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Peter Vitale

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BIO

Peter is a multidisciplinary theater artist and has worked professionally for over twenty-five years as an actor, composer, musician, and music director.  He is currently the music director at Ten Thousand Things Theater in Minneapolis where he has composed original scores and over forty songs for TTT shows including Measure For Measure, As You Like It, Doubt, Life Is A Dream, Othello, Twelfth Night, Eurydice, Red Noses, The Merchant of Venice, The Good Person of Szechwan, Cyrano de Bergerac, Blood Wedding, The Winter’s Tale and The Three Lives of Lucy Cabrol. Other sound/music credits include The Public Theater Mobile Unit’s (NY) production of Measure For Measure. As a singer and actor, Peter has appeared on many Twin Cities’ stages including the Guthrie Theater, Jungle Theater, Ten Thousand Things Theater, Park Square Theater, Theater Latte Da, Minnesota Jewish Theater, Minnesota Opera, and the Minnesota Orchestra.

In 2009, Peter received a grant from the American Composers Forum for his work on Raskol, a new adaptation of Crime and Punishment by Kira Obolensky.

As an instrumentalist, Peter is continually exploring new techniques and instruments to add to his repertoire. He currently plays piano, clarinet, saxophone, recorder, flute, harmonica, accordion, harp and a wide variety of percussion instruments. He’s also been called upon to invent a number of original instruments and effects for TTT productions.

Peter received a Bachelors Degree in Music from Duke University in 1986 where he studied both piano and voice. In 1993 he earned a Masters Degree in Vocal Performance from the School of Music at the University of North Carolina-Greensboro. In 1987, he was the recipient of a Rotary International Foundation scholarship which allowed him to spend a postgraduate year studying orchestration, composition, ethnomusicology and harp at the University of North Wales, Gwynedd, UK.


In 1989, he received funding from the Duke University Institute of the Arts and Manbites Dog Theater to co-produce a staged reading of his original script entitled, Such A Little While based on the music, life and writings of American composer, Marc Blitzstein. In 1999, and again in 2002, he received support from the Fletcher Foundation to become a visiting guest artist of the theater department at Meredith College in Raleigh, NC

Peter is a member of Actors Equity Association and the American Composers Forum.

News


Last Chance to Vote for the BWW Raleigh Awards; Voting Ends 12/31

It's the final week left to vote for the 2023 BroadwayWorld Raleigh Awards! Voting ends on 12/31 at midnight. Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!
BroadwayWorld Raleigh Awards December 5th Standings; DISASTER! Leads Best Musical!

It's December, and the first standings of the month have been announced as of Tuesday, December 5th for the 2023 BroadwayWorld Raleigh Awards! Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!
Latest Standings Announced For The 2023 BroadwayWorld Raleigh Awards; A MIDSUMMER NIGHT'S DREAM Leads Best Play!

Happy Holidays! The latest wave of standings have been announced as of Monday, November 27th for the 2023 BroadwayWorld Raleigh Awards! Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!
Cast Set For MUCH ADO ABOUT NOTHING at PlayMakers Repertory Company

The opening of William Shakespeare's critically acclaimed play Much Ado About Nothing opens November 18 at PlayMakers Repertory Company. 
PlayMakers Repertory Company's Black, Queer HAMLET Streams This Weekend

​​​​​​​PlayMakers Repertory Company's vivid reimagining of one of the world's best psychological thrillers, Hamlet streams this weekend. 
Photos: First Look At HAMLET At PlayMakers Repertory Company

Get a first look at photos of Hamlet, coming to PlayMakers Repertory Company next month.
PlayMakers Repertory Company Announces Full Cast For HAMLET

PlayMakers Repertory Company has announced the full cast for its production of Shakespeare's Hamlet. Directed by Vivienne Benesch (Birthday Candles), performances run from January 25 – February 12 in the Paul Green Theatre located in the Joan H. Gillings Center for Dramatic Art on the UNC Chapel Hill campus. 
David Greenspan Stars in BACK AT THE START: A SITUATION COMEDY, Audio Drama

