Philip O'Gorman
Birth Place: Kilkenny, Ireland
Latest News on Philip O'Gorman:
Live Performance of THE GRAY AREA to be Presented at the Gene Frankel Theatre (Oct 5, 2021)
THE BLOODY DEED OF 1857 Opens Tonight (Nov 3, 2018)
Drew Bordeaux Performs At Westchester Collaborative Theater 09/08 (Oct 27, 2018)
Live Performance of THE GRAY AREA to be Presented at the Gene Frankel Theatre (Oct 5, 2021)
THE BLOODY DEED OF 1857 Opens Tonight (Nov 3, 2018)
Drew Bordeaux Performs At Westchester Collaborative Theater 09/08 (Oct 27, 2018)
BIO
Philip O'Gorman is a native Irishman from County Kilkenny.
Following a couple of plays with London's semi-professional
Tower Theatre Company, Philip quit his day job, sold his flat,
and moved to New York to pursue a full-time career as an actor.
?
At HB Studio he studied with Christopher Martin, Founding
Artistic Director of Classic Stage Company, and Stuart Vaughan,
Founding Artistic Director of both NY Shakespeare Festival and
Seattle Repertory Theatre, and appeared in HB Performance Lab
productions of Shakespeare's MACBETH, and Ibsen's THE LADY
FROM THE SEA.
?
Completing his studies, he was awarded his OPT, and booked
his first professional role in Tom Lazarus' award-winning film,
THE BENCH, returning to the stage in the US premiere of
Lermontov's MASQUERADE with the String Orchestra of Brooklyn
at St. Ann's Church, and collaborating with Christopher Martin, he
produced Pinter's OLD TIMES (appearing as Deeley) for a critically
successful off-Off Broadway run.
In January 2017, Philip was awarded his 0-1B Visa, as an Artist of
Extraordinary Ability.
News
Live Performance of THE GRAY AREA to be Presented at the Gene Frankel Theatre
The live show, which was made possible by a City Artist Corps grant from the New York Foundation of the Arts, will offer a rare and exciting look under the hood of audio drama -- with practical sound effects being performed on stage. But the show has been designed with theatre in mind.
The live show, which was made possible by a City Artist Corps grant from the New York Foundation of the Arts, will offer a rare and exciting look under the hood of audio drama -- with practical sound effects being performed on stage. But the show has been designed with theatre in mind.
THE BLOODY DEED OF 1857 Opens Tonight
Following two weeks of sold out previews, The Bloody Deed of 1857 opens tonight at the landmark Colonnade Row for an open ended run. The new play is based on the actual murder of Dr. Harvey Burdell on January 30, 1857 on nearby Bond Street. The scandalous crime captivated the city, filling the columns of every newspaper for months because all evidence pointed at his rejected lover, a devoted mother and conniving widow named Emma Cunningham. But the jury didn't believe a woman could commit such a violent act. Officially, the case remains unsolved, leaving restless ghosts behind to sort through the truth for eternity.
Following two weeks of sold out previews, The Bloody Deed of 1857 opens tonight at the landmark Colonnade Row for an open ended run. The new play is based on the actual murder of Dr. Harvey Burdell on January 30, 1857 on nearby Bond Street. The scandalous crime captivated the city, filling the columns of every newspaper for months because all evidence pointed at his rejected lover, a devoted mother and conniving widow named Emma Cunningham. But the jury didn't believe a woman could commit such a violent act. Officially, the case remains unsolved, leaving restless ghosts behind to sort through the truth for eternity.
THE BLOODY DEED OF 1857 Returns To Colonnade Row For Limited Fall Run
After a sold-out workshop run in March, Paranormal History Productions returns to Colonnade Row with an official limited run of The Bloody Deed of 1857 for the autumn season. The immersive 90 minute play is an adaptation of news accounts which reported the breathless daily developments about a sensational murder that took place on nearby Bond Street. Elise Gainer, author of Ghosts and Murders of Manhattan, credits the nearby Merchant's House Museum with the idea to turn this true-life murder into a play. The work was selected as the featured piece in the Tectonic Theatre Project's Advanced Moment Work Master Class with Moises Kaufman in May 2017. Ken Davenport, the veteran Broadway producer, consulted on this unique immersive experience including script and overall project development.
After a sold-out workshop run in March, Paranormal History Productions returns to Colonnade Row with an official limited run of The Bloody Deed of 1857 for the autumn season. The immersive 90 minute play is an adaptation of news accounts which reported the breathless daily developments about a sensational murder that took place on nearby Bond Street. Elise Gainer, author of Ghosts and Murders of Manhattan, credits the nearby Merchant's House Museum with the idea to turn this true-life murder into a play. The work was selected as the featured piece in the Tectonic Theatre Project's Advanced Moment Work Master Class with Moises Kaufman in May 2017. Ken Davenport, the veteran Broadway producer, consulted on this unique immersive experience including script and overall project development.
THE BLOODY DEED OF 1857 Returns To Colonnade Row For Limited Fall Run
After a sold-out workshop run in March, Paranormal History Productions returns to Colonnade Row with an official limited run of The Bloody Deed of 1857 for the autumn season. The immersive 90 minute play is an adaptation of news accounts which reported the breathless daily developments about a sensational murder that took place on nearby Bond Street. Elise Gainer, author of Ghosts and Murders of Manhattan, credits the nearby Merchant's House Museum with the idea to turn this true-life murder into a play. The work was selected as the featured piece in the Tectonic Theatre Project's Advanced Moment Work Master Class with Moises Kaufman in May 2017. Ken Davenport, the veteran Broadway producer, consulted on this unique immersive experience including script and overall project development.
