Sophie Schulman
Latest News on Sophie Schulman:
Divine Riot to Present World Premiere of THE A TRAIN ANTHOLOGY (Nov 11, 2024)
Casts Set for 13th Annual Jewish Playwriting Contest National Finals (May 31, 2024)
Howard Kaye Joins The Cast of Olney Theatre Center's THE FIDDLER ON THE ROOF as Tevye (Oct 26, 2023)
Divine Riot to Present World Premiere of THE A TRAIN ANTHOLOGY (Nov 11, 2024)
Casts Set for 13th Annual Jewish Playwriting Contest National Finals (May 31, 2024)
Howard Kaye Joins The Cast of Olney Theatre Center's THE FIDDLER ON THE ROOF as Tevye (Oct 26, 2023)
Photos
STAGE CREDITS
[Off-Broadway]
Original Off-Broadway Production, 2013
Lacey Leppard / Felicia Firefly
News
Divine Riot to Present World Premiere of THE A TRAIN ANTHOLOGY
'The A Train Anthology' will serve up in this 90-minute world-premiere production at Brooklyn Art Haus this December. Learn more about the production and how to get tickets here!
'The A Train Anthology' will serve up in this 90-minute world-premiere production at Brooklyn Art Haus this December. Learn more about the production and how to get tickets here!
Casts Set for 13th Annual Jewish Playwriting Contest National Finals
The 13th Annual Jewish Playwriting Contest National Finals comes to New York, featuring Helen Hayes-winner Naomi Jacobson and 'Gilmore Girls' Dave Shalansky. Audiences will choose the best new Jewish play of 2024.
The 13th Annual Jewish Playwriting Contest National Finals comes to New York, featuring Helen Hayes-winner Naomi Jacobson and 'Gilmore Girls' Dave Shalansky. Audiences will choose the best new Jewish play of 2024.
Howard Kaye Joins The Cast of Olney Theatre Center's THE FIDDLER ON THE ROOF as Tevye
Broadway veteran, Howard Kaye has joined the cast of Olney Theatre Center's production of Fiddler on the Roof, directed by Peter Flynn.
Broadway veteran, Howard Kaye has joined the cast of Olney Theatre Center's production of Fiddler on the Roof, directed by Peter Flynn.
Ethan Watermeier & Rachel Stern to Star in FIDDLER ON THE ROOF at Olney Theatre Center
Discover Olney Theatre Center's production of 'Fiddler on the Roof' with a fresh global perspective. This timeless musical explores themes of rising anti-Semitism, Russian aggression, refugee crises, and women's struggles against patriarchal authority. Don't miss this captivating show running from November 8 to December 31 in Olney, Maryland.
Discover Olney Theatre Center's production of 'Fiddler on the Roof' with a fresh global perspective. This timeless musical explores themes of rising anti-Semitism, Russian aggression, refugee crises, and women's struggles against patriarchal authority. Don't miss this captivating show running from November 8 to December 31 in Olney, Maryland.
BWW Review: PRIVATE at Mosaic Theater Company
The question of privacy and personal autonomy is a vital theme especially in these stress-filled and autocratic times but, the current offering at the Mosaic Theater Company of DC the play Private misses the mark. Though it is commendable that this play’s themes are explored, the dramatic impact of the play never shines through.
The question of privacy and personal autonomy is a vital theme especially in these stress-filled and autocratic times but, the current offering at the Mosaic Theater Company of DC the play Private misses the mark. Though it is commendable that this play’s themes are explored, the dramatic impact of the play never shines through.
BWW Review: Prologue Theatre's DOG SEES GOD: CONFESSIONS OF A TEENAGE BLOCKHEAD an Edgy, Wild Ride
Prologue Theatre is putting its own stamp on a play that has acquired a huge cult following over the years, especially within the LGBTQ+ community. Bristling with edgy, memorable performances, the cast takes you right back into the hell of those teenage years, when hurting people, both physically and emotionally, is done as casually as ordering a latte or chucking a tater tot across the cafeteria.
