Paul Dawson
Latest News on Paul Dawson:
John Cameron Mitchell's SHORTBUS Will Be Re-Released For 15th Anniversary (Oct 14, 2021)
Sascha Gorokhoff Pens FROM VICTIM TO VICTORY (Oct 27, 2015)
Hamilton Leithauser, Spottiswoode & His Enemies and More to Perform at Joe's Pub, Now thru 4/27 (Apr 15, 2014)
John Cameron Mitchell's SHORTBUS Will Be Re-Released For 15th Anniversary (Oct 14, 2021)
Sascha Gorokhoff Pens FROM VICTIM TO VICTORY (Oct 27, 2015)
Hamilton Leithauser, Spottiswoode & His Enemies and More to Perform at Joe's Pub, Now thru 4/27 (Apr 15, 2014)
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News
John Cameron Mitchell's SHORTBUS Will Be Re-Released For 15th Anniversary
John Cameron Mitchell’s Shortbus will be re-released in theaters with a new 4k restoration for its 15th anniversary! The film opens at the IFC Center in New York on January 26th, 2022 with a larger theatrical release to follow. Watch the trailer for this film now!
John Cameron Mitchell’s Shortbus will be re-released in theaters with a new 4k restoration for its 15th anniversary! The film opens at the IFC Center in New York on January 26th, 2022 with a larger theatrical release to follow. Watch the trailer for this film now!
Sascha Gorokhoff Pens FROM VICTIM TO VICTORY
LOS ANGELES, Oct. 26, 2015 /PRNewswire/ Looking at Sascha today, one can see a man who is accomplished, successful and in every word achieved the American Dream. But for Sascha, life did not begin easy, in fact life began with Sascha being very disabled and having a condition called spina bifida, hydrocephaly and Arnold Chiari II. Essentially, these disabilities should have left him in a wheelchair and mentally disabled, but he overcame. This meant for a long time that he had to overcome numerous hurdles just to keep up with the other students at school.
LOS ANGELES, Oct. 26, 2015 /PRNewswire/ Looking at Sascha today, one can see a man who is accomplished, successful and in every word achieved the American Dream. But for Sascha, life did not begin easy, in fact life began with Sascha being very disabled and having a condition called spina bifida, hydrocephaly and Arnold Chiari II. Essentially, these disabilities should have left him in a wheelchair and mentally disabled, but he overcame. This meant for a long time that he had to overcome numerous hurdles just to keep up with the other students at school.
Hamilton Leithauser, Spottiswoode & His Enemies and More to Perform at Joe's Pub, Now thru 4/27
Joe's Pub at the Public has announced an exciting lineup of performances now through April 27. Check out the full schedule and details below!
Joe's Pub at the Public has announced an exciting lineup of performances now through April 27. Check out the full schedule and details below!
Justin Vivian Bond, Angela Dicarlo, Marty Thomas to Honor John Cameron Mitchell at THE MEETING*, 4/20
The Meeting* hosted by Justin Sayre, the acclaimed comedy/variety show, will continue its engagement at JOE'S PUB at The Public Theater on Sunday, April 20 at 7:00 PM with a celebration of the lauded actor, writer and director John Cameron Mitchell just in time for the Broadway debut of his celebrated musical Hedwig and the Angry Inch. After a highly-successful season at 54 Below, The Meeting* has returned to its downtown roots this year with shows through May. The Meeting* has been called 'delicious and delightfully droll' by The New York Post, and 'hilarious and sardonic' by The Village Voice. A recent story for Slate.com called the evening 'so deliciously icy that it left me shivering with fear and delight.' The April show will feature special guests Justin Vivian Bond (Tony Award nominated entertainer), Angela DiCarlo (Mad World of Miss Hathaway), Scott Matthew (Shortbus), Marty Thomas (Xanadu), Sven Ratzke (Hedwig in Berlin), Paul Dawson & PJ DeBoy (Shortbus), Shane Shane (La MaMa) and Derek Smith (Dixon Place). Tracy Stark serves as Music Director.
The Meeting* hosted by Justin Sayre, the acclaimed comedy/variety show, will continue its engagement at JOE'S PUB at The Public Theater on Sunday, April 20 at 7:00 PM with a celebration of the lauded actor, writer and director John Cameron Mitchell just in time for the Broadway debut of his celebrated musical Hedwig and the Angry Inch. After a highly-successful season at 54 Below, The Meeting* has returned to its downtown roots this year with shows through May. The Meeting* has been called 'delicious and delightfully droll' by The New York Post, and 'hilarious and sardonic' by The Village Voice. A recent story for Slate.com called the evening 'so deliciously icy that it left me shivering with fear and delight.' The April show will feature special guests Justin Vivian Bond (Tony Award nominated entertainer), Angela DiCarlo (Mad World of Miss Hathaway), Scott Matthew (Shortbus), Marty Thomas (Xanadu), Sven Ratzke (Hedwig in Berlin), Paul Dawson & PJ DeBoy (Shortbus), Shane Shane (La MaMa) and Derek Smith (Dixon Place). Tracy Stark serves as Music Director.
REVIEW: 'Fall of the House of Usher' at Nashville Opera
Disturbingly dark and awesomely foreboding, evil is certain to lurk behind the walls of the House of Usher. Springing from the fertile imagination of legendary American author Edgar Allan Poe, and re-created now as an opera by the wildly expressive Philip Glass, Nashville Opera's production of The Fall of the House of Usher represents a courageous leap of artistic faith for the company's creative brain trust. And with its mesmerizing staging conceived by director John Hoomes and production designer Barry Steele, Nashville Opera soars - bringing a brilliant production to the stage of the James K. Polk Theatre at the Tennessee Performing Arts Center. Shocking and riveting, provocative and challenging, this opera leaves its audience stunned and spent, grateful to have witnessed an artistic triumph of such extraordinary proportions.
Disturbingly dark and awesomely foreboding, evil is certain to lurk behind the walls of the House of Usher. Springing from the fertile imagination of legendary American author Edgar Allan Poe, and re-created now as an opera by the wildly expressive Philip Glass, Nashville Opera's production of The Fall of the House of Usher represents a courageous leap of artistic faith for the company's creative brain trust. And with its mesmerizing staging conceived by director John Hoomes and production designer Barry Steele, Nashville Opera soars - bringing a brilliant production to the stage of the James K. Polk Theatre at the Tennessee Performing Arts Center. Shocking and riveting, provocative and challenging, this opera leaves its audience stunned and spent, grateful to have witnessed an artistic triumph of such extraordinary proportions.
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