Ron Howell
Latest News on Ron Howell:
Photos: First Look at the Cast of REBECCA at Charing Cross Theatre (Aug 2, 2023)
Richard Carson, Lauren Jones and Kara Lane Will Lead English Language Premiere of REBECCA (Jul 20, 2023)
Review: That Was No LADY, in Mtsensk or Anywhere Else, But Boy Was She Spectacular! (Oct 10, 2022)
Photos: First Look at the Cast of REBECCA at Charing Cross Theatre (Aug 2, 2023)
Richard Carson, Lauren Jones and Kara Lane Will Lead English Language Premiere of REBECCA (Jul 20, 2023)
Review: That Was No LADY, in Mtsensk or Anywhere Else, But Boy Was She Spectacular! (Oct 10, 2022)
News
Photos: First Look at the Cast of REBECCA at Charing Cross Theatre
Richard Carson, Lauren Jones and Kara Lane head the cast for the eagerly anticipated English language premiere of the critically acclaimed musical ‘Rebecca’. Check out all new photos of the cast here!
Richard Carson, Lauren Jones and Kara Lane head the cast for the eagerly anticipated English language premiere of the critically acclaimed musical ‘Rebecca’. Check out all new photos of the cast here!
Richard Carson, Lauren Jones and Kara Lane Will Lead English Language Premiere of REBECCA
Richard Carson, Lauren Jones and Kara Lane will lead the cast for the eagerly anticipated English language premiere of the critically acclaimed musical ‘Rebecca’. Performances run 4 September to 18 November at Charing Cross Theatre.
Richard Carson, Lauren Jones and Kara Lane will lead the cast for the eagerly anticipated English language premiere of the critically acclaimed musical ‘Rebecca’. Performances run 4 September to 18 November at Charing Cross Theatre.
Review: That Was No LADY, in Mtsensk or Anywhere Else, But Boy Was She Spectacular!
Afraid of Shostakovich? Don’t be. LADY MACBETH OF MTSENSK is a glory to behold, in Graham Vick’s knockout production, designed and costumed by Paul Brown, staged this time by Paula Suozzi, with Ron Howell’s choreography. And there were times when the music, with the Met orchestra under the firm, smart baton of Keri-Lynn Wilson, almost sounded like, yes, Puccini, while it was clearly expressionist as well.
Afraid of Shostakovich? Don’t be. LADY MACBETH OF MTSENSK is a glory to behold, in Graham Vick’s knockout production, designed and costumed by Paul Brown, staged this time by Paula Suozzi, with Ron Howell’s choreography. And there were times when the music, with the Met orchestra under the firm, smart baton of Keri-Lynn Wilson, almost sounded like, yes, Puccini, while it was clearly expressionist as well.
A Stiffelio Il Premio Speciale Della XXXVII Edizione Del Premio Della Critica Musicale 'Franco Abbiati'
A pochi giorni dal premio ricevuto agli International Opera Awards dal Festival Verdi quale miglior Festival, un nuovo prestigioso riconoscimento premia l'edizione 2017: Stiffelio, andato in scena al Teatro Farnese riceve il Premio speciale del XXXVII Premio della Critica musicale "Franco Abbiati".
A pochi giorni dal premio ricevuto agli International Opera Awards dal Festival Verdi quale miglior Festival, un nuovo prestigioso riconoscimento premia l'edizione 2017: Stiffelio, andato in scena al Teatro Farnese riceve il Premio speciale del XXXVII Premio della Critica musicale "Franco Abbiati".
Birmingham Opera Company Holds BREAKING THE ICE Symposium After Show Tonight
To accompany Birmingham Opera Company's new production of Michael Tippett's opera The Ice Break(from 3 April), the company is also organizing 'BREAKING THE ICE', a series of events designed to encourage discussion around the relationship of art to society. What responsibility does the artist have to society and vice versa?
To accompany Birmingham Opera Company's new production of Michael Tippett's opera The Ice Break(from 3 April), the company is also organizing 'BREAKING THE ICE', a series of events designed to encourage discussion around the relationship of art to society. What responsibility does the artist have to society and vice versa?
Birmingham Opera Company to Hold BREAKING THE ICE Symposium After Show, 4/9
To accompany Birmingham Opera Company's new production of Michael Tippett's opera The Ice Break(from 3 April), the company is also organizing 'BREAKING THE ICE', a series of events designed to encourage discussion around the relationship of art to society. What responsibility does the artist have to society and vice versa?
To accompany Birmingham Opera Company's new production of Michael Tippett's opera The Ice Break(from 3 April), the company is also organizing 'BREAKING THE ICE', a series of events designed to encourage discussion around the relationship of art to society. What responsibility does the artist have to society and vice versa?
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