Multiple Obie Award-winning actor David Greenspan stars in Kesselring Prize-winner Matthew Freeman's Back at the Start: A Situation Comedy, an outlandish, surreal six-part audio drama released by the Brooklyn-based independent theater production company Theater Accident.
BWW Review: Intimate, Funny, Moving INTO THE WOODS at Ten Thousand Things

INTO THE WOODS is new artistic director Marcela Lorca's debut directorial outing for Ten Thousand Things after the retirement of renowned artist and social change agent Michelle Hensley, the founder of the company. Seeing this Sondheim masterpiece up close and stripped of pretentiousness is a treat.
BWW Review: Funny and Accessible SCAPIN at Ten Thousand Things

Ten Thousand Things is a treasure: a company dedicated to bringing live theater to marginalized and underserved audiences for free. Founding Director Michelle Hensley retired in June of 2018. So this production is the first in new Artistic Director Marcela Lorca's inaugural season, and is directed by Randy Reyes, who is Artistic Director of Theater Mu locally. The mission of TTT is clearly in safe hands, especially given the extant structure of the Artist Core, a group of veteran performers who provide guidance and active advice to the organization.
BWW Review: Ten Thousand Things' Magical THE GOOD PERSON OF SZECHWAN is a Fitting Swan Song for Artistic Director Michelle Hensley

Michelle Hensley, retiring Artistic Director and Founder of Ten Thousand Things, is a gift. A gift to theater, a gift to Minnesota, a gift to the world. She taught us a new way to do theater, a new way to experience theater, one that considers who the audience can and should be, which is everyone. Read her book ALL THE LIGHTS ON if you want to know more about it, or go see her beautiful swan song THE GOOD PERSON OF SZECHWAN, which is also the first play that TTT ever did nearly 30 years ago when Michelle started it in California. We've been lucky enough to have TTT as a vital part of the #TCTheater community for 25 years, a tradition that will continue after Michelle's retirement under the leadership of new Artistic Director Marcela Lorca. One can only hope that all of the artists and audience members she's worked with and influenced in those years will continue on this tradition of inclusive, accessible, imaginative theater that is unlike anything else.
BWW Review: Ten Thousand Things' Signature Bare-Bones Staging Brings New Urgency and Clarity to the Classic FIDDLER ON THE ROOF

It never fails. Whenever I go to see a Ten Thousand Things show, the storytelling is so clear it's as if I'm truly seeing it for the first time, even if it's a piece I've seen one or many times before. In their signature bare bones theater style, they've cut out all the fluff from the beloved musical FIDDLER ON THE ROOF to get right to the heart of the story. Even though I've seen the show twice in recent years, I've never been so caught up in and felt so deeply the story of one man's struggle with holding to his traditions, while still loving his family as they begin to change and grow out of those traditions. The brilliant Steve Epp makes Tevye so real and human, and along with the other eight members of this terrific ensemble playing multiple characters, makes the world of Anatevka palpably real and somehow modern, despite still being anchored in time and space. Because 50 years after it was written, this story about a family of refugees fleeing persecution and violence in their beloved homeland to find safety in America is as timely as ever.
BWW Reviews: Ten Thousand Things Delights with FORGET ME NOT WHEN FAR AWAY, a New Play about Coming Home

?The village of Farmingtown has been devoid of men for so long that when one returns from the far away and long-lasting war, the first woman he meets rushes up to him and inhales him deeply. This hilarious and oddly touching moment at the beginning of Kira Obolensky's new play FORGET ME NOT WHEN FAR AWAY sets the tone for this playful and poignant fairy tale about a soldier returning to a home he once knew. Ten Thousand Things has been on the road with the show for a few weeks, performing at correctional facilities, community centers, and other unlikely venues. As director Michelle Hensley said in her introduction of the show, the fact that this play has resonated with such diverse audiences in different ways is a credit to the skills of the playwright, who has created a world outside of time and space that somehow feels familiar and relatable to everyone. This world is brought to life in the beautifully sparse way that only Ten Thousand Things can do, with a brilliant cast of six performing in a fully lit room in a space so small that they literally trip over the audience. The fanciful story is grounded in truth and made to feel very real by the universality of the story, the charming accessibility of the language, the up-close-and-personal performances by the actors in whom you can feel every nuance of every emotion through a look in the eyes, the twinge of a facial muscle, or a subtle movement of the body. Ten Thousand Things harnesses the magic of theater in its most basic form like no other company can.
BWW Reviews: Ten Thousand Things' Sparsely Lovely THE UNSINKABLE MOLLY BROWN Gets Right to the Heart of the Sweet and Inspiring Story

