Review: ADDICTIVE BEAT, Dilston Gallery (Southwark Park Galleries)
Addictive Beats is a missed opportunity to attract a younger generation to explore mental health. Sure, the music is crazy cool and the show promises a great vibe, but, as it is, it’s a production that only scrapes the top of its themes but saved a lot of money on seat rental.
Cast Announced For Boundless Theatre's ADDICTIVE BEAT
The star cast has been announced for Addictive Beat, the explosive new play by award-winning writer Dawn King (The Trials, Donmar Warehouse; Foxfinder, The Ambassadors Theatre; Brave New World, UK Tour). Part gig, part theatre, the show kicks off Boundless Theatre’s Autumn season with a story of two best friends who create a euphoric beat that could change their lives forever.
New Season From Boundless Theatre Kicks Off With ADDICTIVE BEAT in October
Boundless Theatre have announced an exciting year of bold new projects, all underpinned by their ethos of inspiring early career artists and connecting young adults with theatre. Along with their brand-new shows Addictive Beat by Dawn King and Flies by Charlie Josephine, Boundless Theatre bring new opportunities to teenagers to co-create and socialise around the UK.
Boundless Theatre Launches Boundless Ideas Space - An Immersive Three-Day Pop-up
The hybrid programme of intimate in-person and digital events curated by the Artistic Director of Boundless Theatre, Rob Drummer showcases a veritable celebration of creativity bound by performance, workshops, talks, music, art, and drop-in career guidance by industry authorities. The Boundless Ideas Space is a platform for young voices to produce culture for positive social change.
Rosie Allimonos Appointed Chair Of Boundless Theatre Board
Boundless Theatre today announces the appointment of Rosie Allimonos as Chair of the Board. Allimonos, who is currently Global Director of Digital Content at BBC Studios, succeeds outgoing Chair Charles Glanville. Rosie joins the Board of Trustees; David Beardmore, Claire Dikecoglu, Simon Gomes, Rafia Hussain, Michelle Matherson, Danielle Rodriguez, Spencer Simmons, Alistair Wilkinson, and Sam Zdzieblo.
Boundless Theatre Announces BOUNDLESS HAPPENINGS
Boundless Theatre announces Boundless Happenings; a series of theatrical, digital, and experimental online participatory events launching today, 2 December, and running until 31 January 2021.
Boundless Theatre Announces OCTOBER2020 as Part of SIGNAL FIRES
Boundless Theatre has announced October2020, a unique performance for 15-25 year olds where the show arrives in a box and the audience is the performer, created by Nassim Soleimanpour (White Rabbit Red Rabbit), with seven writers: Natasha Brown, Conor Hunt, Lauren Lopez, Josh Merritt, Samantha O'Rourke, Tricia Wey and Sky Yang.
Boundless Theatre Announces 'We Will Probably Never Meet'
Today, Boundless Theatre announces We Will Probably Never Meet. With support from Bloomberg, We Will Probably Never Meet is the first project within the Delivering Differently programme, which ensures that young adults can continue to access invaluable cultural and creative experiences.
Guest Blog: Actor Joseph Adelakun On Boundless Theatre's Dystopian Fiction Podcast RADIO ELUSIA
Radio Elusia is a world where the simple act of speaking or listening - even if you're an average person with no ill intent - can get you into serious trouble. I find this such a dramatically exciting premise, and that's what drew me to this project. What's great about the way our writer Nina Segal has put this world together is that the listener is automatically a part of this world just by listeninga?? and is therefore potentially in trouble.
Boundless Theatre Announces The Cast For RADIO ELUSIA PODCAST
Boundless Theatre presents the full cast for Nina Segal's bold debut fiction podcast: Radio Elusia. The new five-episode drama, directed by Boundless' Artistic Director Rob Drummer, will launch in April 2020. Robert Awosusi joins Drummer as Associate Director in directing Joseph Adelakun, Valerie Vansovica, Chantelle Amon, Megan Jarvie, Pip Williams, and Joe Matty. The podcast will feature music and sound design by FATHER.
Boundless Theatre And Boom Shakalaka Productions Announce Edinburgh Festival Fringe Run Of PARAKEET
Boundless Theatre and Boom Shakalaka Productions today announce the Edinburgh Festival Fringe run of new musical Parakeet by Brigitte Aphrodite and Quiet Boy. The pair renew their collaboration with director Laura Keefe following My Beautiful Black Dog, which toured the UK following a sold-out run at Edinburgh Festival Fringe in 2015. The production opens at Paines Plough's ROUNDABOUT @ Summerhall on 4 August, with previews from 31 July, and runs until 25 August.
Boundless Theatre Announces Recipients For The Boundless Accelerator Bursary
Boundless Theatre today announces the four recipients of the inaugural Boundless Accelerator Bursary funded by the Garfield Weston Foundation. Aimed specifically at supporting the co-creation of new work with teenagers, this year the bursary focuses on mental health and wellbeing with the project culminating in a showing on 4 December 2019 in London. The four chosen recipients, who will be provided with £2500 for the year, are actor and theatre-maker Ryan Gilmartin with Barbarians, actor and theatre-maker Natalya Martin with Carnival, digital theatre company Produced Moon with Run Code and arts production company Nouveau Riche with For Black Boys Who Have Considered Suicide When The Hue Was Too Heavy.
Photo Flash: CONFIDENCE Celebrates Opening Night at Southwark Playhouse
Boundless Theatre today presents a major revival of Judy Upton's Confidence. First performed in 1998 at Birmingham Repertory Theatre, Artistic Director of Boundless, Rob Drummer, directs the previously announced Tanya Burr in the role of Ella. She is joined by Anna Crichlow (Ruby), Vauxhall Jermaine (Edwin), Will Pattle (Dean) and Rhys Yates (Ben). The production opens at Southwark Playhouse on 25 May with previews from 23 May.
BWW Review: CONFIDENCE, Southwark Playhouse
Boundless Theatre's Confidence at Southwark Playhouse feels a bit lacking in, dare I say, confidence. The first UK revival of Judy Upton's 1998 play has plenty of 1990s nostalgia, but still feels shaky.