Prologue Theatre is putting its own stamp on a play that has acquired a huge cult following over the years, especially within the LGBTQ+ community. Bristling with edgy, memorable performances, the cast takes you right back into the hell of those teenage years, when hurting people, both physically and emotionally, is done as casually as ordering a latte or chucking a tater tot across the cafeteria.
Prologue Theatre Begins Their Second Season With DOG SEES GOD
Where do we look to find ourselves? The three plays in Prologue Theatre's second season explore this question beginning with Bert V. Royal's DOG SEES GOD: Confessions of a Teenage Blockhead. In this DARK comedy, personal identity, drug use, suicide, eating disorders, teen violence, rebellion, and sexual identity collide and careen toward an ending that's both haunting and hopeful.
Where do we look to find ourselves? The three plays in Prologue Theatre's second season explore this question beginning with Bert V. Royal's DOG SEES GOD: Confessions of a Teenage Blockhead. In this DARK comedy, personal identity, drug use, suicide, eating disorders, teen violence, rebellion, and sexual identity collide and careen toward an ending that's both haunting and hopeful.
BWW Review: ANATOLE: MOUSE MAGNIFIQUE at Imagination Stage
Oooh la la, the good folks at Imagination Stage have a Parisian musical spectacular in store for you with the non- cheesy story about a couple of mice out to save the cheeses of Paris. Anatole: Mouse Magnifique features a dynamic and fun score by James Valcq (Music), book and lyrics by John MacLay and Lee Becker, and a terrific no-holes-like-a-piece of-Swiss-cheese-staging from Tom Story.
Oooh la la, the good folks at Imagination Stage have a Parisian musical spectacular in store for you with the non- cheesy story about a couple of mice out to save the cheeses of Paris. Anatole: Mouse Magnifique features a dynamic and fun score by James Valcq (Music), book and lyrics by John MacLay and Lee Becker, and a terrific no-holes-like-a-piece of-Swiss-cheese-staging from Tom Story.
BWW Review: DICKENS'S DAVY COPPERFIELD at Imagination Stage
Over the years, Charles Dickens' works have been turned into many stage and film adaptations. I'm sure we've all seen A Christmas Carol or Oliver Twist in one form or another. While both are set against some bleak backdrops, they feature some larger-than-life characters that make them ripe for theatrical presentation.
Over the years, Charles Dickens' works have been turned into many stage and film adaptations. I'm sure we've all seen A Christmas Carol or Oliver Twist in one form or another. While both are set against some bleak backdrops, they feature some larger-than-life characters that make them ripe for theatrical presentation.
1st Stage Extends A CIVIL WAR CHRISTMAS Until December 30
1st Stage, Tysons Corner's award-winning professional theatre, announces the extension of their critically-acclaimed production of A Civil War Christmas: An American Musical Celebration until December 30.
1st Stage, Tysons Corner's award-winning professional theatre, announces the extension of their critically-acclaimed production of A Civil War Christmas: An American Musical Celebration until December 30.
Photo Flash: First Look at 1st Stage's A CIVIL WAR CHRISTMAS
It's 1864 and Washington, D.C. is settling down to the coldest Christmas Eve in years. "History lessons and holiday warmth sit cozily alongside each other" (The New York Times) in this pageant of carols by Paula Vogel, the Pulitzer Prize-winning writer of Indecent. Stories of many intertwining lives- spanning from the battlegrounds of Northern Virginia to the halls of the White House- demonstrate that the gladness of one's heart is the best gift of all. This "rich and moving play with music" (Variety) is a treat the whole family will enjoy.
It's 1864 and Washington, D.C. is settling down to the coldest Christmas Eve in years. "History lessons and holiday warmth sit cozily alongside each other" (The New York Times) in this pageant of carols by Paula Vogel, the Pulitzer Prize-winning writer of Indecent. Stories of many intertwining lives- spanning from the battlegrounds of Northern Virginia to the halls of the White House- demonstrate that the gladness of one's heart is the best gift of all. This "rich and moving play with music" (Variety) is a treat the whole family will enjoy.
