Library of Congress Festival of Film And Sound Announces Full Lineup of Rare Cinema and Special Guests
The Library of Congress National Audio-Visual Conservation Center is announcing the full lineup of rare cinema and special guests to be featured at the inaugural Library of Congress Festival of Film and Sound. The new four-day film festival will be held June 15-18 in association with the AFI Silver Theatre and Cultural Center at the American Film Institute's beautifully restored 1938 art deco theater in Silver Spring, Maryland.
The Muny Announces Casting for SEVEN BRIDES FOR SEVEN BROTHERS
The Muny announced today the 12 extraordinary dancers and singers for its third show of its 103rd Season, Seven Brides for Seven Brothers, August 12-18. Joining the previously announced Kendra Kassebaum (Milly Bradon) and Edward Watts (Adam Pontipee) are Raymond Baynard (Caleb), Colby Dezelick (Frank), and more.
The Muny Announces 2020 Season Creative Teams
The Muny announced today the directors, choreographers and music directors for its 2020 season, which opens June 15 with Kander and Ebb's internationally-acclaimed Chicago. Among the talented list are a mix of Muny favorites and newcomers. In addition to casting, a comprehensive list of design teams for each production will be released later this spring. Telsey + Company is the official casting partner for Muny.
BWW Review: Ammons, Krebs Lead Entertaining SEVEN BRIDES FOR SEVEN BROTHERS at Springhouse
Seven Brides for Seven Brothers, the 1982 stage musical borne of the 1954 film treatment based on a story by Stephen Vincent Benet, doesn't hold up as well in 2019 as many classic musical theater titles a?" what with its sexist storyline, ersatz score that longs to remind us of something by Rodgers and Hammerstein, and its meandering plot a?" but make no mistake about it: The production of Seven Brides for Seven Brothers, now onstage through this weekend at Smyrna's Springhouse Theatre Company is mighty entertaining, thanks to Paula K. Parker's talented cast who bring the show to life with vigor and commitment.
City Lit's TWO DAYS IN COURT Announces Full Cast
City Lit Theater Artistic Director Terry McCabe today announced his 17-person cast for the company's 2018-2019 season closer - a double-bill of one-acts, dubbed TWO DAYS IN COURT, offering first a fantastic and then a silly and satiric look at the legal system. McCabe will direct the bill, which will open with THE DEVIL AND DANIEL WEBSTER - the play by Stephen Vincent Benet based on his 1936 short story.
City Lit Theater Announces Celebration Of 'Banned Books' Week
City Lit Theater Company, in association with the American Library Association's Office of Intellectual Freedom, will again present BOOKS ON THE CHOPPING BLOCK, a celebration of BANNED BOOK WEEK, September 23 - 29, 2018, at various locations in and around Chicago.
Pontine Presents THE DEVIL & DANIEL WEBSTER At Strawbery Banke Museum
February 9-11, Pontine Theatre presents Stephen Vincent Benet's celebrated story, The Devil & Daniel Webster, performed by guest artist, David PB Stephens. Performances take place at Strawbery Banke Museum located at 14 Hancock Street, Portsmouth NH. Tickets are $24 and may be purchased in advance online: www.pontine.org - Tickets may also be purchased at the door a half-hour prior to each show, based on availability. Performances are Friday at 7pm, Saturday at 4pm, and Sunday at 2pm. For information contact Pontine: info@pontine.org / 603-436-6660.
BWW Review: Ogunquit's SEVEN BRIDES Offers Sweetness and Smiles
One of the most popular movie musicals adapted for the stage, Seven Brides for Seven Brothers has enjoyed several notable regional productions in the past few seasons, and the Ogunquit Playhouse's current staging demonstrates once again the nostalgic appeal of this sweet and folksy romantic tale set in America's pioneer days. The Kasha/Landay/Mercer/DePaul/Hirschhorn 1954 movie musical based on a Stephen Vincent Benet story, though it proved a disappointment when first adapted for the musical theatre stage in 1982, seems in the turbulent first decades of the 21st century to have struck chords in audiences who may hunger for the innocence and vibrant energy at its core.