Sarah Peter
Latest News on Sarah Peter:
AMERICAN MASTERS Presents an 'Artists Flight' of New Documentaries (Aug 6, 2018)
BWW Review: OH WHAT A NIGHT Proves it is Quite a Night in San Antonio (Jun 26, 2017)
Photo Flash: Anna Deveare Smith, Cast of THE WOLVES and More at Playwrights Realm's 10th Anniversary Writers Block Party (May 18, 2017)
AMERICAN MASTERS Presents an 'Artists Flight' of New Documentaries (Aug 6, 2018)
BWW Review: OH WHAT A NIGHT Proves it is Quite a Night in San Antonio (Jun 26, 2017)
Photo Flash: Anna Deveare Smith, Cast of THE WOLVES and More at Playwrights Realm's 10th Anniversary Writers Block Party (May 18, 2017)
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AMERICAN MASTERS Presents an 'Artists Flight' of New Documentaries
Uncovering the lives and works of four groundbreaking visual artists, American Masters presents an "Artists Flight" of new documentaries, premiering Fridays, August 31-September 14 on PBS (check local listings). Four films tell the stories of four artists: Eva Hesse, the 1960s art world icon who changed art history and women's place in the picture; New York contemporary art maverick Elizabeth Murray; painter Andrew Wyeth, one of America's most popular, but least understood, artists; and Jean-Michel Basquiat, the New York graffiti artist turned '80s art world rock star who died 30 years ago (August 12, 1988). Each film will be available to stream the following day via pbs.org/americanmasters and PBS apps.
Uncovering the lives and works of four groundbreaking visual artists, American Masters presents an "Artists Flight" of new documentaries, premiering Fridays, August 31-September 14 on PBS (check local listings). Four films tell the stories of four artists: Eva Hesse, the 1960s art world icon who changed art history and women's place in the picture; New York contemporary art maverick Elizabeth Murray; painter Andrew Wyeth, one of America's most popular, but least understood, artists; and Jean-Michel Basquiat, the New York graffiti artist turned '80s art world rock star who died 30 years ago (August 12, 1988). Each film will be available to stream the following day via pbs.org/americanmasters and PBS apps.
BWW Review: OH WHAT A NIGHT Proves it is Quite a Night in San Antonio
San Antonio, Texas has a rich history especially that of the Alamo and many military bases that have existed over the years. But, along with its history, San Antonio also has a lot of talent that has been seen at many of the local theaters rich in history. One such theater is that of the Harlequin Theatre located on Ft. Sam Houston Military Base.
San Antonio, Texas has a rich history especially that of the Alamo and many military bases that have existed over the years. But, along with its history, San Antonio also has a lot of talent that has been seen at many of the local theaters rich in history. One such theater is that of the Harlequin Theatre located on Ft. Sam Houston Military Base.
Photo Flash: Anna Deveare Smith, Cast of THE WOLVES and More at Playwrights Realm's 10th Anniversary Writers Block Party
The Playwrights Realm, led by Katherine Kovner, Founding Artistic Director, and Roberta Pereira, Producing Director, celebrated its tenth anniversary with the annual Writers Block Party honoring Realm Board Member and award-winning playwright and actor, Anna Deavere Smith. The Writers Block Party took place on Tuesday, May 16, 2017 at The Stanley H. Kaplan Penthouse in the Samuel B. & David Rose Building, and was hosted by Lauren Patten (Fun Home, The Wolves). Scroll down for photos from the event!
The Playwrights Realm, led by Katherine Kovner, Founding Artistic Director, and Roberta Pereira, Producing Director, celebrated its tenth anniversary with the annual Writers Block Party honoring Realm Board Member and award-winning playwright and actor, Anna Deavere Smith. The Writers Block Party took place on Tuesday, May 16, 2017 at The Stanley H. Kaplan Penthouse in the Samuel B. & David Rose Building, and was hosted by Lauren Patten (Fun Home, The Wolves). Scroll down for photos from the event!
