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Renaldo McClinton
Latest News on Renaldo McClinton:
BWW Review: Factory 449's Powerful LELA & CO (Sep 25, 2017)
Photo Flash: First Look at Factory 449's LELA & CO., Featuring Felicia Curry (Sep 22, 2017)
Helen Hayes Award-Winning Factory 449 presents LELA & CO. (Aug 21, 2017)
BWW Review: Factory 449's Powerful LELA & CO (Sep 25, 2017)
Photo Flash: First Look at Factory 449's LELA & CO., Featuring Felicia Curry (Sep 22, 2017)
Helen Hayes Award-Winning Factory 449 presents LELA & CO. (Aug 21, 2017)
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BWW Review: Factory 449's Powerful LELA & CO
The riveting story of 'Lela & Co' occurs in a country that is not named; it could and, sadly, probably is going on in a number of places.
The riveting story of 'Lela & Co' occurs in a country that is not named; it could and, sadly, probably is going on in a number of places.
Photo Flash: First Look at Factory 449's LELA & CO., Featuring Felicia Curry
On Saturday September 16, 2017, Factory 449, a Helen Hayes Award-winning theatre company in residence at Anacostia Arts Center, opened the East Coast premiere of 'Lela & Co.' by Cordelia Lynn. BroadwayWorld has a first look at the production, which runs through October 1st, below!
On Saturday September 16, 2017, Factory 449, a Helen Hayes Award-winning theatre company in residence at Anacostia Arts Center, opened the East Coast premiere of 'Lela & Co.' by Cordelia Lynn. BroadwayWorld has a first look at the production, which runs through October 1st, below!
Helen Hayes Award-Winning Factory 449 presents LELA & CO.
Playwright Cordelia Lynn's is well aware of the intense, yet important journey examined in LELA & CO. "I knew that the play could be horrifying and shocking and upsetting - and all those things you can get out of visual violence, without actually showing it," says Lynn. "I want the audience to leave and think there are things happening that I don't see -- maybe because I don't want to see".
Playwright Cordelia Lynn's is well aware of the intense, yet important journey examined in LELA & CO. "I knew that the play could be horrifying and shocking and upsetting - and all those things you can get out of visual violence, without actually showing it," says Lynn. "I want the audience to leave and think there are things happening that I don't see -- maybe because I don't want to see".
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