Main Stage Theatre Named At Kirkwood Performing Arts Center
STAGES St. Louis and the City of Kirkwood are thrilled to announce the naming of the Main Stage Theatre at the Kirkwood Performing Arts Center (PAC). Thanks to a very generous gift from Don and Nancy Ross, the theatre will be named The Ross Family Theatre.
BWW Reviews: With His Intimate Frank Sinatra Tribute Show at the Metropolitan Room, RICHARD MALAVET Raises His Vocal Game
Near the end of his exceptional new show, Very Good Years: The Intimate Sinatra at the Metropolitan Room, Richard Malavet recalls famed radio personality William B. Williams who once said: "Frank Sinatra is the most imitated, most listened to, most recognized voice of the 20th century." Williams did not exaggerate. Consequently, in this centennial year of Sinatra's birth, there will be many observations of the man known as "The Voice." For his tribute to Sinatra, Malavet did his homework. In this meticulously researched, respectful homage, he turns his talents to the more personalized aspects of the pop star's recording years, from 1939-1968, when musically, Sinatra became synonymous with songs of heartache and loneliness.
Winthrop Playmakers to Stage ALICE IN WONDERLAND, 2/21-3/2
Be a part of something different and join the Winthrop Playmakers as they continue their milestone 75th season with their upcoming production of Alice in Wonderland, directed by Nathan Fogg, with music direction by Joseph Nuccio and choreographed by Jason Hair-Wynn.
BWW Reviews: Actress Janis Paige Brings Her Autobiographical Cabaret to Vitello's
On Friday November 16, renowned film, stage and TV actress/singer Janis Paige brought her acclaimed autobiographical one-woman show to Upstairs at Vitello's. Having turned 90 in September, Miss Paige is unbelievably beautiful and puts some women half her age to shame. She came onstage with assistance due to an injured leg. She said the day before in order to avoid colliding with her little Jack Russell terrier, she darted over him and accidentally crashed into a piece of furniture. She humorously referred to the incident as a pas de deux. In spite of a painful bump on her leg, which caused her to remain seated throughout the 80-minute set, she claimed she was happy to be there. So, with stunning musical director Bill Schneider at the piano, she was off and running like her hero, the 30s/40s thoroughbred racehorse Seabiscuit. Paige is such a vibrant presence that even sitting she proceeded to dazzle her audience with a mesmerizing series of brilliant anecdotes and songs.