Vineyard Theatre Reveals 2023-24 Award Recipients
This year, the Paula Vogel Playwriting Award, Susan Stroman Directing Award and Colman Domingo Award will be given during the company's annual Emerging Artists Celebration, to be held on Friday, December 1 at 6:30 pm - 8:30 pm at the National Arts Club.
Interview: Tatiana Pandiani of TORERA at Alley Theatre
Last year, during the Alley All New Festival, upon the announcement of Law & Order's Monet Hurst-Mendoza having a workshop was news that caused for myself much excitement. The workshop was not a disappointment but made me anxious to witness a full scale production. When it was announced in the 22-23 Alley Theatre season, my excitement grew not only due to the capability of a full scale production, but also the fact that Director and Choreographer, Tatiana Pandiani, would be at the helm.
Meet the Cast of FAT HAM, Beginning Previews on Broadway Tonight!
Fat Ham begins previews tonight, Tuesday, March 21, 2023, and will officially open on Wednesday, April 12, 2023, at the American Airlines Theatre. This is a 14-week limited engagement through Sunday, June 25, 2023.
FAT HAM Full Cast and Design Team Announced
The full cast and design team has been announced for the Broadway production of the 2022 Pulitzer Prize-winning comedy Fat Ham by James Ijames. See who is starring in the show, how to purchase tickets and more!
Live Arts Bard Announces Four Day Festival WHERE NO WALL REMAINS
Live Arts Bard (LAB), the residency and commissioning program of the Fisher Center at Bard, announces Where No Wall Remains, the third edition of the acclaimed LAB Biennial, temporarily reconfiguring the Fisher Center as a site for innovative and interactive performances and installations (November 21-24).
Live Arts Bard's Performance Biennial WHERE THE WALL REMAINS Features 9 Newly Commissioned Works
Live Arts Bard (LAB), the residency and commissioning program of the Fisher Center at Bard, announces Where No Wall Remains, the third edition of the acclaimed LAB Biennial, temporarily reconfiguring the Fisher Center as a site for innovative and interactive performances and installations (November 21-24). Co-curated by Lebanese live artist Tania El Khoury, a 2019 Soros Art Fellow, and Gideon Lester, the Fisher Center's Artistic Director for Theater and Dance, this four-day festival considers the subject of borders: political borders, physical borders, historical and contemporary borders, borders seen and unseen, the borders of the body, borders between art forms, between performers and spectators, the borders that divide or define us, borders to be crossed, tested, resisted, destroyed, rebuilt, or transcended. Where No Wall Remains follows The House is Open (2014), which explored the relationship between visual and performing arts, and We're Watching (2017), which examined contemporary states of surveillance. This third edition of the festival features nine new performances and installations by contemporary artists from the Middle East and Central America, commissioned by Live Arts Bard. Please see below for dates and times for each work.
BWW Review: CONFESSIONS OF A COCAINE COWBOY at the Colony Theatre- Because Miami!
God, I love Lincoln Road. And nope, I am not a tourist. Even though I have lived in Miami my whole life, I still get a thrill of walking down Lincoln Road people watching: girls in barely-there outfits with thongs exposed, men with chains heavy enough to weigh them down walking dogs who are dressed like people and people dressed like statues fully covered in sliver paint… BECAUSE MIAMI!
Last night there was an added excitement that buzzed just steps away from South Beach and all the craziness surrounding Ultra. You can feel the excitement of the crowds entering the Colony Theatre to watch Miami New Drama's World Premier of Confessions of a Cocaine Cowboy in collaboration with the Emmy and Peabody Award-winning studio rakontur, written by Billy Corben and Aurin Squire, directed by Michel Hausmann. There was a sense of anticipation and energy entering the theatre as people poured into an almost sold out show. As the seats filled, I likened the energy of people talking excitedly in their seats to the party atmosphere of Miami Beach's lifestyle. It was obvious that, like myself, the crowd was filled with people who were fans of the documentary and were thrilled to see if the play would do it justice. And that it did.