Yannick Nézet-Séguin Extends Met Opera Contract through 2030
The Metropolitan Opera today announced the contract extension of its Jeanette Lerman-Neubauer Music Director, Yannick Nézet-Séguin, through the 2029–30 season. Only the third Music Director in the company’s history, Nézet-Séguin began his tenure in the 2018–19 season.
Review: TOSCA, Royal Opera House
Fronted by some fresh faces, Jonathan Kent’s cinematic take on the Puccini masterwork Tosca returns for its seventeenth run at Covent Garden.
Five New Productions Announced For Canadian Opera Company's 2024/2025 Season
The Canadian Opera Company announced its 2024/2025 season with exciting programming comprised almost entirely of new-to-Toronto productions including the first-ever COC staging of Verdi’s Nabucco, the world premiere of a new production of Gounod’s Faust, and the Toronto premiere of La Reine-garçon, a new creation from Canadians Julien Bilodeau and Michel Marc Bouchard.
DIE JUDIN VON TOLEDO Comes to Semperoper Next Month
Die Uraufführung der mit Spannung erwarteten Oper »Die Jüdin von Toledo« ist einer der besonderen Höhepunkte in der Opernspielzeit 2023/24. Detlev Glanert komponierte im Auftrag der Sächsischen Staatsoper Dresden die Musik, Hans-Ulrich Treichel schrieb das Libretto für dieses außergewöhnliche Musiktheaterwerk.
Opera San José Launches Season With All-New ROMEO & JULIET
Opera San José will launch its 40th anniversary season with an all-new production of Charles Gounod's Romeo and Juliet, directed by OSJ General Director/CEO Shawna Lucey, in her first production since taking the helm of the company. Romeo and Juliet follows on the heels of Lucey's critically acclaimed La Traviata for San Francisco Opera, which is scheduled to be remounted at Los Angeles Opera this fall.
Angel Blue Steps Out of the Royal Opera's AIDA
Angel Blue has withdrawn from the last three performances of Aida due to a family illness. Christina Nilsson will perform the title role on 23, 27 May and 1 June, making her house debut alongside a sensational cast in Robert Carsen’s 5-star production, conducted by Mark Elder.
Mozart's DIE ZAUBERFLÖTE Gets Its First New Met Staging In 19 Years From Director Simon McBurney
Mozart's Die Zauberflöte (May 19–June 10), one of opera's most beloved works, receives its first new Met staging in 19 years from acclaimed English director Simon McBurney. In his Met debut, McBurney lets loose a volley of theatrical flourishes, incorporating projections, aerial and sound effects, physical comedy, a hovering platform, and acrobatics to match the spectacle and drama of Mozart's work. Maestro Nathalie Stutzmann—having made her Met debut earlier this season with Don Giovanni—performs Mozart double duty leading both productions running simultaneously. With the pit raised, the Met Orchestra musicians will interact with the cast. Gareth Morrell conducts the May 27 performance.
Review: Wonderful Music, Marvelous Performances in Met's Season Debut of ROSENKAVALIER
It took Richard Strauss only about 100 minutes apiece (with no breaks) to tell the lurid tale of SALOME and the tragedy of ELEKTRA. So why on earth did he and librettist Hugo von Hofmannsthal need almost five hours (including two intermissions) to tell the personal stories of an “aging” (she was really in her 30s) noblewoman, a couple of teenagers in love and a repulsive sexual predator?