Paul Gatrell
Latest News on Paul Gatrell:
Actors Bridge Ensemble's World Premiere Production of Alicia Haymer's HEAVY (Apr 15, 2023)
Student Blog: It's Good To Be Alive! (Apr 11, 2023)
Review: Cynthia Harris' THE CALLING IS IN THE BODY Is A Universal Tale of Love and Inspiration (Aug 10, 2022)
Actors Bridge Ensemble's World Premiere Production of Alicia Haymer's HEAVY (Apr 15, 2023)
Student Blog: It's Good To Be Alive! (Apr 11, 2023)
Review: Cynthia Harris' THE CALLING IS IN THE BODY Is A Universal Tale of Love and Inspiration (Aug 10, 2022)
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Actors Bridge Ensemble's World Premiere Production of Alicia Haymer's HEAVY
When the history of live theater performance in Nashville, post-pandemic, is written sometime in the future, it’s highly likely there will be a chapter dedicated to and inspired by the significance of the artistry of Alicia Haymer, the actor/director/playwright who grew up in Nashville and whose impact on local theater goes all the way back to her childhood.
When the history of live theater performance in Nashville, post-pandemic, is written sometime in the future, it’s highly likely there will be a chapter dedicated to and inspired by the significance of the artistry of Alicia Haymer, the actor/director/playwright who grew up in Nashville and whose impact on local theater goes all the way back to her childhood.
Student Blog: It's Good To Be Alive!
Last semester as part of Lab, I was the assistant stage manager (as well as the assistant script coordinator) for Ibsen's A Doll's House. But this semester, I took on an even bigger challenge: the task of assistant directing Ahrens and Flaherty's Lucky Stiff.
Last semester as part of Lab, I was the assistant stage manager (as well as the assistant script coordinator) for Ibsen's A Doll's House. But this semester, I took on an even bigger challenge: the task of assistant directing Ahrens and Flaherty's Lucky Stiff.
Review: Cynthia Harris' THE CALLING IS IN THE BODY Is A Universal Tale of Love and Inspiration
In much the same way that a piece of evocative music can suddenly whisk you away to another time and place, there are moments in Cynthia Harris’ beautifully written The Calling Is In The Body that can take one just as swiftly to the Nashville of the early 1990s. Almost imperceptibly, Harris’ heartfelt reminiscence – a tribute styled as a “choreopoem” – of a young woman who inspired her to believe in herself and to aspire to more than she might have believed possible at the time, becomes a universal treatise on how every life has meaning far beyond any expectation.
In much the same way that a piece of evocative music can suddenly whisk you away to another time and place, there are moments in Cynthia Harris’ beautifully written The Calling Is In The Body that can take one just as swiftly to the Nashville of the early 1990s. Almost imperceptibly, Harris’ heartfelt reminiscence – a tribute styled as a “choreopoem” – of a young woman who inspired her to believe in herself and to aspire to more than she might have believed possible at the time, becomes a universal treatise on how every life has meaning far beyond any expectation.
BWW Review: Actors Bridge Ensemble Returns With Gloriously Heartfelt TINY BEAUTIFUL THINGS
After two years in real time – which seems like more than two decades in these weird pandemic times in which we’ve been living most recently – Nashville’s critically and audience-acclaimed theater company Actors Bridge Ensemble is back in the business of producing live theater. And may we say, on behalf of the company’s legions of fans: Thank you! Thank you! Thank you! You have been missed.
After two years in real time – which seems like more than two decades in these weird pandemic times in which we’ve been living most recently – Nashville’s critically and audience-acclaimed theater company Actors Bridge Ensemble is back in the business of producing live theater. And may we say, on behalf of the company’s legions of fans: Thank you! Thank you! Thank you! You have been missed.
TA(L)KING DIRECTION: The Drama League Podcast Announces Season 2
The Drama League announced today Season 2 of its digital series, TA(L)KING DIRECTION: The Drama League Podcast. Season two will explore the changing state of the theatre industry and its early steps towards re-emergence in 2021, with an all-star lineup of directors, producers, and artists.
The Drama League announced today Season 2 of its digital series, TA(L)KING DIRECTION: The Drama League Podcast. Season two will explore the changing state of the theatre industry and its early steps towards re-emergence in 2021, with an all-star lineup of directors, producers, and artists.
