Sarah Dowling

Teatro Live! to Present Noël Coward Classic PRIVATE LIVES This Summer

Teatro Live’s 2023/24 season of travel and discovery is nearing its conclusion, sailing into port with one final offering, Noel Coward's Private Lives. Learn how to purchase tickets.

'Everyone Deserves to Experience This Show and Fall in Love With it as I Have': dodie on Joining THE BURNT CITY for One Night Only

BroadwayWorld UK had the chance to speak with singer-songwriter dodie about her one-off performance at The Burnt City. We discussed their love for Punchdrunk, what it’s like to be doing a one-night-only performance, and what she hopes audiences take away from the show as a whole.

EVERYBODY GOES TO MITZI'S Comes to Varscona Theatre in July

Teatro Live! is preparing to launch the first ever revival of Everybody Goes to Mitzi’s, an original musical comedy, created by a quartet of Teatro’s brightest young stars in 2009, and now returning with one of the company’s best loved leading ladies. 

BWW Review: THE BURNT CITY, One Cartridge Place

The Trojan War is the stuff of countless myths and later retellings. But probably none of them could make you get physically lost in the labyrinthine worlds of Hecuba's Troy and Agamemnon's Mycenae. For that, you would need to head to One Cartridge Place, where the renowned immersive theatre company Punchdrunk has opened the gates to The Burnt City, marking their long-awaited return to London after an eight-year hiatus.

Photo Flash: First Look at MY BRILLIANT FRIEND at the National Theatre

Following a sell-out run at Rose Theatre Kingston, the acclaimed two-part adaptation of Elena Ferrante's MY BRILLIANT FRIEND by April De Angelis is reworked for the Olivier stage by Melly Still. Niamh Cusack and Catherine McCormack return to the roles they originated as Lenu and Lila.

National Theatre Announces December 2019 �" June 2020 Lineup; ROMEO & JULIET, SEA SICK, and More!

The National Theatre has announced its upcoming lineup for December 2019 - June 2020.

Photo Flash: Inside Rehearsal For MY BRILLIANT FRIEND at the National Theatre

When the most important person in her life goes missing without a trace, Lenu Greco, now a celebrated author, begins to recall a relationship of more than 60 years. First meeting on the dangerous streets of post-war Naples, friends Lila and Lenu experience turbulent social and political change, from the rise of the Camorra to the sexual revolution and the transformation of their neighbourhood, city and nation. But even as life repeatedly tries to pull them in separate directions, they remain inextricably bound to one another.

National Theatre Announces New Productions, Including Emma Rice and Tony Kushner Adaptations

The National Theatre has announced its productions on-sale for October 2019 a?' March 2020

Casting Announced For New Line Theatre's 29th Season!

New Line Theatre, "the bad boy of musical theatre," has announced casting for its 29th season of adult, alternative musical theatre, which opens with the return of the wild, comic rock musical CRY-BABY,  based on the iconic John Waters film, a show which New Line first produced in 2012 in its American regional premiere, running Sept. 26-Oct. 19, 2019. The season continues with the electrifying new rock musical fresh from Broadway, in its regional premiere, HEAD OVER HEELS, a high-energy, adult romp about gender and sexuality, based on a 16th-century novel and using the songs of the 80s rock band The Go-Go's, running March 5-28, 2020. And the season closes with the return of one of New Line's biggest hits, which the New Liners first presented in 2007, the pitch dark satire URINETOWN, the hilarious, outrageous fable of greed, corruption, love, revolution, and urination, running June 4-27, 2020.

The National Theatre Announces 15 Productions Of New Plays And Fresh Adaptations By Leading Writers

The National Theatre has announced 15 productions of new plays and fresh adaptations by leading writers.

Casting and Creative Teams Announced For Theatre Royal Stratford East And English National Opera's NOYE'S FLUDDE

Theatre Royal Stratford East and English National Opera are pleased to announce the cast and creative team for their new production of Benjamin Britten's masterpiece, Noye's Fludde. Combining professional singers, actors and musicians with those of school children and the local community, Lyndsey Turner directs this joyous new production at Theatre Royal Stratford East between 1 and 13 July 2019.

Third Eye Theatre Ensemble Announces The 20th Anniversary Chicago Production Of PATIENCE & SARAH: A PIONEERING LOVE STORY

Third Eye Theatre Ensemble celebrates their fifth season with Paula M. Kimper's Patience & Sarah: A Pioneering Love Story at Theater Wit, 1229 W. Belmont, October 5th-October 21st. Set in Connecticut in the winter of 1816, the opera tells the powerful story of two young women who meet, fall in love, and resolve to devote their lives to each other.

