Terrence McNally

Terrence McNally has written 41 shows including The Lady of the Carnellias (Playwright), Maggie May (Playwright), And Things That Go Bump in the Night (Playwright), Here's Where I Belong (Bookwriter), Sweet Eros/ Witness (Playwright), Adaptation/ Next (Playwright), Where Has Tommy Flowers Gone? (Playwright), Broadway, Broadway (Bookwriter), The Rink (Bookwriter), It's Only a Play (Playwright), Urban Blight (Bookwriter), The Lisbon Traviata (Playwright), Bad Habits (Playwright), Lips Together, Teeth Apart (Playwright), Kiss of the Spider Woman (Bookwriter), A Perfect Ganesh (Playwright), Love! Valour! Compassion! (Playwright), Love! Valour! Compassion! (Playwright), Master Class (Playwright), By the Sea, By the Sea, By the Beautiful Sea (Playwright), Ragtime (Bookwriter), Corpus Christi (Playwright), The Visit (Bookwriter), The Full Monty (Bookwriter), A Man of No Importance (Bookwriter), Frankie And Johnny In The Clair De Lune (Playwright), Short Talks on the Universe (Playwright), The Stendhal Syndrome (Playwright), Dedication or The Stuff of Dreams (Playwright), Catch Me If You Can (Bookwriter), Chita Rivera: The Dancer's Life (Bookwriter), The 24 Hour Plays 2006 (Playwright), Some Men (Playwright), Deuce (Playwright), The Ritz (Playwright), Golden Age (Playwright), Mothers and Sons (Playwright), In Your Arms (Story), Anastasia (Book Writer), Fire and Air (Playwright), Pride Plays (Author).

Best Revival of a Play (Tony Awards) for Frankie and Johnny in the Clair de Lune, Special Tony Awards for Lifetime Achievement in the Theatre (Tony Awards), Outstanding Book of a Musical (Drama Desk Awards) for Anastasia, Outstanding Book of a Musical (Broadway or Off-Broadway) (Outer Critics Circle Awards) for Anastasia, Outstanding Revival of a Broadway or Off-Broadway Play (Drama League Awards) for It's Only a Play, Lifetime Achievement Award (The Lortels), Best Book of a Musical (Tony Awards) for The Visit, Legend of Off Broadway Honorees (), Best Play (Tony Awards) for Mothers and Sons, Outstanding Play (Drama Desk Awards) for Some Me, The Helen Hayes Tribute, sponsored by Jaylee and Gilbert Mead (Helen Hayes Awards) for , Outstanding Book of a Musical (Drama Desk Awards) for A Man of No Importance, Best Book of a Musical (Tony Awards) for The Full Monty, Outstanding Book of a Musical (Drama Desk Awards) for The Full Monty, Best Book of a Musical (Drama Desk Awards) for Ragtime, Best Musical (New York Drama Critics Circle Awards) for Ragtime, Best Book of a Musical (Tony Awards) for Ragtime, Best Play (Tony Awards) for Master Class, Outstanding Play (Drama Desk Awards) for Love! Valour! Compassion! , Outstanding Play (Drama Desk Awards) for Love! Valour! Compassion!, Best American Play (New York Drama Critics Circle Awards) for Love! Valour! Compassion!, Playwriting (Obie Awards) for Love! Valour! Compassion!, Best Play (Tony Awards) for Love! Valour! Compassion!, The Pulitzer Prize for Drama (The Pulitzer Prize) for A Perfect Ganesh, Best Musical (New York Drama Critics Circle Awards) for Kiss of the Spider Woman, Best Book of a Musical (Tony Awards) for Kiss of the Spider Woman, Outstanding New Play (Drama Desk Awards) for Lips Together, Teeth Apart, Outstanding Body of Work (The Lortels), Outstanding New American Play (Drama Desk Awards) for The Ritz and Distinguished Plays (Obie Awards) for Bad Habits.

Terrence McNally has received numerous prestigious awards throughout his career. He was honored with the Special Tony Award for Lifetime Achievement in the Theatre, as well as the Lifetime Achievement Award from The Lortels. He has been recognized as a Legend of Off Broadway Honoree and received The Helen Hayes Tribute, sponsored by Jaylee and Gilbert Mead, at the Helen Hayes Awards. In terms of specific productions, he won Outstanding Book of a Musical at the Drama Desk Awards for A Man of No Importance and The Full Monty, and both Best Book of a Musical and Outstanding Book of a Musical at the Drama Desk Awards for Ragtime. McNally received the Best Play Tony Award for Master Class and won Outstanding Play at the Drama Desk Awards for Love! Valour! Compassion!, which also earned him the Best American Play award from the New York Drama Critics Circle Awards, Playwriting at the Obie Awards, and the Best Play Tony Award. He was also awarded Best Musical from the New York Drama Critics Circle Awards for Kiss of the Spider Woman and won Best Book of a Musical at the Tony Awards for the same production. Additionally, he received the Outstanding New Play award from the Drama Desk Awards for Lips Together, Teeth Apart, the Outstanding Body of Work award from The Lortels, and Distinguished Plays at the Obie Awards for Bad Habits.