Stacey Moseley
Latest News on Stacey Moseley:
Photos: The FYC Independents and Van Nuys/Reseda Lodge Celebrate Emmy Winner and Television Academy Governor-Elect Kim Estes (Dec 20, 2021)
BWW Review: THE SURVEILLANCE TRILOGY Confirms Big Brother Has Always Been Watching Us (Oct 1, 2019)
The LA Film Festival Announces 2018 Winners (Oct 1, 2018)
Photos: The FYC Independents and Van Nuys/Reseda Lodge Celebrate Emmy Winner and Television Academy Governor-Elect Kim Estes (Dec 20, 2021)
BWW Review: THE SURVEILLANCE TRILOGY Confirms Big Brother Has Always Been Watching Us (Oct 1, 2019)
The LA Film Festival Announces 2018 Winners (Oct 1, 2018)
News
Photos: The FYC Independents and Van Nuys/Reseda Lodge Celebrate Emmy Winner and Television Academy Governor-Elect Kim Estes
FYC Independents which was born out of a need to give underrepresented talent more visibility in Emmy ® campaigns partnered once again with the Van Nuys/ Reseda Elk Lodge to raise money for charity.
FYC Independents which was born out of a need to give underrepresented talent more visibility in Emmy ® campaigns partnered once again with the Van Nuys/ Reseda Elk Lodge to raise money for charity.
BWW Review: THE SURVEILLANCE TRILOGY Confirms Big Brother Has Always Been Watching Us
Told in three separate one-act stories, the World Premiere of Leda Siskind's play THE SURVEILLANCE TRIOLOGY explores the ways in which private citizens have become victims of ever-present eavesdropping by forces able to be kept secret until the damage has been done. Directed by Amanda Conlon at Theatre 40, ultimately you may just walk out at the end wondering just how you are being watched and for just what purpose, especially when you turn your cell phone back on and begin interacting with it.
Told in three separate one-act stories, the World Premiere of Leda Siskind's play THE SURVEILLANCE TRIOLOGY explores the ways in which private citizens have become victims of ever-present eavesdropping by forces able to be kept secret until the damage has been done. Directed by Amanda Conlon at Theatre 40, ultimately you may just walk out at the end wondering just how you are being watched and for just what purpose, especially when you turn your cell phone back on and begin interacting with it.
The LA Film Festival Announces 2018 Winners
The LA Film Festival, produced by Film Independent, announced the winners of the 2018 Festival at the Awards Reception at the W Hotel in Hollywood presided over by Festival Director Jennifer Cochis and Film Independent President Josh Welsh. Cochis and Welsh also took the opportunity to thank the more than 50 generous sponsors, funders and media partners without whom the Festival would not be possible.
The LA Film Festival, produced by Film Independent, announced the winners of the 2018 Festival at the Awards Reception at the W Hotel in Hollywood presided over by Festival Director Jennifer Cochis and Film Independent President Josh Welsh. Cochis and Welsh also took the opportunity to thank the more than 50 generous sponsors, funders and media partners without whom the Festival would not be possible.
BWW Reviews: World Premiere THE FACE IN THE REEDS Proves Everyone Needs and Deserves a Second Chance
The World Premiere of THE FACE IN THE REEDS by Robin Uriel Russin, directed by Sarah Figoten Wilson at Santa Monica's The Ruskin Group, centers on a dysfunctional family gathering to celebrate Passover, the Jewish holiday celebrating freedom. As the meshuge meshugas (crazy madness) plays out, the evening's seder turns into quarrels about the meaning of freedom, the value of life, and the shadow of death, which symbolically "passes over" the house. During the course of the evening, conflicts emerge about the merit of faith over conversion, the truth in religion, and the nature of parental responsibility. This night is different from all other nights and of course, this being a Jewish family, it is also a comedy. We're all going to die--but first, you should eat.
The World Premiere of THE FACE IN THE REEDS by Robin Uriel Russin, directed by Sarah Figoten Wilson at Santa Monica's The Ruskin Group, centers on a dysfunctional family gathering to celebrate Passover, the Jewish holiday celebrating freedom. As the meshuge meshugas (crazy madness) plays out, the evening's seder turns into quarrels about the meaning of freedom, the value of life, and the shadow of death, which symbolically "passes over" the house. During the course of the evening, conflicts emerge about the merit of faith over conversion, the truth in religion, and the nature of parental responsibility. This night is different from all other nights and of course, this being a Jewish family, it is also a comedy. We're all going to die--but first, you should eat.
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