Review: FANNY, Watermill Theatre
With a captivating performance from Charlie Russell leading a fantastic ensemble and a well crafted script by Calum Finlay, this should mark your next visit to the Watermill Theatre in its amazing summer season.
FANNY Company Invites Women Musicians to Take Part in 'A Noble Call'
The company of the world premiere production of FANNY - a new comedy by Calum Finlay centring on the life of Fanny Mendelssohn - have issued an invitation to women musicians to take part in the Irish tradition of the Noble Call, which is derived from the tradition of calling on guests at a party to share a song, a poem or to respond to the mood of the day.
Cast Set For COMPOSITOR E at Omnibus Theatre
Omnibus Theatre has announced the full cast for Charlie Dupré’s Compositor E as part of the theatre’s 10th Birthday Season. Set in a print shop working on what would become Shakespeare’s First Folio, Compositor E is presented in line with the 400th anniversary of its printing. Artistic Director Marie McCarthy directs Tré Medley (John Leason), Kaffe Keating (Isaac Jaggard) and David Monteith (Richard Bardolph).
COMPOSITOR E Comes to Omnibus Theatre
Following the success of recent co-productions including FIJI, THE GIRL WHO WAS VERY GOOD and DRUM, Omnibus Theatre has announced Charlie Dupré’s Compositor E, directed by the Omnibus Theatre’s Artistic Director Marie McCarthy.
The Barn Theatre in Cirencester Extends ONCE THE MUSICAL
The Barn Theatre in Cirencester has announced that their reimagined production of the Tony and Olivier award-winning musical Once has extended its run at the Cotswold theatre until 19th August. The production forms part of the Barn Theatre’s fifth anniversary season.
Review: DADDY ISSUES, Seven Dials Playhouse
It’s the first anniversary of the death of Imi’s father and she’s having a lonely wake for Roger, her 8-month-old therapy dog whom she’s convinced absorbed all her feelings and kicked the bucket for it. “We’re the live, get on with it, cry on your own silently kind of family”, she says.
Review: THE MOORS, The Hope Theatre
Phil Bartlett presents the British première with a sinister wink and eerie humour, but the text is a mismatch of gothic tropes and too unsure of its identity for the production to come together well. It's astonishing how the narrative lack of focus is as prominent as the precision of the direction and technical side of the show is.