AMADEUS Comes to The Gamm
The Sandra Feinstein-Gamm Theatre (The Gamm) will present Amadeus, Peter Shaffer’s multi-award-winning play reimagining the lives of 18th-century composers Wolfgang Amadeus Mozart and Antonio Salieri.
Review: THE EFFECT at The Gamm Theatre
It’s fun to say that romantic love is a matter of chemistry - fun, that is, as long as “chemistry” is metaphorical shorthand for the qualities and quirks that, when brought together, ignite emotions that feel like alchemy. But what if personal chemistry is not figurative, but literal: a combination of controlled substances and their effects that can be created in a laboratory as easily as on a date?
WHO'S AFRAID OF VIRGINIA WOOLF? Extended At The Gamm Theatre
The Sandra Feinstein-Gamm Theatre (The Gamm) has announced 5 additional performances of Who's Afraid of Virginia Woolf?, extended by popular demand through February 25. Edward Albee's masterful 3-act play directed by Steve Kidd has been playing to full houses and critical praise since it opened in previews on January 25.
Review: WHO'S AFRAID OF VIRGINIA WOOLF? at The Gamm Theatre
Early on in Edward Albee’s ‘Who’s Afraid of Virginia Woolf?’, husband George nonchalantly responds to his wife who has just insulted him with the declarative statement, “That’s not a very nice thing to say, Martha.” That sarcastic albeit loaded moment of seemingly civil interplay between the pair marks the beginning of a veritable conflagration of barbs, jabs, and insults delivered with continuously elevating anger and ferocity that only two people who know each other as well as they do—and love to hate each other as much as they appear to—could ever achieve, and with such audacity and eloquence.
Review: The Gamm's Deliciously Dark HANGMEN
The trouble with a Martin McDonagh play performed at The Gamm, is that it’s inevitably going to be too good. McDonagh is a master of inky black comedy, and The Gamm have now presented five of his plays over the years, so it’s been fascinating to watch Gamm regulars find new places in the McDonagh-verse, and really lean into the sinister aspects of these plays. However, for the person who has to write a review of this nearly-flawless show, it’s a somewhat daunting experience. How do you describe a show so dark using only positive adjectives? If McDonagh reads this review, will he dismiss it as hackneyed fluff? Thankfully, he will never read this, so I can say unequivocally–this show is great, go see it.
THE CHILDREN Closes Gamm Season in April
The Sandra Feinstein-Gamm Theatre (The Gamm) closes its 2022-23 season with The Children, British playwright Lucy Kirkwood’s award-winning and Tony nominated play. A riveting eco-drama infused with dark humor, The Children runs from April 27 to May 14.
Review: SWEAT at THE GAMM THEATRE
What did our critic think of SWEAT at THE GAMM THEATRE? For the better part of the last 40 years, things have been a nightmare for the American working class, especially across the so called 'rust belt' where factories once thrived and have now fallen silent and abandoned. In SWEAT, Lynn Nottage's Pulitzer prize winning play, the playwright takes us directly into that world with a piercing look at small town America and the destruction wrought in those communities by de-industrialization, racism, violence, and addiction.
Photos: Inside Look at The Gamm Theatre's Production of IRONBOUND
The Gamm Theatre, located at 1245 Jefferson Blvd., Warwick, R.I. is currently staging their production of Ironbound, a play by Martyna Majok. The show, directed by Rachel Walshe, runs now through April 10th. Tickets range from $49 through $69 and are available to purchase here or by calling 401-723-4266. Discounts are available for groups by clicking here.
Gamm Presents Martyna Majok's IRONBOUND
The Sandra Feinstein-Gamm Theatre (The Gamm) continues Season 37 with Martyna Majok’s Ironbound, a heartrending and also humorous drama about the dreams and realities of the American immigrant experience.
BWW Review: Fantastic A DOLL'S HOUSE PART 2 at The Gamm
One doesn't usually seek out sequels at live theatre, and when Ibsen finished his masterpiece A Doll's House in 1879, one can only assume he thought the interesting part of the story was over. So the pressure on this play to prove why it should even exist is almost like another character watching from the wings. Thankfully, what Lucas Hnath has written is a smart and occasionally hilarious play that justifies its creation, and ties the hands of almost all characters equally. There are plenty of satisfying revelations, and Gamm's excellent cast makes this a show not to be missed.
Photo Flash: A DOLL'S HOUSE, PART 2 At The Gamm Theatre
It's been 15 years since Norwegian house wife Nora Helmer slammed the door on her husband, three children and the rest of married life in Ibsen's sober 19th-century drama. Now she's back in Hnath's darkly comic Broadway darling.