Teresa Castracane
Latest News on Teresa Castracane:
Review: THE SECOND CITY: DANCE LIKE THERE'S BLACK PEOPLE WATCHING at Woolly Mammoth (Nov 12, 2024)
Review: DISNEY FROZEN at Olney Theatre Center (Nov 5, 2024)
Photos: First Look At PRIDE & PREJUDICE At Baltimore Center Stage (Oct 18, 2024)
Review: THE SECOND CITY: DANCE LIKE THERE'S BLACK PEOPLE WATCHING at Woolly Mammoth (Nov 12, 2024)
Review: DISNEY FROZEN at Olney Theatre Center (Nov 5, 2024)
Photos: First Look At PRIDE & PREJUDICE At Baltimore Center Stage (Oct 18, 2024)
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Videos
Exclusive Look: Matthew Broderick in BABBITT at Shakespeare Theatre Company
by Joshua Wright - Oct 1, 2024
Photos & Video: Go Inside A STRANGE LOOP at Woolly Mammoth Theatre Company
by Chloe Rabinowitz - Dec 15, 2021
News
Review: THE SECOND CITY: DANCE LIKE THERE'S BLACK PEOPLE WATCHING at Woolly Mammoth
The latest Second City production at Woolly Mammoth aims to bring “Black joy” in the tradition of its past successes there, such as 2016’s “Black Side of the Moon.” That show came to D.C. on the teeth of a dispiriting election, as does the new one, “Dance Like There’s Black People Watching.”
The latest Second City production at Woolly Mammoth aims to bring “Black joy” in the tradition of its past successes there, such as 2016’s “Black Side of the Moon.” That show came to D.C. on the teeth of a dispiriting election, as does the new one, “Dance Like There’s Black People Watching.”
Review: DISNEY FROZEN at Olney Theatre Center
A Broadway quality show that is perfect for introducing young children to the magic of live theatre. There's magic in the air, as Olney Theatre Center kicks off the holiday musical season with a production of Disney's Frozen that is nothing short of spectacular.
A Broadway quality show that is perfect for introducing young children to the magic of live theatre. There's magic in the air, as Olney Theatre Center kicks off the holiday musical season with a production of Disney's Frozen that is nothing short of spectacular.
Photos: First Look At PRIDE & PREJUDICE At Baltimore Center Stage
Baltimore Center Stage will present Jane Austen’s PRIDE & PREJUDICE in a new production written by Kate Hamill adapted from the classic novel. See photos from production.
Baltimore Center Stage will present Jane Austen’s PRIDE & PREJUDICE in a new production written by Kate Hamill adapted from the classic novel. See photos from production.
Interview: Theatre Life with Judy Kaye
Judy Kaye has been living her theatre life for over half a century. The Tony Award winning performer has been seen on Broadway, on tour, in regional theatres and has been heard on many recordings. Currently Ms. Kaye can be seen onstage at Shakespeare Theatre Company (STC) in Babbitt where she plays a plethora of roles. The show runs through November 3rd at Harman Hall.
Judy Kaye has been living her theatre life for over half a century. The Tony Award winning performer has been seen on Broadway, on tour, in regional theatres and has been heard on many recordings. Currently Ms. Kaye can be seen onstage at Shakespeare Theatre Company (STC) in Babbitt where she plays a plethora of roles. The show runs through November 3rd at Harman Hall.
Interview: Theatre Life With Alex Brightman
Today’s subject Alex Brightman is currently living his theatre life onstage at Shakespeare Theatre Company (STC) in Comedy of Errors in the role of Dromio of Syracuse. The show plays through October 20th in STC’S Klein Theatre.
Today’s subject Alex Brightman is currently living his theatre life onstage at Shakespeare Theatre Company (STC) in Comedy of Errors in the role of Dromio of Syracuse. The show plays through October 20th in STC’S Klein Theatre.
Review: BABBITT at Shakespeare Theatre Company
Matthew Broderick stars in the Babbitt of BABBITTs at Shakespeare Theatre Company. See what our critic had to say.
