BIO
Since her debut in 2004, Nicole Henry has established herself as one of the jazz world's most acclaimed performers, possessing a potent combination of dynamic vocal abilities, impeccable phrasing, and sincere, powerful emotional resonance.
Her passionate, soulful voice and heartfelt charisma have earned her a Soul Train Award for “Best Traditional Jazz Performance," and three Top 10 U.S. Billboard and HMV Japan jazz albums. Heralded by The New York Times, Wall Street Journal, The Japan Times, El Pais, Jazz Times, Essence and more, Ms. Henry tells real stories through unparalleled interpretations of repertoire from the American Songbook, classic and contemporary jazz, popular standards, blues and originals.
She has captivated audiences in over 20 countries, headlining in cities including New York, Tokyo, Madrid, Moscow, Paris, Shanghai, Los Angeles, Chicago, Boston, San Francisco and Miami. Ms. Henry has also performed in more than 30 music festivals worldwide and in some of the world’s most famous venues including Blue Note; Jazz at Lincoln Center; Blues Alley; Arsht Center; Feinstein’s; Green Mill; Jazz St. Louis; Madrid Jazz Festival; the Regattabar; and Catalina Jazz.
She has recorded with some of today’s musical greats including Kirk Whalum, Julian Lage, Gerald Clayton and Gil Goldstein and has performed with the Duke Ellington Orchestra, the Henry Mancini Institute Orchestra and Michael Feinstein. In late 2019, Ms. Henry returned to the theatrical stage and garnered critical praise in the musical “The Bodyguard,” and in early 2020, she will perform in the new musical “A Wonderful World,” the story of Louis Armstrong.
“I had the sense of being in the presence of a pop-soul superwoman whose every gesture and inflection conveyed confidence and mastery…” - Stephen Holden, NY Times
“….a paragon of perfection… the vocal love child of Whitney Houston and Sarah Vaughan."
- Jordan Levin, Miami Herald
“Listen and you’ll hear an artist who knows how to make a song her own… Henry aims right for the emotional center…". - Philip Van Vleck, Billboard
“(Henry) can sell a power ballad as well as Whitney, Diana and Patti.” - Jazz Times