BWW Review: THE MYSTERY OF EDWIN DROOD Misses a Lot of Opportunities But Still Highly Entertaining
THE MYSTERY OF EDWIN DROOD (or, as it is sometimes called, the much shorter, 'Drood') is a 1985 musical based on Charles Dickens unfinished novel The Mystery of Edwin Drood. Written entirely by Rupert Holmes, it was the first Broadway musical with multiple endings determined by the audience. Holmes received Tony Awards for Best Book and Best Original Score. The production won five Tony Awards out of eleven nominations, including Best Musical. The musical is derived from both Dickens' final unfinished novel and British pantomime and music hall traditions that reached the height of their popularity in the years following Dickens' death. Produced originally by Austin Playhouse in 2005, it was nominated for six B. Iden Payne awards including the winner of Best Director for Musical Theatre (Don Toner). Jill Blackwood, Rick Roemer, and Jacqui Cross reprise their roles from that 2005 production.
THE DRESSER: Final 4 Performances Begin Tonight
Different Stages closes its 2015-2016 season with Ronald Harwood's The Dresser. 'Sir', the last of the great but dying breed of English actor managers, is struggling to keep a grip on his sanity and complete his 227th performance of King Lear. Despite most of the country's actors being in uniform in war-torn Britain and bombs destroying theatres, the show must go on. Ensuring that it does is Norman, Sir's devoted dresser, who for sixteen years has been there to fix his wig, massage his ego, remind him of his opening lines and provide the sound effects in the storm scene.
BWW Review: DOGFIGHT is a Critique of Machismo Disguised as a Celebration
DOGFIGHT is a musical with music and lyrics by Benj Pasek & Justin Paul and a book by Peter Duchan. It is adapted from Nancy Savoca's 1991 film and premiered Off-Broadway in 2012. The current production by Austin Theatre Project is the Central Texas premiere.
An intimate new musical with a small cast, DOGFIGHT shines a light on the nastier aspects of young Marines, especially the ritual where each man tries to find the ugliest girl to bring to a bar to win a bet. It is this ritual that gives the work its name. A look at swaggering, macho culture at its worst, dehumanizing both the women and the faceless enemy the boys are being dispatched to fight.
BWW Reviews: ROBBER BRIDEGROOM Needs to Steal From Slapstick Classics
The only thing more disappointing than a show that completely bombs is one that is astoundingly good in some areas but misses the mark in others. That's exactly the case with The Robber Bridegroom, now playing at the Mary Moody Northen Theatre at St. Edwards University. While the show is visually stunning, the music tuneful and complex, and some performances are wonderful, the show misses many an opportunity to land a joke.
Photo Flash: First Look at TWELFTH NIGHT, Now Playing at City Theatre Through 6/22
TWELFTH NIGHT. Worlds collide in William Shakespeare's enchanting and much-loved comedy. In the household of Olivia, two campaigns are being quietly waged - one by the lovesick lord Orsino against the heart of the indifferent Olivia; the other by an alliance of servants and hangers-on against the high-handedness of her steward, the pompous Malvolio. Filled with a cast of unforgettable characters, Twelfth Night combines mistaken identity, high comedy, dynamic narrative, witty invention and the pangs of unrequited love with some of the most exquisite language Shakespeare ever wrote. The production runs through June 22, and plays Thursday - Saturday 8:00 pm. Sunday 5:30 pm.
Shakespeare's TWELFTH NIGHT Comes to City Theatre Company, Now thru 6/22
Orsino loves Olivia, but Olivia loves Cesario. Only, Cesario is really Viola, and Viola loves Orsino. Mistaken identity, unrequited love, gender bending, fools and bawdy revelry takes the stage in William Shakespeare's best-loved comedy, Twelfth Night, or What You Will, running today, May 30 to June 22 at City Theatre.
City Theatre Company's TWELFTH NIGHT Begins Tomorrow
The City Theatre Company will kick off the 2014 summer theatre season with William Shakespeare's wonderful romantic comedy Twelfth Night, or What You Will. Romance, wit, merriment, masquerades, and music make it perfect Austin summer fare. Guest director Ben McLemore leads the production with show dates May 30 - June 22, 2014 at City Theatre.