The Drawing Center Presents MATEO LOPEZ: UNDO LIST, Today
The Drawing Center will present Mateo López: Undo List, a multidisciplinary installation that will be the Colombian artist's first solo museum exhibition in the United States and that will feature works on paper, sculpture, performance, and projected film. Trained as an architect in his native Bogotá, López has long used drawing as a conceptual tool to cross disciplines and aesthetic categories. Drawing is more than an artistic medium for López; it is a way of conceiving and indeed inhabiting the world. Simple drawn constructions that can be manipulated in various ways; trompe l'oeil paper renderings of two and three dimensional objects (for example, near-exact replicas of lined sheets of paper); drawings made out of the leftovers produced by cutting into other works—these are just some of the devices López uses to reveal that, as he says himself, just as everything manufactured was at one point a drawing, so too, “an image is not flat; it is an atmosphere, it contains time and space.” Organized by Claire Gilman, Senior Curator.
The Drawing Center will present Mateo López: Undo List, a multidisciplinary installation that will be the Colombian artist's first solo museum exhibition in the United States and that will feature works on paper, sculpture, performance, and projected film. Trained as an architect in his native Bogotá, López has long used drawing as a conceptual tool to cross disciplines and aesthetic categories. Drawing is more than an artistic medium for López; it is a way of conceiving and indeed inhabiting the world. Simple drawn constructions that can be manipulated in various ways; trompe l'oeil paper renderings of two and three dimensional objects (for example, near-exact replicas of lined sheets of paper); drawings made out of the leftovers produced by cutting into other works—these are just some of the devices López uses to reveal that, as he says himself, just as everything manufactured was at one point a drawing, so too, “an image is not flat; it is an atmosphere, it contains time and space.” Organized by Claire Gilman, Senior Curator.
The Drawing Center Presents MATEO LOPEZ: UNDO LIST, 1/20
The Drawing Center will present Mateo López: Undo List, a multidisciplinary installation that will be the Colombian artist's first solo museum exhibition in the United States and that will feature works on paper, sculpture, performance, and projected film. Trained as an architect in his native Bogotá, López has long used drawing as a conceptual tool to cross disciplines and aesthetic categories. Drawing is more than an artistic medium for López; it is a way of conceiving and indeed inhabiting the world. Simple drawn constructions that can be manipulated in various ways; trompe l'oeil paper renderings of two and three dimensional objects (for example, near-exact replicas of lined sheets of paper); drawings made out of the leftovers produced by cutting into other works—these are just some of the devices López uses to reveal that, as he says himself, just as everything manufactured was at one point a drawing, so too, “an image is not flat; it is an atmosphere, it contains time and space.” Organized by Claire Gilman, Senior Curator.
The Drawing Center will present Mateo López: Undo List, a multidisciplinary installation that will be the Colombian artist's first solo museum exhibition in the United States and that will feature works on paper, sculpture, performance, and projected film. Trained as an architect in his native Bogotá, López has long used drawing as a conceptual tool to cross disciplines and aesthetic categories. Drawing is more than an artistic medium for López; it is a way of conceiving and indeed inhabiting the world. Simple drawn constructions that can be manipulated in various ways; trompe l'oeil paper renderings of two and three dimensional objects (for example, near-exact replicas of lined sheets of paper); drawings made out of the leftovers produced by cutting into other works—these are just some of the devices López uses to reveal that, as he says himself, just as everything manufactured was at one point a drawing, so too, “an image is not flat; it is an atmosphere, it contains time and space.” Organized by Claire Gilman, Senior Curator.
Photo Flash: Sneak Peek at MAD's PATHMAKERS: WOMEN IN ART Exhibit
From April 28 to September 27, 2015, the Museum of Arts and Design (MAD) presents Pathmakers: Women in Art, Craft and Design, Midcentury and Today, an exhibition thatconsiders the notable contributions of women to modernism in postwar visual culture. In the 1950s and '60s, an era when painting, sculpture and architecture were dominated by men, women had extensive impact in alternative materials such as textiles, ceramics and metals. Largely unexamined in major art historical surveys, due to either their gender or their choice of materials, these pioneering women achieved success and international recognition, establishing a model of professional identity for future generations. Check out a sample of the artwork, including photographs, sculptures and more, below!
From April 28 to September 27, 2015, the Museum of Arts and Design (MAD) presents Pathmakers: Women in Art, Craft and Design, Midcentury and Today, an exhibition thatconsiders the notable contributions of women to modernism in postwar visual culture. In the 1950s and '60s, an era when painting, sculpture and architecture were dominated by men, women had extensive impact in alternative materials such as textiles, ceramics and metals. Largely unexamined in major art historical surveys, due to either their gender or their choice of materials, these pioneering women achieved success and international recognition, establishing a model of professional identity for future generations. Check out a sample of the artwork, including photographs, sculptures and more, below!
