Review: THE BAKER'S WIFE, Menier Chocolate Factory
A gentler offering from Stephen Schwartz’s catalogue, this immersive show whisks you away to a time long past with a phenomenal ensemble who find the heart and soul in their characters. Perhaps the mistake made 50 years ago was attempting to bring The Baker’s Wife to a larger space. In the Menier’s intimate space, it makes for a real treat.
Review: JERRY'S GIRLS, Menier Chocolate Factory
Deeply mining the scores of four musicals Jerry Herman is best known for (Hello, Dolly, Mame, Mack & Mabel, La Cage Aux Folles), with a handful from others like Dear World and Parade, this will appeal to Herman devotees and musical generalists alike.
Review: POWER OF SAIL, Menier Chocolate Factory
Early in Power of Sail, we learn it’s firmly set in 2019. A mere year later, the world would face a global pandemic, the Black Lives Matter movement and online misinformation reaching its peak as right-wing have been given bigger platforms to express their hate under the guise of freedom of speech. Still
Review: PACIFIC OVERTURES, Menier Chocolate Factory
Matthew White’s latest creation is stunning and Sondheim’s score remains beautiful. White doesn’t pull any punches when it comes to condemning the actions depicted, though at the very end his vision seems to suddenly shift all the violence into the necessary evil that kick-started Japan’s technological advancement. Questionable, but interesting.
Review: THE THIRD MAN, Menier Chocolate Factory
When Holly Martins arrives in Vienna to start a new job after the Second World War, he learns that his childhood friend Harry Lime died a few days prior. A broke novelist who was promised a cut in his business, he finds Harry’s sudden death suspicious and starts to investigate. Considered one of the best British films, it was only a matter of time before Carol Reed and Graham Greene’s 1949 film The Third Man received the musical treatment. With words by Don Black and Christopher Hampton and music by George Fenton, this premiere is a mid-weight noir directed by Trevor Nunn. While the cast is often impressive, the background against which the plot unravels is far more interesting than the story itself.
BWW Review: KINKY BOOTS at DET NY TEATER
Det ny teater og musical af høj kvalitet plejer at gå hånd i hånd og denne gang, har de kastet sig over Broadway succen Kinky Boots som har manuskript af Harvey Fierstein og musik af Cyndi Lauper, som nok bedst er kendt for Girls just want to have fun.
Menier Chocolate Factory Announces Spring Season For 2020
With the critically acclaimed production of The Boy Friend currently running at the theatre, the Menier Chocolate Factory today announce the forthcoming two productions a?" the European première of Paula Vogel's Tony Award-winning play Indecent, directed by Rebecca Taichman; and Alan Bennett's Habeas Corpus directed by Patrick Marber, who returns to the Menier following his smash-hit production of Tom Stoppard's Travesties.
Photo Flash: First Look at THE BOYFRIEND at Menier Chocolate Factory
Sandy Wilson's all-singing all-dancing love letter to 1920s musical comedies returns for the first major London revival in over 10 years. Set in Madame Dubonnet's finishing school in the south of France, these perfect young ladies burst into song at the least provocation, and forbidden boy friends are forever popping through the French windows to sing and dance with them. Since its premiere in 1953, this light-hearted soufflé of a show has delighted audiences worldwide and has become one of the most well-loved British musicals of all time.
BWW Review: THE BOY FRIEND, Menier Chocolate Factory
How ripping! A saucy French maid doing the Charleston with a handsome chap in tennis whites sets the scene for the most delightful escapism in town: Matthew White's gossamer-light revival of Sandy Wilson's 1953 love letter to the Roaring Twenties. It was once the third-longest-running stage musical, and boosted Julie Andrews' career on Broadway.