No one does musicals like Ten Thousand Things does musicals. And even though it defies everything we know about musical theater, after seeing a TTT musical I think that maybe that's the way musicals should always be done. The music, like everything else about the show, is stripped down to the very basics, extraneous layers removed to reveal the very heart of the matter. A one-man orchestra provides the minimal accompaniment, and the small cast imperceptibly transitions from speaking to singing, so that you can't even tell where songs end and begin, it's just all one seamless story. And above all else, Artistic Director Michelle Hensley and all of the artists at Ten Thousand Things are storytellers. Whether it's Shakespeare or a classic American musical, they share the story in a pure and unadorned way so that all of their audiences, whether prisoners or seasoned theater-goers, can hear it and see themselves in it. One such masterpiece is their latest musical venture, THE UNSINKABLE MOLLY BROWN, a reprise of their very first musical venture 15 years ago. It's lovely, spirited, sweet, funny, moving, heart-warming, and real.
Park Square to Stage 2 PIANOS 4 HANDS, 11/28-12/28

A sell-out in 2010 and a big hit in 2012, Park Square brings 2 Pianos 4 Hands, the delightful play about two piano whiz kids with stars in their eyes, back to the stage for the holidays. A side-splitting celebration of dreaming of greatness, 2 Pianos 4 Hands is a perfect show for the entire family, children ages 10 and older.
Park Square to Stage 2 PIANOS 4 HANDS, 11/28-12/28

A sell-out in 2010 and a big hit in 2012, Park Square brings 2 Pianos 4 Hands, the delightful play about two piano whiz kids with stars in their eyes, back to the stage for the holidays. A side-splitting celebration of dreaming of greatness, 2 Pianos 4 Hands is a perfect show for the entire family, children ages 10 and older.
BWW Reviews: Ten Thousand Things' Minimalist Production of ROMEO AND JULIET Brings the Classic Story to Life in a Unique Way

No one does Shakespeare like Ten Thousand Things. They manage to boil the text down to its bare essentials, and convey the heart of the story in a way that feels fresh and modern. This season they bring their unique Shakespeare style to perhaps his most well-know play, the story of star-crossed lovers that inspired all others, Romeo and Juliet. In the typically minimalist production (since TTT performs on location at prisons, homeless shelters, and community centers, the paid public performances are also in a small, fully lit room with little in the way of sets and costumes), director Peter Rothstein and his fantastic cast of eight playing multiple characters bring this familiar story to life in a unique way.
Nearly 300 Minnesota Artists to Mount 18 Productions at Park Square in 2014-15

With Sexy Laundry opening tonight, the entire cast roster for the theatre's biggest season is almost complete. Nearly 300 Minnesota artists - including actors, directors, designers and technical operators - will mount 18 productions on two stages. The season lineup confirms Park Square's commitment to the work of women writers like Amy Herzog, Michele Riml and Alice Walker. The casting emphasizes Park Square as a home for local artists of color, from returning favorites like James A. Williams, T. Mychael Rambo and Regina Williams to dozens of debuts like Dominique Wooten, Kurt Kwan and Sarah Ochs.
Triangle Lab and TTT to Bring All-Female TWELFTH NIGHT to Bay Communities, Spring 2014

The Triangle Lab will work with Ten Thousand Things Theater (TTT) in spring 2014 to bring TTT's unique model of theater creation, performance, and outreach to Bay Area audiences, including those who have little or no access to the arts. The Triangle Lab, a joint program of California Shakespeare Theater and Intersection for the Arts, seeks to integrate art into community life.
2 PIANOS 4 HANDS Plays Park Square Theatre, Now thru 12/30

A sell-out in 2010, Park Square Theatre brings 2 Pianos 4 Hands, the delightful play about two piano whiz kids with stars in their eyes, back to the stage for the holidays tonight, December 5-30, 2012. A side-splitting celebration of dreaming of greatness, 2 Pianos 4 Hands is a perfect show for the entire family, children ages 11 and older.

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