Review: THE CHERRY ORCHARD at Goodman Theatre
It’s only fitting that for his swan song at Goodman Theatre Artistic Director Robert Falls has adapted and directed Anton Chekhov’s THE CHERRY ORCHARD, a play that’s also very much a swan song. With this staging, Falls has completed the cycle of directing all four of Chekov’s full-length plays for the Goodman stage. Fall’s take on THE CHERRY ORCHARD is surprisingly comedic and strips the play of the more obscure Russian references (though it’s still a period piece), which also demonstrates an artful understanding of the text and how 2023 audiences are best primed to receive it. THE CHERRY ORCHARD’s central character, estate owner Lyubov Ranevskaya, desperately clings to her glamorized version of the past even as the world around her moves inexorably forward. It’s a farewell, indeed, and a lesson in learning when to hold on and when to let go.
SWING STATE at Goodman Theatre Adds Two Performances in Final Week
On the heels of a standing-room-only opening night and wide critical praise for the world premiere of Rebecca Gilman's Swing State—a “riveting, deeply moving, empathy-generating, extraordinary new play (by) a great poet of the upper Midwest” (Chicago Tribune)—Goodman Theatre adds two performances to the final week of Tony Award-winning director Robert Falls' world-premiere production.
Stream Goodman Theatre's A CHRISTMAS CAROL
As the holiday season comes to a close, A Christmas Carol—An Audio Play is still available to stream through December 31. Recorded at the Goodman by an all-Chicago cast of 19 and an updated audio adaptation, the 43rd annual production is Goodman Theatre’s gift to Chicago this year.
BWW Review: graveyard shift at Goodman Theatre
orde arrington tuttle's graveyard shift, now making its world-premiere following an initial workshop production during Goodman Theatre's 2018 New Stages Festival, is a haunting and beautiful reflection on police brutality against Black Americans. Inspired by the legacy of 28-year-old Sandra Bland, who was found hanging in her prison cell in 2015 after being arrested for failing to signal a lane change, graveyard shift is also remarkable in its capacity for empathy and its meditation on shared humanity. graveyard shift is an undeniably brutal play, as it should be given its subject matter, but tuttle also writes his dialogue in such a poetic way that I was equally stunned by the play's beauty.
Photo Flash: First Look at GRAVEYARD SHIFT at Goodman Theatre
Rising stars playwright korde arrington tuttle and director Danya Taymor reunite for the world premiere production of graveyard shift, following its appearance as a developmental production in the Goodman's 2018 New Stages Festival. Featuring an ensemble cast of five, graveyard shift is an unflinching but open-hearted look at how we navigate a world full of fear, loosely inspired by the legacy of Sandra Bland. Casting note: Debo Balogun replaces previously announced actor Kyle Vincent Terry, who has left the production.
GRAVEYARD SHIFT On Stage Now Through March 8 At Goodman Theatre
Rising stars playwright korde arrington tuttle and director Danya Taymor reunite for the world premiere production of graveyard shift, following its appearance as a developmental production in the Goodman's 2018 New Stages Festival. Featuring an ensemble cast of five, graveyard shift is an unflinching but open-hearted look at how we navigate a world full of fear, loosely inspired by the legacy of Sandra Bland. Casting note: Debo Balogun replaces previously announced actor Kyle Vincent Terry, who has left the production. Full casting is below.
Brendan Coyle of DOWNTON ABBEY Will Lead the Goodman Theatre's MOLLY SWEENEY; Full Cast Announced!
Goodman Theatre Artistic Director Robert Falls has announced casting for his upcoming revival of Molly Sweeney by Brian Friel. In assuming the title role, Chicago favorite Kate Fry returns to the Goodman, following her recent appearance in Falls' production of The Winter's Tale. Joining Fry are stage and screen star Brendan Coyle (Downton Abbey), who returns to the Goodman following his triumphant appearance in last season's St. Nicholas by Conor McPherson, and Chicago's Christopher Donahue (Oedipus Rex at Court Theatre, Moby Dick at Lookingglass).