1st Stage Presents Paula Vogel's A CIVIL WAR CHRISTMAS
It's 1864 and Washington, D.C. is settling down to the coldest Christmas Eve in years. "History lessons and holiday warmth sit cozily alongside each other" (The New York Times) in this pageant of carols by Paula Vogel, the Pulitzer Prize-winning writer of Indecent. Stories of many intertwining lives- spanning from the battlegrounds of Northern Virginia to the halls of the White House- demonstrate that the gladness of one's heart is the best gift of all. This "rich and moving play with music" (Variety) is a treat the whole family will enjoy.
It's 1864 and Washington, D.C. is settling down to the coldest Christmas Eve in years. "History lessons and holiday warmth sit cozily alongside each other" (The New York Times) in this pageant of carols by Paula Vogel, the Pulitzer Prize-winning writer of Indecent. Stories of many intertwining lives- spanning from the battlegrounds of Northern Virginia to the halls of the White House- demonstrate that the gladness of one's heart is the best gift of all. This "rich and moving play with music" (Variety) is a treat the whole family will enjoy.
BWW Review: ATMTC Thrills with BLUEBERRIES FOR SAL
Fats Domino once sang, 'I found my thrill, on Blueberry Hill.' He might have been channeling little Sal, the central character in Robert McCloskey's 1948 picture book, Blueberries for Sal. The book which in its almost 70 year existence, has been cited in many best of lists and was an award a Caldecott Honor in 1949. And finally, Adventure Theatre MTC has turned it into a delightful stage adaptation which is now playing through October 21, 2018 at Glen Echo Park.
Fats Domino once sang, 'I found my thrill, on Blueberry Hill.' He might have been channeling little Sal, the central character in Robert McCloskey's 1948 picture book, Blueberries for Sal. The book which in its almost 70 year existence, has been cited in many best of lists and was an award a Caldecott Honor in 1949. And finally, Adventure Theatre MTC has turned it into a delightful stage adaptation which is now playing through October 21, 2018 at Glen Echo Park.
BWW Review: ALEXANDER AND THE TERRIBLE, HORRIBLE, NO GOOD, VERY BAD DAY at Adventure Theatre
We all have bad days; it's inevitable. Something happens to us every once in a while that turns our day from good to bad. However, nothing can top the day that twelve-year-old Alexander has in Adventure Theatre's latest offering, Alexander and the Terrible, Horrible, No Good, Very Bad Day.
We all have bad days; it's inevitable. Something happens to us every once in a while that turns our day from good to bad. However, nothing can top the day that twelve-year-old Alexander has in Adventure Theatre's latest offering, Alexander and the Terrible, Horrible, No Good, Very Bad Day.
Adventure Presents ALEXANDER AND THE TERRIBLE, HORRIBLE, NO GOOD, VERY BAD DAY Opening February 9th
Adventure Theatre MTC (ATMTC), recent recipient of three 2017 Helen Hayes Awards, brings to the stage the musical version of a day gone wrong in Alexander and the Terrible, Horrible, No Good, Very Bad Day, directed by Cara Gabriel. Based on the popular book by Judith Viorst, this production is recommended for all ages and opens February 9, 2018. Tickets are $19.50 each and can be purchased online at www.adventuretheatre-mtc.org or by calling 301-634-2270.
Adventure Theatre MTC (ATMTC), recent recipient of three 2017 Helen Hayes Awards, brings to the stage the musical version of a day gone wrong in Alexander and the Terrible, Horrible, No Good, Very Bad Day, directed by Cara Gabriel. Based on the popular book by Judith Viorst, this production is recommended for all ages and opens February 9, 2018. Tickets are $19.50 each and can be purchased online at www.adventuretheatre-mtc.org or by calling 301-634-2270.
Cast, Creative Team Set for The Hub Theatre's 'PEEKABOO!' World Premiere
The Hub Theatre presents a nativity play like you have never seen by DC-native Anne M. McCaw. In PEEKABOO! A Nativity Play Mary and Joseph learn they are to be parents - of the world's savior no less - they get caught up in something much, much bigger than a couple of na ve kids are ready for. Directed by Hub Artistic Director Helen R. Murray, with musical arrangements by Jonathan Feuer, PEEKABOO! is a heartfelt farce of biblical proportions.
