BWW Reviews: Magical PIPPIN at the Peabody Opera House
Combining acrobatics with choreography (by Chet Walker) that recalls Bob Fosse's original work on the show, the current touring company of PIPPIN(book by Roger O. Hirson with music and lyrics by Stephen Schwartz) at the Peabody Opera House provides quite an enjoyable spectacle. There's a circus-like quality (courtesy of Gypsy Singer) to this presentation that's unexpected, and even a bit magical, making it more suitable for the younger set than some versions, even though most of its sexier elements are still firmly intact. It's certainly well worthy of your time and attention.
BWW Reviews: Cabal Productions' ROSENCRANTZ & GUILDENSTERN ARE DEAD is Still Finding Its Feet
In 1964, Tom Stoppard emerged from a mansion in Berlin with a one-act play called ROSENCRANTZ & GUILDENSTERN MEET KING LEAR. Two years later, his reworked play, entitled ROSENCRANTZ & GUILDENSTERN ARE DEAD, opened to acclaim at the Edinburgh Festival on August 24, 1966. A successful 1967 production at London's Old Vic made Tom Stoppard an overnight success. At almost 47-years-old, this play still excites theatergoers, actors, directors, and producers alike. The savvy exploration of the relevance of art, the commentary on insignificance, the absurdity, and the existentialism are just a handful of the hooks that allure people to the work and have garnered the show praise time and time again. In Houston, it feels that Cabal Productions' presentation of the play proudly exclaims Guildenstern's line 'We're still finding out feet,' without heeding The Player's warning, 'I should concentrate on not losing your heads.'