Rocky Encalada
Latest News on Rocky Encalada:
BWW Review: Impressive, Startling, Educational LIVE BODIES FOR SALE at Playwrights Local (Nov 25, 2019)
BWW Review: HOMOS, OR EVERYONE IN AMERICA Fulfills the Theater's Mission at Convergene Continuum (Oct 26, 2019)
BWW Review: Hyper-realistic must see “On the Grill” compels at Dobama (Jun 24, 2018)
BWW Review: Impressive, Startling, Educational LIVE BODIES FOR SALE at Playwrights Local (Nov 25, 2019)
BWW Review: HOMOS, OR EVERYONE IN AMERICA Fulfills the Theater's Mission at Convergene Continuum (Oct 26, 2019)
BWW Review: Hyper-realistic must see “On the Grill” compels at Dobama (Jun 24, 2018)
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BWW Review: Impressive, Startling, Educational LIVE BODIES FOR SALE at Playwrights Local
by Roy Berko - Nov 25, 2019
by Roy Berko - Nov 25, 2019
BWW Review: HOMOS, OR EVERYONE IN AMERICA Fulfills the Theater's Mission at Convergene Continuum
by Roy Berko - Oct 26, 2019
by Roy Berko - Oct 26, 2019
BWW Review: RHINOCEROS Challenges the Audience to Place a Spotlight on the Absurdity of Life Today at Con-Con
by Roy Berko - Aug 27, 2017
Eugene Ionesco, Samuel Beckett, Harold Pinter and Edward Albee are Theatre of the Absurd playwrights. Unlike modern-movement writers like Arthur Miller, Tennessee Williams and William Inge, who wrote realistic plays which included solutions to problems or resolved situations, the Absurdists based their plays on Existentialism, asking, 'Why do we exist?' but giving no answers. Their writings are full of questions to ponder and probe.
by Roy Berko - Aug 27, 2017
Eugene Ionesco, Samuel Beckett, Harold Pinter and Edward Albee are Theatre of the Absurd playwrights. Unlike modern-movement writers like Arthur Miller, Tennessee Williams and William Inge, who wrote realistic plays which included solutions to problems or resolved situations, the Absurdists based their plays on Existentialism, asking, 'Why do we exist?' but giving no answers. Their writings are full of questions to ponder and probe.
BWW Review: I CALL MY BROTHERS Challenges and Confounds at Cleveland Public Theatre
by Roy Berko - Mar 1, 2017
It's no wonder in this age of xenophobia, racial profiling and baiting, irrational interpretation of regulations, police brutality and alternate facts being spewed, that when a car bomb goes off in the center of a large American metropolis, a Muslim young man would become paranoid.
by Roy Berko - Mar 1, 2017
It's no wonder in this age of xenophobia, racial profiling and baiting, irrational interpretation of regulations, police brutality and alternate facts being spewed, that when a car bomb goes off in the center of a large American metropolis, a Muslim young man would become paranoid.
Photo Flash: First Look at I CALL MY BROTHERS at Cleveland Public Theatre
by BWW News Desk - Feb 17, 2017
Cleveland Public Theatre (CPT) presents the regional premiere of I Call My Brothers, written by Jonas Hassen Khemiri and translated by Rachel Willson-Broyles. The CPT production with be directed by 2015 National Directors Fellow, Evren Odcikin. I Call My Brothers is onstage now through March 4th, 2017 in CPT's James Levin Theatre. BroadwayWorld has a first look at the cast in action below!
by BWW News Desk - Feb 17, 2017
Cleveland Public Theatre (CPT) presents the regional premiere of I Call My Brothers, written by Jonas Hassen Khemiri and translated by Rachel Willson-Broyles. The CPT production with be directed by 2015 National Directors Fellow, Evren Odcikin. I Call My Brothers is onstage now through March 4th, 2017 in CPT's James Levin Theatre. BroadwayWorld has a first look at the cast in action below!
Cleveland Public Theatre presents I CALL MY BROTHERS
by BWW News Desk - Feb 9, 2017
Cleveland Public Theatre (CPT) is proud to announce the regional premiere of I Call My Brothers, written by Jonas Hassen Khemiri and translated by Rachel Willson-Broyles. The CPT production with be directed by 2015 National Directors Fellow, Evren Odcikin. I Call My Brothers is onstage February 9th - March 4th, 2017 in CPT's James Levin Theatre.
by BWW News Desk - Feb 9, 2017
Cleveland Public Theatre (CPT) is proud to announce the regional premiere of I Call My Brothers, written by Jonas Hassen Khemiri and translated by Rachel Willson-Broyles. The CPT production with be directed by 2015 National Directors Fellow, Evren Odcikin. I Call My Brothers is onstage February 9th - March 4th, 2017 in CPT's James Levin Theatre.
Cleveland Public Theatre presents I CALL MY BROTHERS
by A.A. Cristi - Jan 13, 2017
Cleveland Public Theatre (CPT) is proud to announce the regional premiere of I Call My Brothers, written by Jonas Hassen Khemiri and translated by Rachel Willson-Broyles. The CPT production with be directed by 2015 National Directors Fellow, Evren Odcikin. I Call My Brothers is onstage February 9th - March 4th, 2017 in CPT's James Levin Theatre.
by A.A. Cristi - Jan 13, 2017
Cleveland Public Theatre (CPT) is proud to announce the regional premiere of I Call My Brothers, written by Jonas Hassen Khemiri and translated by Rachel Willson-Broyles. The CPT production with be directed by 2015 National Directors Fellow, Evren Odcikin. I Call My Brothers is onstage February 9th - March 4th, 2017 in CPT's James Levin Theatre.
Photo Flash: First Look at Mamai Theatre Company's TOP GIRLS
by Tyler Peterson - Jun 3, 2016
Mamai Theatre Company opens its 2016 season with Caryl Churchill's TOP GIRLS, running June 2-19 at Cleveland Masonic Performing Arts Center. Check out photos below!
by Tyler Peterson - Jun 3, 2016
Mamai Theatre Company opens its 2016 season with Caryl Churchill's TOP GIRLS, running June 2-19 at Cleveland Masonic Performing Arts Center. Check out photos below!
Mamai Theatre Company to Preset A STREETCAR NAMED DESIRE
by Tyler Peterson - Jun 15, 2015
Mamai Theatre Company continues its third season with new private and public funding grants, two new venues, and a production of Tennessee Williams' American classic, A STREETCAR NAMED DESIRE, directed by Mitchell Fields.
by Tyler Peterson - Jun 15, 2015
Mamai Theatre Company continues its third season with new private and public funding grants, two new venues, and a production of Tennessee Williams' American classic, A STREETCAR NAMED DESIRE, directed by Mitchell Fields.
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