KING OF THE YEES Comes to Baltimore Center Stage
Baltimore Center Stage has announced the cast and artistic team for its second play of the 2018/19 season, King of the Yees. Written by award-winning playwright Lauren Yee, King of the Yees is the hilarious and heartfelt generational story of a Chinese-American family.
New Jersey Rep Premieres ISSEI, HE SAY, (OR THE MYTH OF THE FIRST)
New Jersey Repertory Company located at 179 Broadway in Long Branch, is proud to present the world premiere of Chloe Hung's Issei, He Say, (Or the Myth of the First) April 19 through May 20, 2018. Winner of an Edgerton New Play award, Issei, He Say will be directed by Lisa James and stars Stan Egi as Mr. Yamamoto, Kathleen Kwan as Mrs. Chu, Fenton Li as Mr. Chu, and Christina Liang as Lucy Chu.
BWW Interview: Playwright Chloe Hung and ISSEI, HE SAY at NJ Rep
The New Jersey Repertory Company (NJ Rep) will present the world premiere of Chloe Hung's Issei, He Say (Or the Myth of the First) from April 19 to May 20. The winner of of an Edgerton New Play Award, it is directed by Lisa James and stars Stan Egi, Kathleen Kwan, Fenton Li, and Christina Liang. Broadwayworld.com had the pleasure of interviewing playwright, Chloe Hung about her career and the upcoming show.
New Jersey Repertory Company Presents ISSEI, HE SAY OR THE MYTH OF THE FIRST
New Jersey Repertory Company located at 179 Broadway in Long Branch, is proud to present the world premiere of Chloe Hung's Issei, He Say, (Or the Myth of the First) April 19 through May 20, 2018. Winner of an Edgerton New Play award, Issei, He Say will be directed by Lisa James and stars Stan Egi as Mr. Yamamoto, Kathleen Kwan as Mrs. Chu, Fenton Li as Mr. Chu, and Christina Liang as Lucy Chu.
BWW Review: Charming Meta Journey with KING OF THE YEES at ACT
It's a world we may not know much about, that of old school Chinatown, with their family associations and insider customs. Hell, Lauren Yee grew up in this world and even she seems to be cut off from it and her Father Larry Yee runs the Yee Family Association. But that's the point of her play King of the Yees currently playing at ACT. Bur before you think this is another one of those dreadful family therapy on stage shows (and you know how I loathe those, Dear Readers) the show, with its quick witty dialog goes to a delightful meta and eventually metaphysical place making it an absolute joy.
Photo Flash: George Takei and More Celebrate KING OF THE YEES Opening at the Douglas
The world premiere production of 'King of the Yees' opened at Center Theatre Group's Kirk Douglas Theatre this Sunday, July 16, and BroadwayWorld has photos from the festivities below! Written by Lauren Yee, directed by Joshua Kahan Brody and produced in association with Goodman Theatre, 'King of the Yees' will continue through August 6, 2017.
Pasadena Playhouse Announces Before- & After-Show Activities for PYGMALION, Running thru 4/12
The Pasadena Playhouse announces before and after-show activities to be offered during the run of George Bernard Shaw's PYGMALION, performing March 17 - April 12, 2015 with the official press night on Sunday, March 22, 2015. Directed by Jessica Kubzansky, PYGMALION remains Shaw's most popular play, which is most widely known for being the inspiration behind the highly romanticized Broadway musical and film My Fair Lady.
Ellen Crawford, Stan Egi & More to Star in Pasadena Playhouse's PYGMALION
The Pasadena Playhouse (Artistic Director Sheldon Epps and Executive Director Elizabeth Doran) announces the cast of George Bernard Shaw's PYGMALION, the fifth production of its 2014-2015 Season. PYGMALION, which began rehearsals today, will perform March 17 - April 12, 2015 with the official press night on Sunday, March 22, 2015.
BWW Reviews: THE ORPHAN OF ZHAO at La Jolla Playhouse
THE ORPHAN OF ZHAO brings a tale of honor, love, scarafice, and vengence to the La Jolla PLayhouse. See what is sometimes called 'the Chinese HAMLET' now playing through August 3, 2014 at the Mandell Weis Theatre.
BWW Reviews: ORPHAN OF ZHAO at ACT-SF is Intense Powerful Drama
Beginning with small truths and oral tradition, legend eventually turns to the written word. At the heart of this process is Ji Junxiang's ancient play, The Orphan of Zhao, rooted in real events and a resonating theme of loyalty and justice. Currently reworked for American Conservatory Theatre (co-produced with La Jolla Playhouse) after a controversial run at Stratford in 2012, James Fenton's adaptation brings characters full circle, even in the midst of an onslaught of tastefully staged deaths.