Review: THE LIGHT IN THE PIAZZA by Central Florida Vocal Arts
The feelings that one gets when sitting in the audience for a musical production can run the gamut from sadness and heartbreak to joy and excitement. But it is a rare experience when a production causes one to experience the full breadth of human emotion – becoming transfixed and transported to an elevated state of bliss. This is what I experienced last night at Central Florida Vocal Arts (CFVA) production of Adam Guettel’s THE LIGHT IN THE PIAZZA – an stunningly brilliant production featuring some of the most magnificent vocals I have heard from the stage in a very long time.
Review: THE PROM at Theatre South Playhouse
Getting to see a newer musical produced for the first time in the area by a local theatre is a particular thrill. That is especially the case for a musical like THE PROM, which has built a following due to it’s popular Broadway run and the recent musical film on Netflix. And in the hands of the skilled creative team and fantastic cast at Theatre South Playhouse, this Central Florida regional professional premiere is in excellent hands. It is fresh and fantastic and in the intimate TSP space, the audience is given the rare chance to connect on a personal level with the frenetic and fun story unfolding on stage.
Review: THE OFFICE HOLIDAY PARTY MUSICAL EXTRAVAGANZA SHOW at Renaissance Theatre Company
The holidays are all about tradition. Hanging a familiar ornament on the tree, baking a special dish that is only made during this time of year, watching a favorite holiday movie or TV special in order to get into a festive mood, or yes, even the annual office holiday party. But in the world of musical theatre, there aren’t a lot of productions that fit this category. But the Renaissance Theatre Company in Orlando has decided to fill this void by offering once again this year its hit immersive musical experience, THE OFFICE HOLIDAY PARTY MUSICAL EXTRAVAGANZA SHOW – something I certainly had on my Christmas list after experiencing it last year – and like its 2021 premiere, it offers an innovative, unique, grown up, interactive and hilarious evening that is sure to put a smile on your face and put you in a holiday mood.
Photos: Inside Look at Garden Theatre's PARADE
The Garden Theatre in Winter Garden opened their production of Parade, directed by Joseph C. Walsh. The musical runs now through March 13th. Featuring a book by Alfred Uhry and music and lyrics by Jason Robert Brown, Parade shares the story of Leo and Lucille Frank, and the murder trial that gripped the small town of Marietta, Georgia in 1913. This provocative Tony Award-winning musical explores the endurance of love, hope, and compassion against seemingly insurmountable odds.
PARADE Runs at the Garden Theatre Now Through March 13th
Last night, Garden Theatre in Winter Garden opened their production of Parade, which will run through March 13th. Featuring a book by Alfred Uhry and music & lyrics by Jason Robert Brown, Parade shares the story of Leo and Lucille Frank, and the murder trial that gripped the small town of Marietta, Georgia in 1913.
PARADE Will Continue Garden Theatre 2021 - 2022 Season
Featuring a book by Alfred Uhry and music & lyrics by Jason Robert Brown, Parade shares the story of Leo and Lucille Frank, and the murder trial that gripped the small town of Marietta, Georgia in 1913. The musical won the 1998 Tony Awards for Best Book and Best Original score.
BWW Review: Garden Theatre's RAGTIME Is Something Special
For RAGTIME, director Mark Edward Smith and his crew have crafted one of the most appealing and stately sets I've seen at the Garden Theatre. The blocking is clever and thoughtful - important when you have a big ensemble cast on a small stage - and the lighting and costumes are on point. The vaudeville era must be the Garden's charm, because this is certainly the best staging I've seen here since the last season opener, Gypsy. But whether you've seen RAGTIME or not, it's the cast here that is really going to wow you...
BWW Reviews: PLAY IT AGAIN, SAM: FAC and the Work of a Difficult Genius
It's getting harder and harder to separate Woody Allen's professional work from the rumors of his personal life. Just hours before I attended the Fine Arts Center's production of Play it Again, Sam I read Dylan Farrow's open letter to the New York Times, where she graphically describes being sexually abused by Allen when she was seven years old. The 1993 investigation into these claims proved inconclusive; the truth will probably never be known. But Farrow's harrowing confession is not something that can be lightly brushed aside.