) will continue on Saturday, March 19, 2016, at 2:00 p.m. with "Babble and Verse," the third program in this season's series, Once Upon a Time, which explores music inspired by stories, poems, and legends. The concert will feature selections from The Marie-Jose?e Kravis Composer-in- Residence Esa-Pekka Salonen's Karawane, Orff's Carmina burana, and Musorgsky's Pictures at an Exhibition, as well as Rachmaninoff's Vocalise. Philharmonic Assistant Conductor Courtney Lewis will lead the performance; Vice President, Education, Theodore Wiprud will host the event, which will be directed and scripted by Tom Dulack.
Wendy Beckett's A BETTER PLACE Heads Off-Broadway This Spring
by BWW News Desk - Feb 26, 2016
The Directors Company, in association with Pascal Productions, will present A BETTER PLACE, a new work by playwright Wendy Beckett (Anais Nin: One Of Her Lives, A Charity Case) and directed by Evan Bergman (Love Therapy), will play a limited six-week engagement this spring at The Duke on 42nd Street, a NEW 42ND STREET project (229 West 42nd Street, between 7th and 8th Avenues).
BWW Review: Cliche' BREAKING LEGS at Ocean State Theatre Company
by Andria Tieman - Feb 1, 2016
At its core, BREAKING LEGS is the story of a well-meaning guy who gets an offer he can't refuse, and then quickly realizes he's in way over his head. It's a classic storyline that can be re-worked countless ways and still resonate with an audience. Unfortunately, in order to reach the logical conclusion of this piece, playwright Tom Dulack trots out every Italian-American stereotype in the book, as well as a few racist and gay jokes leaving the viewer shocked that a play so well-acted and directed can come off so boring and underwhelming. Many things work well in this production, but when the play itself seems incredibly dated and cliche, it never comes together and the whole endeavor just feels off.