Review: PLAYHOUSE CREATURES at Burbage Theatre Company
After last season’s splendid ‘The Oldest Profession,’ Burbage Theatre Company and WomensWork Theatre Collaborative join forces again for ‘Playhouse Creatures,’ April De Angelis’s fascinating portrait of five females from late 17th-century England who were able to pursue careers on stage after King Charles II overturned the Puritan law that previously forbid them from doing so.
The Wilbury Theatre Group Announces New Streaming Programs
After a widely successful first round of streaming events, The Wilbury Group announces new events to be streamed through May 6. In addition to the previously announced performances of New and Dangerous Ideas by Christopher Johnson and CVK.
BWW Review: Gamm Theatre Delivers Powerful TRUE WEST
In the forty years since its debut, Sam Shepard's 'True West' has been lauded for its stark portrayal of the duality of the American soul. The Gamm Theatre has mounted a visually compelling production with penetrating performances that slice to the heart of Shepard's darkly comedic vision.
WomensWork Theatre Collaborative Comes To Cranston
Juliet was traditionally played by a boy. A man played Medea. For centuries, women have been consigned to play lesser parts in the creation and production of theater. And even as progress is being made, gender and age parity, onstage and off, continues to be a major issue in the theater.
BWW Review: SHAKESPEARE IN LOVE Delights at Burbage Theatre Company
It may seem a bit odd to base a play on a movie, but when one considers that SHAKESPEARE IN LOVE was co-written by Tom Stoppard and won him an Academy Award, it becomes a no-brainer. Under the capable direction of Jeff Church this witty and heart-warming story comes alive in a new way that will make you laugh out loud and also feel awfully smart. The script is chock full of references to other Shakespeare plays/themes and well-known writers of the day, then layered with a tale of two star-crossed lovers portraying star crossed lovers. Set in the round, this production hits all the right notes and is cerebral, fun and perfectly cast.
BWW Review: The Wilbury Theatre Group Takes Us To CHURCH
There is nothing quite like a powerfully delivered sermon. Even non-believers may find themselves getting chills in the presence of impassioned oratory, regardless of the subject matter. That seems to be a central point of young Jean Lee's CHURCH, currently playing at The Wilbury Theatre Group. Similar to last year's production of Lee's Straight White Men, she again toys with typical expectations, this time of religious services, and manages to be somewhat heartwarming while also being confounding. But lack of solid direction and movement leaves the production feeling much longer than it is, despite an exceptionally talented cast.
Photo Flash: Young Jean Lee's CHURCH At The Wilbury Group
In CHURCH, 'the best playwright of her generation' (The New York Times) Young Jean Lee transforms her life-long struggle with Christianity into an exuberant church service. This church of celebration is designed to test the expectations of religious and non-religious alike. Never content with simple parody, Lee aims to give herself and her audiences a true religious experience.
Photo Flash: 2nd Story Theatre presents THE BEST OF EVERYTHING
Rona Jaffe's mid-century page-turner electrified millions of women who saw their own lives reflected in the experiences of five young employees of a New York publishing house. Julie Kramer's adaptation touchingly and faithfully captures Jaffe's incisive look at the personal and professional struggles these women faced (face?) in their male-dominated world, bringing it to colorful theatrical life with sympathy, wit, intelligence and love.
BWW Review: Surreal MR. BURNS, A POST-ELECTRIC PLAY
MR. BURNS, A POST-ELECTRIC PLAY takes place in the near future, and then further into the future, and then way into the future as the world as we knew it becomes increasingly distorted and warped seemingly via a century long game of telephone. It's a play that analyzing will just leave a person more discombobulated, so it's probably best to just strap in any enjoy the ride. Regardless of whether or not you understand it, you will come away thoroughly entertained by the phenomenal cast and skillful music direction of Wilbury favorite David Tessier. The people Wilbury Theatre Group are masters of the strange and unexpected, and even if the audience can't completely grasp what's going on, the cast has everything handled, so that it's best to just sit in their thrall and trust that we're all going to make it out ok.