Third Eye Theatre Ensemble Announces The 20th Anniversary Chicago Production Of PATIENCE & SARAH: A PIONEERING LOVE STORY

Third Eye Theatre Ensemble celebrates their fifth season with Paula M. Kimper's Patience & Sarah: A Pioneering Love Story at Theater Wit, 1229 W. Belmont, October 5th-October 21st. Set in Connecticut in the winter of 1816, the opera tells the powerful story of two young women who meet, fall in love, and resolve to devote their lives to each other.

Photo Flash: New Line Theatre Presents YEAST NATION

New Line Theatre, "the bad boy of musical theatre," presents the area premiere of YEAST NATION: THE TRIUMPH OF LIFE, the world's first bio-historical musical, a comic political thriller with book and lyrics by Greg Kotis, and music and lyrics by Mark Hollmann, the subversive geniuses behind the award-winning Broadway musical Urinetown, running May 31-June 23, 2018 at the Marcelle Theater in the Grand Center Arts District. 

New Line's Season Continues With Zombies, The Smart Set, and Yeasts!

New Line Theatre, the bad boy of musical theatre, continues its 27th season of adult, alternative musical theatre, with a public reading of the new/old musical THE ZOMBIES OF PENZANCE, 'Gilbert & Sullivan's original operatic abomination,' free and open to the public, on January 8 for one night only; followed by Cole Porter's satiric masterpiece ANYTHING GOES, running March 1-24, 2018; and the St. Louis premiere of the world's first bio-historical musical comedy, YEAST NATION, written by the Urinetown team, running May 31-June 23, 2018. All shows will be in the company's home, the Marcelle Theater, in the Grand Center Arts District.

New Line Theatre Announces Season Tickets for the First Time!

New Line Theatre, "the bad boy of musical theatre," has announced that for the first time in its history, New Line is selling season tickets, for its 27th season of adult, alternative musical theatre, including the St. Louis premiere of the four-woman rock opera LIZZIE, a very different take on the Lizzie Borden legend, running Sept. 28-Oct. 21, 2017; followed by Cole Porter's satiric masterpiece ANYTHING GOES, running March 1-24, 2018; and the St. Louis premiere of the world's first bio-historical musical comedy, YEAST NATION, written by the Urinetown team, running May 31-June 23, 2018. Tickets go on sale Aug. 1. All New Line's mainstage shows will be in the company's home, the Marcelle Theater, in Grand Center, St. Louis' arts district.

Casting Announced for New Line Theatre's 27th Season!

New Line Theatre, "the bad boy of musical theatre," announces its 27th season of adult, alternative musical theatre, including the St. Louis premiere of the four-woman rock opera LIZZIE, a very different take on the Lizzie Borden legend, running Sept. 28-Oct. 21, 2017; followed by Cole Porter's satiric masterpiece ANYTHING GOES, running March 1-24, 2018; and the St. Louis premiere of the world's first bio-historical musical comedy, YEAST NATION, written by the Urinetown team, running May 31-June 23, 2018. All New Line's mainstage shows will be in the company's home, the Marcelle Theater, in Grand Center, St. Louis' arts district.

BWW Review: New Line Theatre's ZORBA Exhibits Zest for Life

There's something oddly life-affirming about the character of Zobra. He's a cheerleader for living life to its fullest. ZORBA the musical (lyrics by Fred Ebb, music by John Kander, and book by Joseph Stein) impresses an audience with the realization that time never stands still, and therefore, life goes on despite the nasty curves it may lob our way. New Line Theatre's production is a real revelation, because even though this show received its fair share of award nominations, it's really not revived that often. Perhaps it's the darker elements that pervade the show that turn some people off, but then life isn't always sunshine and roses, so I like that they are present. This kind of presentation is something that New Line does better than anyone else, and that's to revive a neglected or forgotten show for a new audience to appreciate, and their track record is impeccable in this regard. This show is a genuine must see, and taking it in I've come to realize that we all need our own personal 'Zorba' to prod us into taking risks and fully investing ourselves in whatever we do, even if things might go awry on occasion.

Photo Flash: New Line Theatre presents ZORBA

It's 1924, on the Greek island of Crete, and you're about to go on a wild, whirlwind tour of the lusty passions of the human heart.

BWW Review: New Line Theatre's Fantastic CELEBRATION

Though I'm extremely familiar with Tom Jones' (words) and Harvey Schmidt's (music) most popular work, THE FANTASTICKS, I had never seen their follow up, CELEBRATION. What I'd read while doing research was that it really fizzled once it was on Broadway. However, after seeing it I can understand why; it's a smaller scaled show that requires just the right venue to succeed. That's why I'm so glad New Line Theatre opened their 26th season with this fanciful and tune-filled musical. Through their superlative efforts we're able to see the premiere of a version that's been revised by Tom Jones. I'm not sure what was changed, but what we're privy to is a very engaging and entertaining production that will make you wonder why it isn't performed with more regularity. The score itself is gorgeous, and I cannot recommend this neglected gem highly enough.