BWW Review: Rachel Agee's Noteworthy Directorial Debut with Actors Bridge's KODACHROME
Life, as we know it, happens all around us in an amazing cavalcade of events that at once might seem inconsequential yet their importance becomes evident with time and experience. That's the message of Kodachrome, Adam Szymkowicz's lovely and elegiac play now onstage at the Actors Bridge Studio through July 28, in a warmly sentimental and sweet, yet unmistakably moving and impactful, production under the direction of Rachel Agee, who makes her professional directorial debut in the process.
Life, as we know it, happens all around us in an amazing cavalcade of events that at once might seem inconsequential yet their importance becomes evident with time and experience. That's the message of Kodachrome, Adam Szymkowicz's lovely and elegiac play now onstage at the Actors Bridge Studio through July 28, in a warmly sentimental and sweet, yet unmistakably moving and impactful, production under the direction of Rachel Agee, who makes her professional directorial debut in the process.
First Night's Top Ten of 2018 Announced in Nashville Tonight
In anticipation of the gala 30th anniversary celebration of The First Night Awards, Tennessee's best and brightest in live theater were revealed tonight as First Night's Top Ten of 2018 - reviewer and critic Jeffrey Ellis' annual recognition for theater in the Volunteer State - were announced during a Facebook Live presentation from Nashville.
In anticipation of the gala 30th anniversary celebration of The First Night Awards, Tennessee's best and brightest in live theater were revealed tonight as First Night's Top Ten of 2018 - reviewer and critic Jeffrey Ellis' annual recognition for theater in the Volunteer State - were announced during a Facebook Live presentation from Nashville.
BWW Review: Nashville Shakespeare Festival's Magical MIDSUMMER Heralds a 30th Anniversary
In her welcoming note to audiences at the 2018 version of Nashville Shakespeare Festival's production of A Midsummer Night's Dream - the 30th anniversary of the company's annual Shakespeare in the Park festivities at Centennial Park (which now is without question the place to be on a midsummer's night in Music City, all other artistic offerings that abound notwithstanding) - executive artistic director Denice Hicks takes a fanciful look ahead to 2048, and suggests that she'll either be in the audience or, quite possibly, in the cast of whatever show happens to be onstage some 30 years hence. Let me just make this prediction by way of critical pronouncement: Denice Hicks, then 88, will once again be playing the ethereal Puck in NSF's then-current Midsummer and I, who will be a spry 91-year-old at the time (or possibly a critical hologram), will be in the audience once again to marvel at her ageless skills and timeless artistry.
In her welcoming note to audiences at the 2018 version of Nashville Shakespeare Festival's production of A Midsummer Night's Dream - the 30th anniversary of the company's annual Shakespeare in the Park festivities at Centennial Park (which now is without question the place to be on a midsummer's night in Music City, all other artistic offerings that abound notwithstanding) - executive artistic director Denice Hicks takes a fanciful look ahead to 2048, and suggests that she'll either be in the audience or, quite possibly, in the cast of whatever show happens to be onstage some 30 years hence. Let me just make this prediction by way of critical pronouncement: Denice Hicks, then 88, will once again be playing the ethereal Puck in NSF's then-current Midsummer and I, who will be a spry 91-year-old at the time (or possibly a critical hologram), will be in the audience once again to marvel at her ageless skills and timeless artistry.
BWW Review: Adam Szymkowicz's MARIAN, OR THE TRUE TALE OF ROBIN HOOD is Truly Legendary
The legend of Robin Hood is subject to personal interpretation and, given the times in which we now live, it only makes sense that playwright Adam Szymkowicz would devise his own treatment of the legend in ways both provocative and traditional. In Marian, Or The True Tale of Robin Hood, Szymkowicz posits that both Robin, the personification of the anti-hero, and his supposed love, Maid Marian are indeed the same person, devoted not only to taking from the aristocracy to provide for the peasantry, but also to foment ideas of class and gender equality at a time when such thought was considered heretical.
The legend of Robin Hood is subject to personal interpretation and, given the times in which we now live, it only makes sense that playwright Adam Szymkowicz would devise his own treatment of the legend in ways both provocative and traditional. In Marian, Or The True Tale of Robin Hood, Szymkowicz posits that both Robin, the personification of the anti-hero, and his supposed love, Maid Marian are indeed the same person, devoted not only to taking from the aristocracy to provide for the peasantry, but also to foment ideas of class and gender equality at a time when such thought was considered heretical.
