CASSANDRA Comes to La Monnaie Next Month
Sandra divides her time between her research into the melting ice caps and stand-up comedy. Concerned about her recent studies into the impact of human activity on the environment, she wants to use humour to raise awareness. But people around her are sceptical, as is her own family. Just as Cassandra predicted the fall of Troy without being heard, Sandra predicts the imminent approach of a terrible tragedy but no one is listening…
Camille Cottin to Make West End Debut in ENO's THE HANDMAID'S TALE
This April, the César-nominated actor Camille Cottin will join the cast of the English National Opera’s (ENO) new production of The Handmaid’s Tale at the London Coliseum. Collaborating with a cast of world-class opera singers, Camille will be making her West End debut acting in her first opera.
The English National Opera Presents THE HANDMAID'S TALE
This April, the English National Opera's (ENO) Artistic Director Annilese Miskimmon will make her company directorial debut with a powerful new production of Poul Ruders' The Handmaid's Tale. Based on Margaret Atwood's seminal novel, this outstandingly relevant work was last staged at the London Coliseum in 2003 when it received its first English language debut.
BWW Review: THE MIDSUMMER MARRIAGE, Southbank Centre
In 1955 Michael Tippett introduced his first opera The Midsummer Marriage to a grey, post-war society desperate for some joy and optimism. It has divided the critics, with detractors pointing to the awkward libretto and fans in raptures with the sumptuous score. It is certainly a huge piece for the London Philharmonic Orchestra's new Principal Conductor, Edward Gardner, to conduct as his debut. However, the result was enthralling.
Lammermuir Festival Will Return This September With Live Audiences
The festival opens with four wonderful song recitals presented in partnership with BBC Radio 3 featuring Robert Murray and Alisdair Hogarth, James Atkinson and Sholto Kynoch, Catriona Morison and Malcolm Martineau, and Mary Bevan and Joseph Middleton. Over the course of these two weeks some of the best classical musicians gather to bring audiences a very special re-immersion in the power of live music.
BWW Feature: ONLINE OPERA VIRTUAL TOUR SEPT 12-19 at Home Computer Screens
Los Angeles Operaa??s program of music from Golden Age Musicals features pianist/curator Brendon Shapiro, and the company's 2019/20 young artists, Anthony Ciaramitaro, Sarah Vautour, Robert Stahley, Taylor Raven, Alaysha Fox, Sylvia Da??Eramo, Tiffany Townsend, Gabriela Flores, Michael J. Hawk, and Erica Petrocelli singing music by Bernstein, Cahn, Lerner, Kern, Gershwin, Rodgers, Porter, Wright/Borodin, Herman, Romberg, and Loesser.
Philharmonia Orchestra Announces 2020/21 London Season
The Philharmonia announces its 2020/21 Season at Southbank Centre, which will be Esa-Pekka Salonen's 13th and last as Principal Conductor & Artistic Advisor of the Orchestra. The highlight of Salonen's final season is a focus on music inspired by Greek myth. In Origin Stories: Greek Myth in Music, Salonen conducts Scriabin's Prometheus: The Poem of Fire with Yuja Wang as soloist (24 Sep 2020) and Strauss' Elektra with soprano soloists Irene Theorin and Lise Davidsen (7 Feb 2021). And to close the Season (10 Jun 2021), Salonen conducts Ravel's Daphnis and Chloe (complete) alongside the European premiere of his own work Gemini.
Handel and Haydn Society to Perform Purcell Dido and Aeneas
The Handel and Haydn Society, led by artistic director Harry Christophers, will bring one of the most beautiful and deeply moving masterpieces of the Baroque period to life with a performance of Henry Purcell's Dido and Aeneas on Friday, March 29, 2019 at 7:30 p.m. and Sunday, March 31, 2019 at 3:00 p.m. at NEC's Jordan Hall in Boston.
Handel And Haydn Society Presents Two NYC Concerts
In Spring 2019, the internationally renowned, Boston-based, early music champion, the Handel and Haydn Society, returns to New York City for two stunning concerts. These performances, housed in two of New York City's most unique and celebrated concert venues, reflect the Handel and Haydn Society's impeccable consideration for historically-informed concert traditions, immaculate expression of the Renaissance and Baroque philosophies, and characteristic taste and precision of artistry. Under its esteemed artistic director of a decade, Harry Christophers, the 204-year-old ensemble brings the fiercely emotive early opera Dido and Aeneas by Henry Purcell to the spectacular Temple of Dendur setting in the Metropolitan Museum of Art's Sackler Wing, as well as an all-Vivaldi recital including works for soprano, violin, and viola d'amore at the Morgan Library.
BWW Review: SALOME, London Coliseum
In opera, there is often nothing more dangerous than female sexuality. Salome is a story where a woman's love becomes dangerous obsession, leading to bloodshed and necrophilia. From a feminist perspective, the story is challenging to say the least, but as Richard Strauss' opera, the result should be both brutal and beautiful. In this new production from the ENO, Australian Director Adena Jacobs makes her UK debut with a supposedly feminist perspective of the story that at times entertains, but more often baffles.