Stacy Caddell
Latest News on Stacy Caddell:
ABT Studio Company Will Return to In-Person NYC Performances With SPRING MOVES (Apr 27, 2022)
VIDEO: Get A First Look At ABT STUDIO COMPANY SPRING FESTIVAL; Premieres Next Month! (May 18, 2021)
This Dancer's Life: NB2's MOLLY YEO (Nov 5, 2018)
ABT Studio Company Will Return to In-Person NYC Performances With SPRING MOVES (Apr 27, 2022)
VIDEO: Get A First Look At ABT STUDIO COMPANY SPRING FESTIVAL; Premieres Next Month! (May 18, 2021)
This Dancer's Life: NB2's MOLLY YEO (Nov 5, 2018)
Videos
VIDEO: Get A First Look At ABT STUDIO COMPANY SPRING FESTIVAL; Premieres Next Month!
by Stephi Wild - May 18, 2021
News
ABT Studio Company Will Return to In-Person NYC Performances With SPRING MOVES
ABT Studio Company will present Spring Moves, World and New York City Premieres at NYU Skirball, Friday, May 20 and Saturday, May 21 at 7:30 P.M. ET. Featuring 12 pre-professional dancers, Spring Moves also showcases performances of repertory works by George Balanchine, Mikhail Fokine, Victor Gsovsky, Twyla Tharp, and Rostislav Zakharov.
ABT Studio Company will present Spring Moves, World and New York City Premieres at NYU Skirball, Friday, May 20 and Saturday, May 21 at 7:30 P.M. ET. Featuring 12 pre-professional dancers, Spring Moves also showcases performances of repertory works by George Balanchine, Mikhail Fokine, Victor Gsovsky, Twyla Tharp, and Rostislav Zakharov.
VIDEO: Get A First Look At ABT STUDIO COMPANY SPRING FESTIVAL; Premieres Next Month!
The ABT Studio Company Spring Festival was filmed at Kaatsbaan Cultural Park in Tivoli, New York following the Studio Company’s spring bubbles in March and April 2021 at Kaatsbaan and the Silver Bay YMCA Conference & Family Retreat Center in Silver Bay, New York. All works were created, rehearsed, and filmed following strict COVID-19 health and safety protocols.
The ABT Studio Company Spring Festival was filmed at Kaatsbaan Cultural Park in Tivoli, New York following the Studio Company’s spring bubbles in March and April 2021 at Kaatsbaan and the Silver Bay YMCA Conference & Family Retreat Center in Silver Bay, New York. All works were created, rehearsed, and filmed following strict COVID-19 health and safety protocols.
This Dancer's Life: NB2's MOLLY YEO
Molly Yeo began dancing at four years old, while living in North Carolina - moving overseas with her family as an adolescent, where she trained in traditional Indonesian dance, subsequently studying internationally in Jakarta, Singapore, Malaysia and New Zealand. Returning to the states for high school, she trained at the Ballet School of Chapel Hill and with Duke University's dance department, ultimately performing with the Chapel Hill Dance Theater and appearing in Carolina Ballet's production of Giselle.
Molly Yeo began dancing at four years old, while living in North Carolina - moving overseas with her family as an adolescent, where she trained in traditional Indonesian dance, subsequently studying internationally in Jakarta, Singapore, Malaysia and New Zealand. Returning to the states for high school, she trained at the Ballet School of Chapel Hill and with Duke University's dance department, ultimately performing with the Chapel Hill Dance Theater and appearing in Carolina Ballet's production of Giselle.
BWW Reviews: American Ballet Theatre's Triple Bill
I was looking forward to American Ballet Theater's triple bill on May 21 with anticipation, because I had seen one of the ballets, Frederick Ashton's A Month in the County, years ago, and always held it in warm esteem. I remembered how moved I was as the curtain fell on the dancer (was it Lynn Seymour?) portraying the heroine, Natalia Petrovna, alone on the stage with nothing but a loveless and frustrating future awaiting her.
I was looking forward to American Ballet Theater's triple bill on May 21 with anticipation, because I had seen one of the ballets, Frederick Ashton's A Month in the County, years ago, and always held it in warm esteem. I remembered how moved I was as the curtain fell on the dancer (was it Lynn Seymour?) portraying the heroine, Natalia Petrovna, alone on the stage with nothing but a loveless and frustrating future awaiting her.
BWW Reviews: Houston Ballet's WOMEN@ART is Exquisite and Engaging
The main purpose and goal of Houston Ballet's WOMEN@ART is to celebrate the ability of women to choreograph interesting, thought-provoking, and fully realized ballets. In 2004, Stanton Welch was met with fantastic success the first time he programmed three one-act ballets choreographed by women in his inaugural WOMEN@ART performance. The 2012 offering, complete with a World Premiere by Aszure Barton, will hopefully motivate and empower young girls and women interested in dance and choreography to follow their dreams while opening a dialogue about the value of female voices in the dance world.
The main purpose and goal of Houston Ballet's WOMEN@ART is to celebrate the ability of women to choreograph interesting, thought-provoking, and fully realized ballets. In 2004, Stanton Welch was met with fantastic success the first time he programmed three one-act ballets choreographed by women in his inaugural WOMEN@ART performance. The 2012 offering, complete with a World Premiere by Aszure Barton, will hopefully motivate and empower young girls and women interested in dance and choreography to follow their dreams while opening a dialogue about the value of female voices in the dance world.
Videos