Michael Feinstein's Jazz and Popular Song Series Returns to Jazz at Lincoln Center's Appel Room for Shows in April, May and June
Once again, beginning Wednesday evening at 7 pm in Jazz at Lincoln Center's spectacular Appel Room, Michael Feinstein shares his taste, knowledge, and infectious enthusiasm with concerts of diverse music and vocals. This year's concert schedule with The Tedd Firth Big Band and special guests includes The Great Jazz Standards, A Right To Sing the Blues, and Sing Me a Swing Song. In a recent interview with BroadwayWorld.com, Feinstein says he thinks the shows are popular not only because they reflect imagination and variety, but also because “they're so clearly spontaneous at a time when music is often pre-canned.” Each evening different vocalists join our host presenting his or her singular style.
BWW Review: Terri Lyne Carrington's Lincoln Center American Songbook Show Is a Patchwork of Strong Vocals Too Often Buried In Sound
Multiple Grammy-winning drummer, composer, producer, and bandleader Terri Lyne Carrington and her group play dense, intense jazz with elusive melody. Ornette Coleman's 'Chronology' arrives like a wall of sound. An adamant and up-tempo 'Body and Soul' (Edward Heyman/Robert Sour/Frank Eyton/Johnny Green) is almost tribal, at odds with familiar mood and lyric intention. Towards the end of Saturday night's show--Mosaic Project: Love and Soul--in the American Songbook Series at Lincoln Center's Appel Room, Ms. Carrington executes a lengthy solo spotlighting her extraordinary musicianship, but instrumental arrangements escape me.
BWW Reviews: Patti LuPone Burns Bright in THE LADY WITH THE TORCH Encore at 54 Below
Patti LuPone, living Broadway legend and Two-time Tony winner, returns to 54 Below with her acclaimed solo show THE LADY WITH THE TORCH. Showcasing her breathy alto and stunning belt, Patti LuPone 'belly ache[s]' (her words) her way through an inspired evening of well-known torch songs. And once the diva takes the stage, there is simply no denying that LuPone's grace, poise, and power are pure magic.
BWW Reviews: MARK NADLER Is Deliciously Scandalous As His New Show Transforms 54 Below Into a Decadent Jazz Age Speakeasy
When Mark Nadler last performed a solo show at 54 Below, it was a very personal musical exploration of Germany's Weimar Republic of the 1920s, a place and an atmosphere that was dark, dangerous and decadent. I'm a Stranger Here Myself was such a compelling tour de force that it was expanded into a highly praised off-Broadway piece that Nadler staged at the York Theatre last Spring. Nadler's new 54 Below effort, Runnin' Wild: Songs & Scandals of the Roaring Twenties, (which opened last Sunday, ran last night, and will also play on May 7 at 9:30pm and May 14 at 7pm) is like a playful and debauched sequel to Stranger, only in this show—which would be more aptly titled “Reckless Abandon”--Nadler is clearly a gleeful member of the club. To this passionate piano man, America's big cities in the pre-Depression era 1920s were happy, hungry, and hedonistic. There was always a party filled with sex, drugs and booze looking for a place to happen. And goodness knows, Mark Nadler wishes he'd been invited to every one of them. But since he was born too late, all he can do is serve as congenial host in re-creating the speakeasy ambiance and in this show he manages to accomplish that--only without the sex and drugs. Damn!
Review - Guess Paper Mill's Next Season & Julie Wilson Sings Billie Holiday
Though The Paper Mill Playhouse has just opened Master Class and still has productions of 1776 and The Full Monty geared up for their current season, plans are zipping along for the four musicals and one straight play that will make up their 2009-10 campaign. The official announcement comes this Friday afternoon, but they've released these five pictorial clues as hints. See if you can guess what the gang at Millburn has in store next season.