BWW Review: Verge Theater's THE FLICK Best of 2018 to Date
At first blush, it would be easy to say that there's not much action packed into Annie Baker's The Flick - now onstage in a noteworthy production from Nashville's Verge Theater Company at Belmont's Black Box Theater - but that is, in fact, a pretty simplistic take on a story that is as complex and as diverting as real life itself. And just like life, Baker's Pulitzer Prize-winning script packs a whole lot of drama into its storyline, which is brought to life by a superb cast of actors under the direction of Jaclyn Jutting.
At first blush, it would be easy to say that there's not much action packed into Annie Baker's The Flick - now onstage in a noteworthy production from Nashville's Verge Theater Company at Belmont's Black Box Theater - but that is, in fact, a pretty simplistic take on a story that is as complex and as diverting as real life itself. And just like life, Baker's Pulitzer Prize-winning script packs a whole lot of drama into its storyline, which is brought to life by a superb cast of actors under the direction of Jaclyn Jutting.
Actors Bridge, Belmont University Theatre Celebrate 11th Collaboration With MEN ON BOATS
Leah Lowe directs Jaclyn Backhaus' Men on Boats as Actors Bridge Ensemble and Belmont University Department of Theatre and Dance celebrate their 11th annual collaborative production with the Nashville premiere, running April 13-15 and April 19-22 at the Belmont Black Box Theater.
Leah Lowe directs Jaclyn Backhaus' Men on Boats as Actors Bridge Ensemble and Belmont University Department of Theatre and Dance celebrate their 11th annual collaborative production with the Nashville premiere, running April 13-15 and April 19-22 at the Belmont Black Box Theater.
BWW Review: Actors Bridge and Belmont Theatre Team Up for Provocative and Moving AMISH PROJECT
Actors Bridge Ensemble - Nashville's most forward-thinking and cutting-edge professional theater company - teams up once again with Belmont University Department of Theatre and Dance to celebrate their tenth anniversary as artistic collaborators with Jessica Dickey's The Amish Project, a moving and provocative presentation that allows the two companies' strengths to be fully on display, giving audiences much to consider in the post-show haze of introspection and remembrance.
Actors Bridge Ensemble - Nashville's most forward-thinking and cutting-edge professional theater company - teams up once again with Belmont University Department of Theatre and Dance to celebrate their tenth anniversary as artistic collaborators with Jessica Dickey's The Amish Project, a moving and provocative presentation that allows the two companies' strengths to be fully on display, giving audiences much to consider in the post-show haze of introspection and remembrance.
Where Are They Now? BLAIR ALLISON
How does one go about describing Blair Allison? She's funny, irrepressible, charming, talented and kooky…beautiful, personable and clever - just to name a few of the Murfreesboro native's most obvious attributes. She's also determined and ambitious, focused and committed and a graduate of Belmont University's widely respected theater program, headed by 2010 First Night Honoree Paul Gatrell.
How does one go about describing Blair Allison? She's funny, irrepressible, charming, talented and kooky…beautiful, personable and clever - just to name a few of the Murfreesboro native's most obvious attributes. She's also determined and ambitious, focused and committed and a graduate of Belmont University's widely respected theater program, headed by 2010 First Night Honoree Paul Gatrell.
MUSIC CITY CONFIDENTIAL: What's This Week's Gossip?
At long last, Music City Confidential is back to help you get caught back on the talk of the town - all the news that's fit to print about the Nashville theater community - and to immerse you in the minutiae of life in Theater City (a term we've been trying to copyright since we were in junior high with Thespis, Aristophanes and Martha Wilkinson).
At long last, Music City Confidential is back to help you get caught back on the talk of the town - all the news that's fit to print about the Nashville theater community - and to immerse you in the minutiae of life in Theater City (a term we've been trying to copyright since we were in junior high with Thespis, Aristophanes and Martha Wilkinson).
Critic's Choice: The Shows To See This Weekend
Shows are opening (Carolyn German unveils her latest, Go From Here, and Nashville Ballet revives Carmina Burana, both this weekend), shows are closing (your last chance to catch The Taffetas at Chaffin's Barn Dinner Theatre before they go the way of The Plaids is this weekend) and The Miss Firecracker Contest is back onstage at Donelson's Larry Keeton Theatre for the second of three weekends. Obviously, the 2016 theater season continues to reveal itself at a breakneck pace, giving audiences a veritable buffet of offerings from which to choose.
