Review: MILLION DOLLAR QUARTET at Arizona Broadway Theatre
The real strength of Arizona Broadway Theatre's production of MILLION DOLLAR QUARTET is the cast – the excellent musician/performers who, while avoiding the imitation of certain obvious well-known character traits in their portrayals, manage to recreate specific elements of their real-life counterparts in a way that most of us will recognize and delight in.
Lynne Jassem Brings TAP DANCING WITH MY PRONOUNS to BRAVA!
It’s a boy! It’s a girl! No, it’s the award winning Lynne Jassem in “Tap Dancing with my Pronouns: The He/She Life of Richard Greene” at San Francisco’s acclaimed BRAVA! For Women in the Arts (2781 24th Street in SF’s Mission District).
Review: FOREVER PLAID at 42nd Street Moon
Stuart Ross’ 1989 jukebox homage to boy bands of the 1950’s is a pleasant whiff of nostalgia sure to remove you from the stress of today’s less naïve and chaotic present. Forever Plaid follows The Plaids, a youthful quartet with stardom in their eyes killed in a car accident in 1964. Like the baseball players in Field of Dreams, they return to perform one final concert and we’re here to bear witness.
Review: FOREVER PLAID at Castle Craig Players
On Saturday, March 2nd, I had the pleasure of seeing another phenomenal performance put on by the Castle Craig Players at the Almira F. Stephan Memorial Playhouse in Meriden, CT, FOREVER PLAID, a comedic jukebox musical written by Stuart Ross. Director Melanie Del Sole, with help from musical director Nick Ciasullo and choreographer Stephen Koehler bring out the best in this amazing cast featuring Henry Tobelman, Stephen Koehler, Jeffrey Rizzo and Brandon Gregoire, accompanied by David Marottolo on piano. The show reflects the music of the male 1950s harmony groups, placing it into a highly entertaining storyline! The actors have incredible stage chemistry with each other, and amazing vocal harmony. Their dance maneuvers are performed with sharp synchronicity. Most importantly, it is clear that they are having an excellent time performing their roles, radiating positive energy throughout the audience.
Review: DREAMGIRLS at New Theatre & Restaurant
The point of musical theater (for most people) is pure entertainment, and the New Theatre & Restaurant original production of 1981’s DREAMGIRLS hits the bullseye. DREAMGIRLS is directed by Jerry Jay Cranford and stars a comparatively large, twenty-one member cast backed by an eight-piece orchestra. Cranford has assembled a cast of Broadway belters and fine dancers to tell the tale of a Supremes-like black female singing trio around 1960 and in the decade to follow.
The show is flashy and impeccably costumed. The set, while relatively simple, is technically superior. LED screens are used across the background to simulate locations. Not much was spared when the producer was asked to fund this production. Choreography by Courtney German is frenetic, well drilled, and perfectly appropriate for this genre. The musical score is spectacular by Henry Krieger and Tom Eyen. Several numbers (including the title track) became number one hits outside the show.