The Hub Theatre presents a nativity play like you have never seen by DC-native Anne M. McCaw. In PEEKABOO! A Nativity Play Mary and Joseph learn they are to be parents - of the world's savior no less - they get caught up in something much, much bigger than a couple of na ve kids are ready for. Directed by Hub Artistic Director Helen R. Murray, with musical arrangements by Jonathan Feuer, PEEKABOO! is a heartfelt farce of biblical proportions.
Cast, Creative Team Set for The Hub Theatre's 'PEEKABOO!' World Premiere
The Hub Theatre presents a nativity play like you have never seen by DC-native Anne M. McCaw. In PEEKABOO! A Nativity Play Mary and Joseph learn they are to be parents - of the world's savior no less - they get caught up in something much, much bigger than a couple of na ve kids are ready for. Directed by Hub Artistic Director Helen R. Murray, with musical arrangements by Jonathan Feuer, PEEKABOO! is a heartfelt farce of biblical proportions.
The Hub Theatre presents a nativity play like you have never seen by DC-native Anne M. McCaw. In PEEKABOO! A Nativity Play Mary and Joseph learn they are to be parents - of the world's savior no less - they get caught up in something much, much bigger than a couple of na ve kids are ready for. Directed by Hub Artistic Director Helen R. Murray, with musical arrangements by Jonathan Feuer, PEEKABOO! is a heartfelt farce of biblical proportions.
BWW Review: JUNIE B. JONES IS NOT A CROOK at Adventure Theatre
WOWEE WOW WOW!! Junie B. Jones and all of her friends are inhabiting Adventure Theatre this summer for a fun-filled tale of missing gloves, true loves, and fast feet. Fueled by a super colossus performance from pint-size dynamo Megan Graves in the title role and helmed by master director Rick Hammerly, Junie B. Jones is Not a Crook proves that you can enjoy a Theatre for Young Audiences (TYA) show at any age.
WOWEE WOW WOW!! Junie B. Jones and all of her friends are inhabiting Adventure Theatre this summer for a fun-filled tale of missing gloves, true loves, and fast feet. Fueled by a super colossus performance from pint-size dynamo Megan Graves in the title role and helmed by master director Rick Hammerly, Junie B. Jones is Not a Crook proves that you can enjoy a Theatre for Young Audiences (TYA) show at any age.
BWW Review: Feet Planted Firmly In The Air: HAIRSPRAY at Toby's
Hairspray is, in fact, a great raspberry blown in the face of realistic expectations, a visit to a fantasyland where cruelty and meanness and class pretensions stand no chance. And we never get tired of watching that raspberry get blown.
Hairspray is, in fact, a great raspberry blown in the face of realistic expectations, a visit to a fantasyland where cruelty and meanness and class pretensions stand no chance. And we never get tired of watching that raspberry get blown.
BWW Reviews: Strong Production, Profound Show: INTO THE WOODS at Toby's
The characters are all compelled by circumstances to go back into the woods, and this time they encounter there such things as infidelity, divorce, the death of parents, the death of children, abandonment, catastrophe - and overarching this the absence of a narration (the narrator becomes a casualty) or any other authoritative guidance as to the choices that need to be made. As one of the characters observes: 'The path has strayed from you.' The unsettling conclusion: 'You decide what's right / You decide what's good.' This is all incredibly sad and confusing, not to mention frightening, and yet as the core of surviving characters gels, so does the indomitability of the human spirit they evince.
The characters are all compelled by circumstances to go back into the woods, and this time they encounter there such things as infidelity, divorce, the death of parents, the death of children, abandonment, catastrophe - and overarching this the absence of a narration (the narrator becomes a casualty) or any other authoritative guidance as to the choices that need to be made. As one of the characters observes: 'The path has strayed from you.' The unsettling conclusion: 'You decide what's right / You decide what's good.' This is all incredibly sad and confusing, not to mention frightening, and yet as the core of surviving characters gels, so does the indomitability of the human spirit they evince.
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