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Odin Biron

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STAGE CREDITS

[Regional (US)]
World Premiere, 2004
Performer


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Review: The Festival d'Avignon Presents LE MOINE NOIR By KIRILL SEREBRENNIKOV

When it was announced that the 2022 Festival d'Avignon season would be headed by an adaptation of Chekhov in La Cour d'Honneur, I was skeptical. Chekhov's tragedies are often very cerebral. Their ultimate catastrophes are subtle and internal. How could something as fragile as a Chekhov character make itself realized in the chasm of La Cour d'Honneur? Kirill Serebrennikov answered this question through a liberal adaptation of Le Moine Noir, or The Black Monk, which turned the playwright's work into a surreal landscape. While the Cour d'Honneur still muffles subtelties, Serebrennikov's vision results in a few marvelous performances and resonating images.

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