Matthew Broderick stars in the Babbitt of BABBITTs at Shakespeare Theatre Company. See what our critic had to say.
Exclusive Look: Matthew Broderick in BABBITT at Shakespeare Theatre Company
Get a first look at Matthew Broderick starring in Shakespeare Theatre Company's production of Babbitt. Based on Sinclair Lewis’s classic satirical novel, the play was adapted from the book by Tony-winner Joe DiPietro and directed by Tony-winner Christopher Ashely, who together developed the world premiere production of the play last season at La Jolla Playhouse, alongside Broderick.
Get a first look at Matthew Broderick starring in Shakespeare Theatre Company's production of Babbitt. Based on Sinclair Lewis’s classic satirical novel, the play was adapted from the book by Tony-winner Joe DiPietro and directed by Tony-winner Christopher Ashely, who together developed the world premiere production of the play last season at La Jolla Playhouse, alongside Broderick.
Photos: World Premiere Of Jordan E. Cooper's OH HAPPY DAY! At Baltimore Center Stage
Baltimore Center Stage is opening its 2024/25 season with the world premiere of two-time Tony Nominee Jordan E. Cooper’s new play with music, OH HAPPY DAY! Learn more about the production and see how to purchase tickets.
Baltimore Center Stage is opening its 2024/25 season with the world premiere of two-time Tony Nominee Jordan E. Cooper’s new play with music, OH HAPPY DAY! Learn more about the production and see how to purchase tickets.
Review: COMEDY OF ERRORS at Shakespeare Theatre Comany
The Shakespeare Theatre Company has opened its 2024-2025 season with a fun, frothy, beautifully rendered Comedy of Errors by the theatre’s “resident playwright” William Shakespeare and directed by the company’s artistic director, Simon Godwin. Godwin layers visual and aural punch to keep the pace lively – including a band of versatile on-stage musician storytellers.
The Shakespeare Theatre Company has opened its 2024-2025 season with a fun, frothy, beautifully rendered Comedy of Errors by the theatre’s “resident playwright” William Shakespeare and directed by the company’s artistic director, Simon Godwin. Godwin layers visual and aural punch to keep the pace lively – including a band of versatile on-stage musician storytellers.
Review: THE WAVERLY GALLERY at 1st Stage
What did our critic think of THE WAVERLY GALLERY at 1st Stage?
What did our critic think of THE WAVERLY GALLERY at 1st Stage?
Review: POTUS Delivers Gross Hilarity at Everyman Theatre
This is almost certainly the funniest thing you’re likely to see all year. Leave your delicate sensibilities behind and go.
This is almost certainly the funniest thing you’re likely to see all year. Leave your delicate sensibilities behind and go.
Review: THE COLORED MUSEUM at Studio Theatre
It’s hard to imagine the impact George C. Wolfe’s razor-sharp satire “The Colored Museum” must have had when it opened in New York nearly 40 years ago.
It’s hard to imagine the impact George C. Wolfe’s razor-sharp satire “The Colored Museum” must have had when it opened in New York nearly 40 years ago.
Review: BEAUTIFUL: THE CAROL KING MUSICAL at Olney Theatre Center
The fascinating story of one of the greatest songwriters of the 20th Century, flawless presented by a sublimely talented cast.
The fascinating story of one of the greatest songwriters of the 20th Century, flawless presented by a sublimely talented cast.
Review: POSTCARDS FROM IHATOV at 1st Stage
This is the premise for 1st Stage’s production of Postcards from Ihatov, adapted and directed by Natsu Onoda Power. Postcards from Ihatov is a captivating exploration of Kenji Miyazawa’s works and life.
This is the premise for 1st Stage’s production of Postcards from Ihatov, adapted and directed by Natsu Onoda Power. Postcards from Ihatov is a captivating exploration of Kenji Miyazawa’s works and life.
