Production Residencies Support Two Chicago Dancemakers
by Stephi Wild - Aug 17, 2023
With the support of Walder Foundation, Chicago Dancemakers Forum announces the continuation of its City-Wide Production Residency Project, which was piloted in 2020-2021 and matches local dance-making artists with performance venues for a period of experimentation and creative development in a technical theater space.
Jennifer Nugent To Debut New Work At Gibney Center, April 28-30
by A.A. Cristi - Apr 9, 2022
From April 28-30, Gibney Center will present the world premiere of up against, a new work by acclaimed performer Jennifer Nugent. Through invitation, memory, movement, text, and sound, Nugent's up against emphasizes physical resonance.
DanceAfrica 2021 Celebration Continues Through Memorial Day Weekend
by Chloe Rabinowitz - May 25, 2021
BAM's DanceAfrica will continue its celebration with special Memorial Day weekend programs, including A Return: Liberation as Power (May 24—31), featuring six Haitian visual artists’ meditation on liberation; a special “for teens by teens” event Haiti In Full Scope—exploring the history, art, and culture of Haiti, and more.
The Bessies Announce 2020 Nominees
by Chloe Rabinowitz - Nov 19, 2020
The NY Dance and Performance Awards, The Bessies, New York City's premier dance awards honoring outstanding creative work in the field, today announced the nominees for the 2019-20 season. This year, all of the nominees will be honored.
New York Live Arts Presents Netta Yerushalmy's Epic Four Hour, Six Part Series
by A.A. Cristi - Mar 5, 2019
New York Live Arts (Live Arts) to present the New York premiere of Netta Yerushalmy's Paramodernities, March 14-17, 2019, having commissioned the work as part of the Live Feed Residency Program. The complete six-part encyclopedic series is a multidisciplinary work that weaves theory and performance into a four-hour-long hybrid event. Yerushalmy and a cast of 20 dancers and scholars, ranging in age from 20 to 68, perform deconstructed installments of Nijinsky's “Sacre” (1913), Graham's “Night Journey” (1947), Ailey's “Revelations” (1960), a mix of Cunningham works “Rainforest,” “Sounddance”, “Points in Space”, “Beach Birds”, and “Ocean” (1968-1990), dance numbers from the 1969 Fosse's film “Sweet Charity”, and a response to Balanchine's “Agon” (1957) that includes none of the original choreography.
New York Live Arts presents Netta Yerushalmy's PARAMODERNITIES
by Julie Musbach - Feb 21, 2019
New York Live Arts (Live Arts) to present the New York premiere of Netta Yerushalmy's Paramodernities, March 14-17, 2019, having commissioned the work as part of the Live Feed Residency Program. The complete six-part encyclopedic series is a multidisciplinary work that weaves theory and performance into a four-hour-long hybrid event.
Lumberyard And New York Live Arts Present Kathy Westwater's RAMBLER, WORLD WORLD A PART
by BWW
News Desk - Feb 14, 2019
LUMBERYARD Center for Film and Performing Arts joins forces with New York Live Arts (Live Arts) to present the world premiere of Kathy Westwater's Rambler, Worlds Worlds A Part, February 14-16, 2019, having commissioned the work by selecting Westwater as the recipient of LUMBERYARD's 2017 Solange MacArthur Award for New Choreography. In Rambler, Worlds Worlds A Part, Westwater, whom The New Yorker has called "an unconventional choreographer now experiencing a surge of recognition," extends her 20-plus-year exploration of pain and the body, including the pain of others. While contemplating if it is possible to fully communicate the experience of one's own pain-and its opposite, bliss-or to fully know another's, the cast of dancers, including Westwater herself, responds to and celebrates the profound music of post-minimalist composer Julius Eastman.
Dance/NYC Announces Its Tenth Annual Symposium
by Stephi Wild - Feb 8, 2019
Dance/NYC, New York City's leading organization dedicated to promoting the knowledge, appreciation, practice, and performance of dance in the metropolitan area, today announced content for its tenth annual Symposium happening Friday, February 22 and Saturday, February 23, 2019, at Hunter College. This is the only gathering of its kind for dance leaders, makers, and supporters in the metropolitan New York City area. Hundreds will gather for panel discussions, case studies, interactive workshops, individual legal and management consultations, a networking lunch, and more. (Visit Dance.NYC for complete program.)
Kathy Westwater's RAMBLER, WORLDS WORLDS A PART Makes World Premiere at New York Live Arts
by Julie Musbach - Jan 16, 2019
LUMBERYARD Center for Film and Performing Arts joins forces with New York Live Arts (Live Arts) to present the world premiere of Kathy Westwater's Rambler, Worlds Worlds A Part, February 14-16, 2019, having commissioned the work by selecting Westwater as the recipient of LUMBERYARD's 2017 Solange MacArthur Award for New Choreography.
Lumberyard And New York Live Arts Present Kathy Westwater's RAMBLER, WORLD WORLD A PART
by Stephi Wild - Jan 16, 2019
LUMBERYARD Center for Film and Performing Arts joins forces with New York Live Arts (Live Arts) to present the world premiere of Kathy Westwater's Rambler, Worlds Worlds A Part, February 14-16, 2019, having commissioned the work by selecting Westwater as the recipient of LUMBERYARD's 2017 Solange MacArthur Award for New Choreography. In Rambler, Worlds Worlds A Part, Westwater, whom The New Yorker has called "an unconventional choreographer now experiencing a surge of recognition," extends her 20-plus-year exploration of pain and the body, including the pain of others. While contemplating if it is possible to fully communicate the experience of one's own pain-and its opposite, bliss-or to fully know another's, the cast of dancers, including Westwater herself, responds to and celebrates the profound music of post-minimalist composer Julius Eastman.
BWW Review: SOCIETY OF DANCE HISTORY SCHOLARS' Special Topics Conference
by Melia Kraus-har - May 31, 2016
With over fifty presenters, conference attendees engaged in a vibrant discourse on ballet structure, technique(s), and form; race; gender; and, sustainability at New York University's Center for Ballet and the Arts and Barnard College, Columbia University.
BWW Review: Back to Afro-Futurism
by Olga El - Oct 23, 2015
Afrofuturism is a literary, cultural and otherwise artistic aesthetic that combines elements of science fiction, history, fantasy and magic realism to address issues concerning people of color. So where does queerness fit into this aesthetic? Some answers could be found in afroFUTUREqu##r, a four-day festival of sorts, that went up at the JACK theatre last week in Fort Greene, Brooklyn.