MAD Foregrounds Women's Contribution to Postwar Visual Culture and Explores Their Legacy in Upcoming Exhibition
From April 28 to September 27, 2015, the Museum of Arts and Design (MAD) presents Pathmakers: Women in Art, Craft and Design, Midcentury and Today, an exhibition that considers the notable contributions of women to modernism in postwar visual culture.
From April 28 to September 27, 2015, the Museum of Arts and Design (MAD) presents Pathmakers: Women in Art, Craft and Design, Midcentury and Today, an exhibition that considers the notable contributions of women to modernism in postwar visual culture.
The Metropolitan Museum of Art Announces an Annual Attendance of 6.2 Million
The Metropolitan Museum of Art announced that 6.2 million people—from New York City, the tri-state area, across the United States, and 187 foreign countries—visited the Museum during the fiscal year that ended on June 30. For the third year in a row, attendance at the Museum has exceeded six million—the highest levels of visitorship since the Museum began tracking admission statistics more than 40 years ago. The number includes attendance at both the main building on Fifth Avenue and The Cloisters museum and gardens in upper Manhattan, the branch of the Metropolitan devoted to the art and architecture of the Middle Ages. The Cloisters experienced a remarkable 50% increase in attendance in the past fiscal year, attracting nearly 350,000 visitors.
The Metropolitan Museum of Art announced that 6.2 million people—from New York City, the tri-state area, across the United States, and 187 foreign countries—visited the Museum during the fiscal year that ended on June 30. For the third year in a row, attendance at the Museum has exceeded six million—the highest levels of visitorship since the Museum began tracking admission statistics more than 40 years ago. The number includes attendance at both the main building on Fifth Avenue and The Cloisters museum and gardens in upper Manhattan, the branch of the Metropolitan devoted to the art and architecture of the Middle Ages. The Cloisters experienced a remarkable 50% increase in attendance in the past fiscal year, attracting nearly 350,000 visitors.
Drawing Time, Reading Time + Dickinson/Walser & Engelen Opens this Month at Drawing Center
The Drawing Center will present three new exhibitions in November - two concurrently, Drawing Time, Reading Time and Dickinson/Walser: Pencil Sketches and one week later, William Engelen: Falten opens in our Lab gallery.
The Drawing Center will present three new exhibitions in November - two concurrently, Drawing Time, Reading Time and Dickinson/Walser: Pencil Sketches and one week later, William Engelen: Falten opens in our Lab gallery.
The Met Announces New Exhibitions, Janet Cardiff, Interwoven Globe & More
The Met Announces New Exhibitions, Janet Cardiff, Interwoven Globe & More
The Met Announces New Exhibitions, Janet Cardiff, Interwoven Globe & More
The Cloisters Opens THE FORTY PART MOTET, Sound Installation by Janet Cardiff, Today
As part of the year-long celebration of its 75th anniversary, The Cloisters museum and gardens-The Metropolitan Museum of Art's branch museum dedicated to the art and architecture of medieval Europe-will present The Forty Part Motet (2001), a sound installation by Janet Cardiff (Canadian, born 1957). Janet Cardiff: The Forty Part Motet, which represents the first time a work of contemporary art has been shown at The Cloisters, opens today, September 10.
As part of the year-long celebration of its 75th anniversary, The Cloisters museum and gardens-The Metropolitan Museum of Art's branch museum dedicated to the art and architecture of medieval Europe-will present The Forty Part Motet (2001), a sound installation by Janet Cardiff (Canadian, born 1957). Janet Cardiff: The Forty Part Motet, which represents the first time a work of contemporary art has been shown at The Cloisters, opens today, September 10.
Contemporary Sound Installation by Janet Cardiff to Open 9/10 at The Cloisters
Sound Installation by Janet Cardiff to be Presented This Fall at The Cloisters-the First Contemporary Work at the Metropolitan Museum's Renowned Branch for Medieval Art and Architecture
Sound Installation by Janet Cardiff to be Presented This Fall at The Cloisters-the First Contemporary Work at the Metropolitan Museum's Renowned Branch for Medieval Art and Architecture
The Cloisters Presents THE FORTY PART MOTET, Sound Installation by Janet Cardiff, 9/10
As part of the year-long celebration of its 75th anniversary, The Cloisters museum and gardens—The Metropolitan Museum of Art's branch museum dedicated to the art and architecture of medieval Europe—will present The Forty Part Motet (2001), a sound installation by Janet Cardiff (Canadian, born 1957). Janet Cardiff: The Forty Part Motet, which represents the first time a work of contemporary art has been shown at The Cloisters, opens September 10.
