Trap Door Theatre to Present FANTASY ISLAND FOR DUMMIES
The Trap Door Theatre presents Fantasy Island For Dummies (low cut daydream too near, too near), written by Ruth Margraff and directed by Kate Hendrickson, with original music composed by Nikos Brisco. The production opens Today, September 29, 2016 at 8 p.m. and runs through Saturday, November 5, 2016.
Trap Door Theatre Presents FANTASY ISLAND FOR DUMMIES
Fantasy Island for Dummies (low cut daydream too near, too near) is a new music-theatre work inspired by an episode of the iconic television series about the pleasures and perils of wish fulfillment. Devised in a collaborative exploration with Trap Door Theater actors, the piece is written by Ruth Margraff and directed by Kate Hendrickson, with original music composed by Pink Velvet.
A 1980 "Fantasy Island" episode about a ventriloquist and her devious dummy inspires a voyage into suppressed identities, ancient Babylonian sex goddesses, and a "perfect wife" struggling with her defiant side.
Trap Door Theatre to Present FANTASY ISLAND FOR DUMMIES
The Trap Door Theatre presents Fantasy Island For Dummies (low cut daydream too near, too near), written by Ruth Margraff and directed by Kate Hendrickson, with original music composed by Nikos Brisco. The production opens Thursday, September 29, 2016 at 8 p.m. and runs through Saturday, November 5, 2016.
Photo Flash: 2015 'Heart & Soul' Gala Supports Career Transition For Dancers
On January 29th, over 200 guests filled the Circle Ball Room at The Breaker's in Palm Beach for a thrilling evening of dinner, dance and music hosted by actor and singer Gianni Russo of "The Godfather" fame thanks to the efforts of a group of powerhouse chairs and committee members. International Chair was Herme De Wyman. Gala Co-Chairs were Anka Palitz, Jennifer Myerberg and Ann Van Ness. Dinner chairs were George J. Palladino and Jerrold St. George. Vice Chairs were Michele Herbert, Marsha & Carl Hewitt and Carol Jaeger. Scroll down for photos!
Trap Door Theatre Presents COOKIE PLAY, Now thru 2/14
TRAP DOOR THEATRE presents the world premiere of COOKIE PLAY, tonight, Jan. 8-Feb. 14, 2015. Written by Ken Prestininzi, Directed by Kate Hendrickson, Featuring Trap Door ensemble members: Lyndsay Rose Kane, Chris Popio, Mike Steele, Gage Wallace, & Carl Wisniewski.
Trap Door Theatre Presents COOKIE PLAY, 1/08-2/14
TRAP DOOR THEATRE presents the world premiere of COOKIE PLAY, Jan. 8-Feb. 14, 2015. Written by Ken Prestininzi, Directed by Kate Hendrickson, Featuring Trap Door ensemble members: Lyndsay Rose Kane, Chris Popio, Mike Steele, Gage Wallace, & Carl Wisniewski.
Trap Door Theatre Re-Stages BLOOD ON THE CAT'S NECK, Now thru 12/28
The Trap Door Theatre celebrates their 20th Anniversary Season by restaging their production of Blood on the Cat's Neck, written by Rainer Werner Fassbinder, translated by Denis Calandra, directed by Beata Pilch, inspired by the original Trap Door production directed by Andrew Cooper Wasser.
Trap Door Theatre to Restage BLOOD ON THE CAT'S NECK, 11/14-12/28
The Trap Door Theatre celebrates their 20th Anniversary Season by restaging their production of Blood on the Cat's Neck, written by Rainer Werner Fassbinder, translated by Denis Calandra, directed by Beata Pilch, inspired by the original Trap Door production directed by Andrew Cooper Wasser.
The Trap Door Theatre Presents 'The Unconquered!'
Torben Betts' The Unconquered is a fast-moving satirical portrait of patriarchy, political indolence and over-reaction. The laughs begin when the 're-liberation' knocks on the door of your average upper-middle class family after aggressive revolutionaries have overthrown the government. Strange and unsettling, their new found freedom provokes the parents to reminisce about the comfort of life under the previous aristocracy while their spirited daughter criticizes her parent's banal and conforming attitudes with great, yet impotent, ferocity. The piece is a reflection of war's long-reaching effects on the domestic front, demonstrating the encompassing ambiguity of a public out of touch with reality. With great wit, poetics and charm, Betts sketches the self-hypocrisy that materializes during times of opaque identity and societal partition.
