BWW Review: Post-Pandemic DRIVING MISS DAISY at Cumberland County Playhouse Gains Renewed Vigor
One of the most glorious attributes of the theater is the experience of seeing a play you know quite well due to multiple productions over the years and to somehow find it fresh and invigorating, as if it is the first time all over again. Such is the case with Alfred Uhry’s seemingly ubiquitous Driving Miss Daisy, which has been presented in countless productions of varying degrees of professionalism since its 1987 debut.
GOOD MORNING, THEATERATI for May 22, 2017
GOOD MORNING, THEATERATI! According to my iPhone today is Monday, 22 May 2017 - the weekend, busy as it was, is over and we're left hankering for a few days off in order to relax and rejuvenate…which makes us ponder this musical question: What are your plans for next weekend? In our mind, of course, our mama is warning us that such queries are symptomatic of us 'wishing [our] life away,' as she would always admonish us to live in the now instead of trying to leap-frog over the next five days. So sayeth my beloved mama: 'Live life dramatically.' Therefore, a nap might have to suffice…
GOOD MORNING, THEATERATI for May 17, 2017
GOOD MORNING, THEATERATI! It's May 17, 2017, and summer - or a reasonable facsimile thereof - has arrived in Nashville, with temperatures already climbing toward the 90s! When prompts the musical question: What's on your agenda for the summer of 2017? Anything we should know about and, more importantly, write about?
BWW Interview: Bryce McDonald Comes Home to Cumberland County Playhouse
Should you ask Bryce McDonald to point out the year of his life in which it was changed - irrevocably, but most certainly, for the better - chances are he would have difficulty in pinning down the most significant time in his life. He might select 1984, the year he first attended a show at Cumberland County Playhouse (it was Annie), or 1996 when he first stepped onto the CCP stage as a young man (in Oliver!) or it might be 1999, when he first began to train as a stage manager at the iconic Crossville theater (again, it was Annie) that has become 'home' for countless theater artists over the years.
BWW Reviews: Cumberland County Playhouse Presents LES MISERABLES
Heartbreak, injustice, death, redemption, faith, determination, love, and a host of other human experiences are all there for you in Les Miserables. But all you truly need to remember to grasp the theme of the show is in the last song. 'To love another person is to see the face of God.'