As part of the year-long celebration of its 75th anniversary, The Cloisters museum and gardens—The Metropolitan Museum of Art's branch museum dedicated to the art and architecture of medieval Europe—will present The Forty Part Motet (2001), a sound installation by Janet Cardiff (Canadian, born 1957). Janet Cardiff: The Forty Part Motet, which represents the first time a work of contemporary art has been shown at The Cloisters, opens September 10.
Katrin Sigurdardottir On View At The MET 10/19
Katrin Sigurdardottir at the Met is an exhibition of two new sculptural installations created specifically for the Metropolitan by Sigurdardottir, an Icelandic artist (born in 1967), who lives and works in New York City and Reykjavik.
Katrin Sigurdardottir at the Met is an exhibition of two new sculptural installations created specifically for the Metropolitan by Sigurdardottir, an Icelandic artist (born in 1967), who lives and works in New York City and Reykjavik.
Katrin Sigurdardottir On View At The MET 10/19
Katrin Sigurdardottir at the Met is an exhibition of two new sculptural installations created specifically for the Metropolitan by Sigurdardottir, an Icelandic artist (born in 1967), who lives and works in New York City and Reykjavik.
Katrin Sigurdardottir at the Met is an exhibition of two new sculptural installations created specifically for the Metropolitan by Sigurdardottir, an Icelandic artist (born in 1967), who lives and works in New York City and Reykjavik.
MoMA Opens 'Counter Space', 9/15
The Museum of Modern Art presents Counter Space: Design and the Modern Kitchen, an exhibition that examines the kitchen and its continual redesign as a barometer of changing ideologies and technologies, and explores the twentieth-century transformation of the kitchen as a space of huge symbolic and practical significance. On view from September 15, 2010, through March 14, 2011, its centerpiece is MoMA's recent acquisition of an unusually complete example of the iconic 'Frankfurt Kitchen.' Designed in 1926-27 by Grete Schütte-Lihotzky, it is the earliest work by a female architect in the collection. In the aftermath of World War I, thousands of these kitchens were manufactured for public-housing estates being built around Frankfurt-am-Main, Germany, as part of a comprehensive program to modernize the city and society. Schütte-Lihotzky's compact and ergonomic design, with its integrated approach to storage, appliances, and work surfaces, reflected a commitment to transforming the lives of ordinary working people on an ambitious scale. Counter Space: Design and the Modern Kitchen comprises works drawn from the Museum's collection, including design objects, photography, film, prints, drawings, and paintings. The exhibition is organized by Juliet Kinchin, Curator, and Aidan O'Connor, Curatorial Assistant, Department of Architecture and Design, The Museum of Modern Art.
The Museum of Modern Art presents Counter Space: Design and the Modern Kitchen, an exhibition that examines the kitchen and its continual redesign as a barometer of changing ideologies and technologies, and explores the twentieth-century transformation of the kitchen as a space of huge symbolic and practical significance. On view from September 15, 2010, through March 14, 2011, its centerpiece is MoMA's recent acquisition of an unusually complete example of the iconic 'Frankfurt Kitchen.' Designed in 1926-27 by Grete Schütte-Lihotzky, it is the earliest work by a female architect in the collection. In the aftermath of World War I, thousands of these kitchens were manufactured for public-housing estates being built around Frankfurt-am-Main, Germany, as part of a comprehensive program to modernize the city and society. Schütte-Lihotzky's compact and ergonomic design, with its integrated approach to storage, appliances, and work surfaces, reflected a commitment to transforming the lives of ordinary working people on an ambitious scale. Counter Space: Design and the Modern Kitchen comprises works drawn from the Museum's collection, including design objects, photography, film, prints, drawings, and paintings. The exhibition is organized by Juliet Kinchin, Curator, and Aidan O'Connor, Curatorial Assistant, Department of Architecture and Design, The Museum of Modern Art.
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