After a sold-out workshop run in March, Paranormal History Productions returns to Colonnade Row with an official limited run of The Bloody Deed of 1857 for the autumn season. The immersive 90 minute play is an adaptation of news accounts which reported the breathless daily developments about a sensational murder that took place on nearby Bond Street. Elise Gainer, author of Ghosts and Murders of Manhattan, credits the nearby Merchant's House Museum with the idea to turn this true-life murder into a play. The work was selected as the featured piece in the Tectonic Theatre Project's Advanced Moment Work Master Class with Moises Kaufman in May 2017. Ken Davenport, the veteran Broadway producer, consulted on this unique immersive experience including script and overall project development.
THE BLOODY DEED OF 1857 Returns To Colonnade Row For Limited Fall Run
After a sold-out workshop run in March, Paranormal History Productions returns to Colonnade Row with an official limited run of The Bloody Deed of 1857 for the autumn season. The immersive 90 minute play is an adaptation of news accounts which reported the breathless daily developments about a sensational murder that took place on nearby Bond Street. Elise Gainer, author of Ghosts and Murders of Manhattan, credits the nearby Merchant's House Museum with the idea to turn this true-life murder into a play. The work was selected as the featured piece in the Tectonic Theatre Project's Advanced Moment Work Master Class with Moises Kaufman in May 2017. Ken Davenport, the veteran Broadway producer, consulted on this unique immersive experience including script and overall project development.
After a sold-out workshop run in March, Paranormal History Productions returns to Colonnade Row with an official limited run of The Bloody Deed of 1857 for the autumn season. The immersive 90 minute play is an adaptation of news accounts which reported the breathless daily developments about a sensational murder that took place on nearby Bond Street. Elise Gainer, author of Ghosts and Murders of Manhattan, credits the nearby Merchant's House Museum with the idea to turn this true-life murder into a play. The work was selected as the featured piece in the Tectonic Theatre Project's Advanced Moment Work Master Class with Moises Kaufman in May 2017. Ken Davenport, the veteran Broadway producer, consulted on this unique immersive experience including script and overall project development.
THE BLOODY DEED OF 1857 Returns To Colonnade Row For Limited Fall Run
After a sold-out workshop run in March, Paranormal History Productions returns to Colonnade Row with an official limited run of The Bloody Deed of 1857 for the autumn season. The immersive 90 minute play is an adaptation of news accounts which reported the breathless daily developments about a sensational murder that took place on nearby Bond Street. Elise Gainer, author of Ghosts and Murders of Manhattan, credits the nearby Merchant's House Museum with the idea to turn this true-life murder into a play. The work was selected as the featured piece in the Tectonic Theatre Project's Advanced Moment Work Master Class with Moises Kaufman in May 2017. Ken Davenport, the veteran Broadway producer, consulted on this unique immersive experience including script and overall project development.
After a sold-out workshop run in March, Paranormal History Productions returns to Colonnade Row with an official limited run of The Bloody Deed of 1857 for the autumn season. The immersive 90 minute play is an adaptation of news accounts which reported the breathless daily developments about a sensational murder that took place on nearby Bond Street. Elise Gainer, author of Ghosts and Murders of Manhattan, credits the nearby Merchant's House Museum with the idea to turn this true-life murder into a play. The work was selected as the featured piece in the Tectonic Theatre Project's Advanced Moment Work Master Class with Moises Kaufman in May 2017. Ken Davenport, the veteran Broadway producer, consulted on this unique immersive experience including script and overall project development.
Pulitzer Nominee Christopher Martin Helms Revival of OLD TIMES, Starting Tonight in NYC
International director, composer and Pulitzer Prize-nominee Christopher Martin (also Founding Artistic Director of Classic Stage Company where he directed nearly 100 productions) directs a NYC revival of the Harold Pinter play OLD TIMES, which will run tonight, November 25th, through December 11th at the 'White Space' at Alchemical Theatre Laboratory (104 West 14 St.).
International director, composer and Pulitzer Prize-nominee Christopher Martin (also Founding Artistic Director of Classic Stage Company where he directed nearly 100 productions) directs a NYC revival of the Harold Pinter play OLD TIMES, which will run tonight, November 25th, through December 11th at the 'White Space' at Alchemical Theatre Laboratory (104 West 14 St.).
Pulitzer Nominee Christopher Martin to Helm Fall Revival of OLD TIMES in NYC
International director, composer and Pulitzer Prize-nominee Christopher Martin (also Founding Artistic Director of Classic Stage Company where he directed nearly 100 productions) is set to direct a NYC revival of the Harold Pinter play OLD TIMES which will run November 25th thru December 11th at the 'White Space' at Alchemical Theatre Laboratory (104 West 14 St.).
International director, composer and Pulitzer Prize-nominee Christopher Martin (also Founding Artistic Director of Classic Stage Company where he directed nearly 100 productions) is set to direct a NYC revival of the Harold Pinter play OLD TIMES which will run November 25th thru December 11th at the 'White Space' at Alchemical Theatre Laboratory (104 West 14 St.).
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