Review: ROSE: YOU ARE WHO YOU EAT at Woolly Mammoth Theatre Company
Rose: You Are Who You Eat is an irreverent (yet, concurrently, affectionate) look at a performer/cabaret artist’s autobiographical impulse and gender identity questions/affirmations set against the metaphor of cannibalism as a “who gets devoured?”/”feasting/ingestion” metaphor ---that plays into “double entendres” on family, the role of the mother and the individual evolving in the womb. This extremely quixotic and subversive play by ultra-creative performer and writer John Jarboe celebrates queerness while “riffing -off” on themes of memory, trying to connect to identity and breaking through dissonance into a celebration of the autonomous self.
Rose: You Are Who You Eat is an irreverent (yet, concurrently, affectionate) look at a performer/cabaret artist’s autobiographical impulse and gender identity questions/affirmations set against the metaphor of cannibalism as a “who gets devoured?”/”feasting/ingestion” metaphor ---that plays into “double entendres” on family, the role of the mother and the individual evolving in the womb. This extremely quixotic and subversive play by ultra-creative performer and writer John Jarboe celebrates queerness while “riffing -off” on themes of memory, trying to connect to identity and breaking through dissonance into a celebration of the autonomous self.
Review: THE ELEPHANT IN THE ROOM at Keegan Theatre
What did our critic think of THE ELEPHANT IN THE ROOM at Keegan Theatre?
What did our critic think of THE ELEPHANT IN THE ROOM at Keegan Theatre?
Review: LONG WAY DOWN at Olney Theatre Center
On May 25th, Olney Theatre Center unveiled the world premiere of the musical Long Way Down at the Mulitz-Gudelsky Theatre Lab. The piece was adapted from Jason Reynolds's novel of the same name, which has received accolades such as the National Book Award and a Newbery Medal, and was written (books, music, and lyrics) by Dahlak Brathwaite, with additional writing (books, music, and lyrics) by Khiyon Hursey.
On May 25th, Olney Theatre Center unveiled the world premiere of the musical Long Way Down at the Mulitz-Gudelsky Theatre Lab. The piece was adapted from Jason Reynolds's novel of the same name, which has received accolades such as the National Book Award and a Newbery Medal, and was written (books, music, and lyrics) by Dahlak Brathwaite, with additional writing (books, music, and lyrics) by Khiyon Hursey.
Review: AMM(I)GONE at Woolly Mammoth Theatre Company
The semantics and silence that delineate love and disclosure are operating at full throttle in the probing personal story of playwright and performer Adil Mansoor in the theatrical experience that is entitled Amm(i)gone. As the uber-talented Mansoor invites his very traditional Pakistani mother to translate Sophocles’ Antigone into Urdu, one soon realizes that this is just the starting point of a very interactive theatrical exploration that soon unspools into a multi -layered explication of the issues of culture, faith, family, history and, most especially, the special bond between a mother and a son.
The semantics and silence that delineate love and disclosure are operating at full throttle in the probing personal story of playwright and performer Adil Mansoor in the theatrical experience that is entitled Amm(i)gone. As the uber-talented Mansoor invites his very traditional Pakistani mother to translate Sophocles’ Antigone into Urdu, one soon realizes that this is just the starting point of a very interactive theatrical exploration that soon unspools into a multi -layered explication of the issues of culture, faith, family, history and, most especially, the special bond between a mother and a son.
Interview: Theatre Life with Judy Kuhn
Today’s subject Judy Kuhn is known to musical theatre aficionados from her performances in Rags, Chess, Fun Home and more on Broadway. Currently this off the charts performer is living her theatre life at Arena Stage in Unknown Soldier in the role of Lucy Anderson. The production runs through May 5th in the Kreeger.
Today’s subject Judy Kuhn is known to musical theatre aficionados from her performances in Rags, Chess, Fun Home and more on Broadway. Currently this off the charts performer is living her theatre life at Arena Stage in Unknown Soldier in the role of Lucy Anderson. The production runs through May 5th in the Kreeger.
Videos