Feature: Matt August Talks New Role As Artistic Director, Programming Future at Arizona Theatre Company
All of these theaters had programming that was - you know, sort of your tent poles on the mainstage, your occasional blockbuster musical. On the second stage, there was riskier work, new work being developed that might not appeal to a 700-seat audience. I thought that was incredible - you're doing these blockbuster Broadway musicals, the best of the best plays, and then new work that is exciting and thrilling. And that sort of became part of my DNA as I was thinking about directing.
Tony-Nominated Set and Costume Designer G.W. Mercier Has Passed Away at 66
G.W. “Skip” Mercier (1954 – 2021) of Rowayton, CT—Skip to his many loving friends, students, and relations—died at home March 11th in the company of his family, of pancreatic cancer. He was born July 20th, 1954 in Methuen, MA to George and Margaret Condon Mercier and was raised in Haverhill, MA.
Seven Devils Playwrights Conference Goes Virtual in 2020
The future of the American Theater may suddenly be top of mind for theater makers, everywhere, but for the team at Seven Devils New Play Foundry (Formerly id Theatre, Inc.), the future of the American Theater has always been the focus.
BWW 2019 Seattle Critic's Choice Awards (Jay's Picks)
Oh my! What a year! We've seen bad-ass gospel singers, lost Jewish plays, mythical towns of excretion and even an octopus wrestler or two. No, those aren't allusions to the crazy theater going on in Washington D.C. but the crazy wonderful theater going on right here in the Seattle area. It was tough coming up with just one winner (or even just a few Honorable Mentions) but I managed to do it a?? for the most part. Plus, some shows that more of you should have seen. (Yes, that's me nagging you all, Dear Readers, to check out more of the smaller or obscure theaters around here.) But what it all comes down to is, we're blessed here in the Northwest with an over-abundance of theatrical riches and I'm so fortunate to be able to share some of my favorites of the year with you with the BWW 2019 Seattle Critic's Choice Awards (Jay's Picks). So, let's get started, shall we?
BWW Review: ACT's Near Perfect ROMEO + JULIET is the One We've Been Waiting For
Over the years, Dear Readers, I've seen many productions of Shakespeare's oft-produced tragedy 'Romeo + Juliet'. So many productions from so many levels of professionalism with so many different takes on how to tell the story. And to be honest, only one of them even came close to bringing the story of the star-crossed lovers to life. That is until now. ACT's current production with its vibrant staging and top-notch cast incorporating Deaf and hearing actors using American Sign Language in conjunction with the Shakespearean text has created a new standard by which all other R+J's must be judged from here on.
BWW Review: Seattle Rep's LAST OF THE BOYS Delivers an Emotional Gut Punch
Steven Dietz is touted as being 'one of America's most successful, prolific living dramatists' (The Seattle Times, 2018) and it's no surprise given his rich, engaging characters, raw, honest dialog, and stories that feel effortless as they slip in the emotional knife before you know it. Such is certainly the case with his 2004 work, "Last of the Boys", currently showing at the Seattle Rep.
Full Cast Announced for Lisa Kron's WELL at Seattle Rep
Seattle Repertory Theatre announces the complete cast of its upcoming production of Tony Award-winning writer Lisa Kron's (Fun Home) funny and brilliant play Well, set to star beloved Seattle talents Barbara Dirickson and Sarah Rudinoff. Well is dark comedy at its finest and is being directed by Seattle Rep Artistic Director Braden Abraham.
Full Cast Announced for Lisa Kron's WELL at Seattle Rep
Seattle Repertory Theatre announces the complete cast of its upcoming production of Tony Award-winning writer Lisa Kron's (Fun Home) funny and brilliant play Well, set to star beloved Seattle talents Barbara Dirickson and Sarah Rudinoff. Well is dark comedy at its finest and is being directed by Seattle Rep Artistic Director Braden Abraham.