Shows are opening (Carolyn German unveils her latest, Go From Here, and Nashville Ballet revives Carmina Burana, both this weekend), shows are closing (your last chance to catch The Taffetas at Chaffin's Barn Dinner Theatre before they go the way of The Plaids is this weekend) and The Miss Firecracker Contest is back onstage at Donelson's Larry Keeton Theatre for the second of three weekends. Obviously, the 2016 theater season continues to reveal itself at a breakneck pace, giving audiences a veritable buffet of offerings from which to choose.
BWW Review: Anya and Masha and Katya and The Big Prick: FAIRYTALE LIVES OF RUSSIAN GIRLS
Delving into the deeply complex culture of Russian life and history - and the fanciful, yet somehow disturbing, tales that have inspired and informed Russian literature for centuries - Miroshnik's equally complex play offers an intriguing and entertaining treatise on that literature, brought to life with contemporary twists and turns that make the stories more accessible to modern theater-goers, while inviting comparisons and contrasts of Russia in the 21st century with the ancient Tsarist era and the hardships of the Communist years of the last century.
Delving into the deeply complex culture of Russian life and history - and the fanciful, yet somehow disturbing, tales that have inspired and informed Russian literature for centuries - Miroshnik's equally complex play offers an intriguing and entertaining treatise on that literature, brought to life with contemporary twists and turns that make the stories more accessible to modern theater-goers, while inviting comparisons and contrasts of Russia in the 21st century with the ancient Tsarist era and the hardships of the Communist years of the last century.
Actors Bridge Preps FAIRYTALE LIVES OF RUSSIAN GIRLS for 4/15
Actors Bridge Ensemble's 20th anniversary season continues in April with the Nashville premiere of Meg Miroshnik's The Fairytale Lives of Russian Girls, directed by Leah Lowe and running April 15-23 at the Belmont Black Box Theater.
Actors Bridge Ensemble's 20th anniversary season continues in April with the Nashville premiere of Meg Miroshnik's The Fairytale Lives of Russian Girls, directed by Leah Lowe and running April 15-23 at the Belmont Black Box Theater.
BWW Reviews: Verge Theater's THE NINA VARIATIONS
You don't have to be a devotee of Chekhov - you don't even have to be a fan of live theater necessarily - but it clearly helps if you are in the audience for Verge Theater Company's production of Steven Dietz's The Nina Variations, which is sometimes whimsical and oftentimes dramatic in the rich tradition of Russian literature.
You don't have to be a devotee of Chekhov - you don't even have to be a fan of live theater necessarily - but it clearly helps if you are in the audience for Verge Theater Company's production of Steven Dietz's The Nina Variations, which is sometimes whimsical and oftentimes dramatic in the rich tradition of Russian literature.
Actors Bridge Ensemble Stages World Premiere of Feehely's OUTSIDE PARADISE
Developed with the aid of a creation grant from the Metropolitan Nashville Arts Commission, Outside Paradise-playwright Bill Feehely's stage treatment of the life and love of literary lions Zelda and F. Scott Fitzgerald-debuts at Belmont University's Black Box Theatre on November 9, running for two weekends and starring Jennifer Richmond and Clay Steakley as the sta-rcrossed lovers.
Developed with the aid of a creation grant from the Metropolitan Nashville Arts Commission, Outside Paradise-playwright Bill Feehely's stage treatment of the life and love of literary lions Zelda and F. Scott Fitzgerald-debuts at Belmont University's Black Box Theatre on November 9, running for two weekends and starring Jennifer Richmond and Clay Steakley as the sta-rcrossed lovers.
Photo Coverage: The 2013 First Night Honors Red (actually Orange) Carpet Arrivals
Dressed to the nines-despite forecasts of thunderstorms and a tornado watch that hung over the region-theater people from throughout Tennessee gathered at Belmont University's Bill and Carole Troutt Theatre on Sunday night for the 2013 First Night Honors. Hosted by Holly Shepherd and Joel Diggs, the gala evening honored eight leading lights of Tennessee theater as they were recognized as members of the First Night Class of 2013 Honorees.
Dressed to the nines-despite forecasts of thunderstorms and a tornado watch that hung over the region-theater people from throughout Tennessee gathered at Belmont University's Bill and Carole Troutt Theatre on Sunday night for the 2013 First Night Honors. Hosted by Holly Shepherd and Joel Diggs, the gala evening honored eight leading lights of Tennessee theater as they were recognized as members of the First Night Class of 2013 Honorees.
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