Review: SUNNY DAYS at The VORTEX Theatre
The VORTEX Theatre, funded in part by the National Endowment for the Arts, Save Our Springs Alliance, Six Square-Austin’s Black Cultural District, the City of Austin Economic Development Department, and the Texas Commission on the Arts, presents the world premier of Reina Hardy’s SUNNY DAYS on their “Eloise' Stage this fall. A powerful new work, combined with impressive acting and direction, this play tackles issues of human rights and climate crisis while incorporating multiple forms of puppetry (traditional Muppet-type puppets, sock puppets, shadow puppets, paper puppets, and a GarBarge made of trash). The play's approach encourages audiences to reflect deeply on the fragility of hope and the pervasive nature of global challenges.
Cast and Creative Team Announced for WAM Theatre's FRAGMENTS OF OUTSIDE
WAM Theatre has announced the ensemble of performers and designers who are collaborating to create the site-specific performance fragments of Outside. This special, one-time-only performance, conceived and directed by new Artistic Director Genée Coreno, is a celebration of WAM's 15th Anniversary.
National New Play Network Welcomes Five New Faces To Its Board Of Directors
National New Play Network, the country's alliance of nonprofit theaters that collaborate in innovative ways to develop, produce, and extend the life of new plays, has announced the election of Roberta Emerson (Director of New Play Development, Orlando Shakes), Alexandra Meda (Artistic Director, Studio Luna), Catherine Painter (Managing Director, Rivendell Theatre Ensemble), Rudy Ramirez (Associate Artistic Director, the VORTEX), and DeLanna Studi (Artistic Director, Native Voices at the Autry) to its Board of Directors.
Five Diverse Artists Bring Their Talents To The Ensemble Of The New York Neo-Futurists
Co-artistic directors Rob Neill and Kyra Sims and the award-winning New York Neo-Futurists (NYNF), a diverse collective of writer-director-performers now in their 18th season of writing and performing original work rooted in non-fiction, announce the expanding of the ensemble with five new artists: Jake Banasiewicz, Rudy Ramirez, Chan Lin, Jackson Bird, and Mike Manship.
Latino Theater Company Announces In-Person Season For 2022
L.A.’s Latino Theater Company returns to in-person performance with a vengeance in 2022, offering four world premieres and a West Coast premiere; the presentation of a guest company from Spain; and the 20th annual presentation of La Virgen de Guadalupe, Dios Inantzin Christmas pageant spectacular. Earlier this year, the company announced its new “IMPACT” community engagement initiative that sees the company partnering with the Los Angeles Community College District to provide students district-wide with a world-class education in dramatic arts and to bring students into the company’s home at The Los Angeles Theatre Center.
BIPOC Artists In Theatre For Young Audiences To Publish Fieldwide Anti-Racist and Anti-Oppressive Project
BIPOC IN TYA -- a grassroots group of Black, Indigenous & People of Color theatre artists and educators who work in Theatre for Young Audiences nationwide -- collaborated to create ANTI-RACIST & ANTI-OPPRESSIVE FUTURES FOR THEATRE FOR YOUNG AUDIENCES: AN INTERACTIVE GUIDE, to be released on February 8, 2021. The project has 25 contributors and 70 signatories including Michael J. Bobbitt and Nambi E Kelly. It is published in partnership with TYA/USA, the national organization for the Theatre for Young Audiences industry.
BWW Feature: Baking For Good - Austin Theatre Community Bakes For Foundation Communities
Without a doubt the most delicious thing to come out of the global Coronavirus pandemic is the concentration on good old home cooking. If my Facebook and Instagram feeds are any guide, a culinary renaissance has taken place on an epic scale. What does this have to do with Austin theatre, you ask? Well, Baking For Good, an organization of local theatre luminaries is what and their offerings not only fill your belly, they are food for the soul of our community as well.