Paula Vogel is Playwright in Residence at Yale Repertory Theatre. Indecent was commissioned by Oregon Shakespeare Festival's American Revolutions and Yale Repertory Theatre in close collaboration with director Rebecca Taichman, and co-produced by La Jolla Playhouse. Indecent was developed at the Sundance Theatre Lab in 2013 and has been produced at Yale Repertory Theatre, La Jolla Playhouse and the Vineyard Theatre. Her play How I Learned To Drive received the 1998 Pulitzer Prize for Drama, the Lortel Prize, Drama Desk, Outer Critics Circle, and New York Drama Critics Awards for Best Play, as well as her second Obie Award. Other plays include Don Juan Comes Home From Iraq, The Long Christmas Ride Home, The Mineola Twins, The Baltimore Waltz, Hot 'N' Throbbing, Desdemona, And Baby Makes Seven, The Oldest Profession, and A Civil War Christmas. In 2004-05, she was the playwright in residence at New York's Signature Theatre. TCG has published four books of her work: "The Mammary Plays," "The Baltimore Waltz and Other Plays," "The Long Christmas Ride Home," and "A Civil War Christmas." Most recent awards include the Theatre Hall of Fame, Lifetime Achievement Award from the Dramatists Guild, and the 2015 Thornton Wilder Award. She is honored to have two awards to emerging playwrights named after her: the Paula Vogel Award, created by the American College Theatre Festival in 2003, and the Paula Vogel Playwriting Award, given annually by the Vineyard Theatre since 2007. Ms. Vogel won the 2004 Award for Literature from the American Academy of Arts and Letters, the Obie for Best Play in 1992, the Rhode Island Pell Award in the Arts, the Hull-Warriner Award, The Laura Pels Award, the Pew Charitable Trust Senior Award, a Guggenheim, an AT&T New Plays Award, the Fund for New American Plays, the Rockefeller Foundation's Bellagio Center Fellowship, several National Endowment for the Arts Fellowships, the McKnight Fellowship, and the Bunting Fellowship from Radcliffe College. She is a fellow of the American Academy of Arts and Sciences. She was recently awarded a Thirtini from 13P in New York. She has been a fellow at the MacDowell Colony, the Double UCross Colony, as well as Yaddo. She has taught for 24 years at Brown University and for five years at Yale School of Drama where she was the Eugene O'Neill Professor of Playwriting. She is honored by Philadelphia Young Playwrights and Quiara Hudes, who is curating the Paula Vogel Mentors Project.
Paula Vogel, Mother Play
Paula Vogel, Mother Play: A Play in Five Evictions
Paula Vogel, Mother Play
Paula Vogel
Paula Vogel, Indecent
Paula Vogel
Paula Vogel
Paula Vogel, Indecent
Paula Vogel, Indecent
Paula Vogel, How I Learned to Drive
Paula Vogel, How I Learned to Drive
Paula Vogel, How I Learned to Drive
Paula Vogel has written 11 shows including The Baltimore Waltz (Playwright), And Baby Makes Seven (Playwright), Desdemona (Playwright), How I Learned to Drive (Playwright), The Mineola Twins (Playwright), The Long Christmas Ride Home (Playwright), The Oldest Profession (Playwright), Hot 'n' Throbbing (Playwright), Indecent (Author), Pride Plays (Author), Mother Play (Playwright).
Outstanding Play (Drama Desk Awards) for Mother Play, Outstanding New Broadway Play (Outer Critics Circle Awards) for Mother Play: A Play in Five Evictions, Best Play (Tony Awards) for Mother Play, Legend of Off-Broadway Honorees (), Outstanding Play (Drama Desk Awards) for Indecent, Special Citation (New York Drama Critics Circle Awards) for , Lifetime Achievement (Obie Awards), Outstanding Play (The Lortels) for Indecent, Best Play (Tony Awards) for Indecent, The Pulitzer Prize for Drama (The Pulitzer Prize) for How I Learned to Drive, Outstanding New Play (Drama Desk Awards) for How I Learned to Drive and Best Play (New York Drama Critics Circle Awards) for How I Learned to Drive.
- Legend of Off-Broadway Honorees - Special Citation (New York Drama Critics Circle Awards) - Lifetime Achievement (Obie Awards) - The Pulitzer Prize for Drama for How I Learned to Drive - Outstanding New Play (Drama Desk Awards) for How I Learned to Drive - Best Play (New York Drama Critics Circle Awards) for How I Learned to Drive
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