Nico Castel
Latest News on Nico Castel:
Announcing Action For Artists, A New Nonprofit Organization Devoted To Assisting Emerging Artists (Nov 1, 2022)
BWW Feature: ONLINE VIRTUAL OPERA TOUR at Home Computer Screens (Jun 1, 2021)
Center For Contemporary Opera's Performance Of Joel Feigin's OUTCAST AT THE GATE Available Online in December (Nov 25, 2020)
Announcing Action For Artists, A New Nonprofit Organization Devoted To Assisting Emerging Artists (Nov 1, 2022)
BWW Feature: ONLINE VIRTUAL OPERA TOUR at Home Computer Screens (Jun 1, 2021)
Center For Contemporary Opera's Performance Of Joel Feigin's OUTCAST AT THE GATE Available Online in December (Nov 25, 2020)
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Announcing Action For Artists, A New Nonprofit Organization Devoted To Assisting Emerging Artists
William Hicks, Founder and Chairperson, announces the launch of Action for Artists (AFA), a new public nonprofit dedicated to providing performing artists with the much-needed financial assistance, tools, and mentorship vital to their artistic and professional growth.
William Hicks, Founder and Chairperson, announces the launch of Action for Artists (AFA), a new public nonprofit dedicated to providing performing artists with the much-needed financial assistance, tools, and mentorship vital to their artistic and professional growth.
BWW Feature: ONLINE VIRTUAL OPERA TOUR at Home Computer Screens
Los Angeles Opera presents a digital recital exploring the invaluable contributions Latina composers have made to the world of classical music. LAO’s much-beloved After Hours Recital Series is back, and this time it celebrates eleven Latina composers. Russell Thomas, the company's Artist in Residence-turned-host, curated this fabulous stream to transport viewers virtually to Mexico, Venezuela, Argentina, Cuba, and Peru.
Los Angeles Opera presents a digital recital exploring the invaluable contributions Latina composers have made to the world of classical music. LAO’s much-beloved After Hours Recital Series is back, and this time it celebrates eleven Latina composers. Russell Thomas, the company's Artist in Residence-turned-host, curated this fabulous stream to transport viewers virtually to Mexico, Venezuela, Argentina, Cuba, and Peru.
Center For Contemporary Opera's Performance Of Joel Feigin's OUTCAST AT THE GATE Available Online in December
The Premiere of the video of composer Joel Feigin's opera Outcast at the Gate will take place on Tuesday, December 1 @ 7:45 PM. Outcast at the Gate, an opera in development, was presented by Center for Contemporary Opera on June 14, 2019 at Symphony Space's Leonard Nimoy Thalia Theatre in New York, NY
The Premiere of the video of composer Joel Feigin's opera Outcast at the Gate will take place on Tuesday, December 1 @ 7:45 PM. Outcast at the Gate, an opera in development, was presented by Center for Contemporary Opera on June 14, 2019 at Symphony Space's Leonard Nimoy Thalia Theatre in New York, NY
Rare New U.S. Staging Of Anton Rubinstein's DEMON Highlights Opera At Bard SummerScape
Committed since its inception to reviving important but neglected operas, Bard SummerScape has long proven itself “an indispensable part of the summer operatic landscape” (Musical America). Offering a rare new American production of Demon by Anton Rubinstein as its operatic centerpiece, this year's immersion in “Rimsky-Korsakov and His World” is no exception.
Committed since its inception to reviving important but neglected operas, Bard SummerScape has long proven itself “an indispensable part of the summer operatic landscape” (Musical America). Offering a rare new American production of Demon by Anton Rubinstein as its operatic centerpiece, this year's immersion in “Rimsky-Korsakov and His World” is no exception.
National Chorale presents 50th Presentation Of Handel's Messiah Sing-In, 12/15
National Chorale, New York's premier professional choral company, under the Artistic Direction of Everett McCorvey, continues its 2017-2018 Season at Lincoln Center with the 50th presentation of Handel's Messiah Sing-In onFriday, December 15, 2017 at 7:30pm at the David Geffen Hall at Lincoln Center for the Performing Arts, 10 Lincoln Center Plaza, NYC. Tickets are $30-100 and are available at www.nationalchorale.com, or by calling (212) 333-5333.
National Chorale, New York's premier professional choral company, under the Artistic Direction of Everett McCorvey, continues its 2017-2018 Season at Lincoln Center with the 50th presentation of Handel's Messiah Sing-In onFriday, December 15, 2017 at 7:30pm at the David Geffen Hall at Lincoln Center for the Performing Arts, 10 Lincoln Center Plaza, NYC. Tickets are $30-100 and are available at www.nationalchorale.com, or by calling (212) 333-5333.
Riverside Opera's GIVING THANKS FOR SONG to Feature Opera & Pop, Iconic Arias & '60s Tunes
The Riverside Opera Company (ROC), under the direction of Maestro Alan Aurelia, presents: Giving Thanks for Song a performance that includes returning audition winner Tenor Seunghwan Oh performing Nessun Dorma from Puccini's Turandot and other performances by audition winners from operatic favorites including Mozart's Marriage of Figaro, Bizet's Carmen all accompanied by a full professional orchestra.
The Riverside Opera Company (ROC), under the direction of Maestro Alan Aurelia, presents: Giving Thanks for Song a performance that includes returning audition winner Tenor Seunghwan Oh performing Nessun Dorma from Puccini's Turandot and other performances by audition winners from operatic favorites including Mozart's Marriage of Figaro, Bizet's Carmen all accompanied by a full professional orchestra.
Riverside Opera's GIVING THANKS FOR SONG to Feature Opera & Pop, Iconic Arias & '60s Tunes
The Riverside Opera Company (ROC), under the direction of Maestro Alan Aurelia, presents: Giving Thanks for Song a performance that includes returning audition winner Tenor Seunghwan Oh performing Nessun Dorma from Puccini's Turandot and other performances by audition winners from operatic favorites including Mozart's Marriage of Figaro, Bizet's Carmen all accompanied by a full professional orchestra.
The Riverside Opera Company (ROC), under the direction of Maestro Alan Aurelia, presents: Giving Thanks for Song a performance that includes returning audition winner Tenor Seunghwan Oh performing Nessun Dorma from Puccini's Turandot and other performances by audition winners from operatic favorites including Mozart's Marriage of Figaro, Bizet's Carmen all accompanied by a full professional orchestra.
Missing and Murdered Aboriginal Women Honoured in Chamber Opera MISSING
City Opera Vancouver with Pacific Opera Victoria presents the world premiere of Missing, a profoundly moving and pivotal opera that sheds new light on a national crisis, November 3,7,9 & 11 at 8pm, and November 5 at 2pm at The York Theatre. Written by distinguished Canadian M tis playwright Marie Clements, with a gripping score by JUNO Award-winning composer Brian Current, this work confronts the immense tragedy of more than 1,200 missing and murdered First Nations, Inuit and M tis women and girls in Canada, and the devastation to communities and families both First Nations and non-First Nations left to grapple with their loss.
City Opera Vancouver with Pacific Opera Victoria presents the world premiere of Missing, a profoundly moving and pivotal opera that sheds new light on a national crisis, November 3,7,9 & 11 at 8pm, and November 5 at 2pm at The York Theatre. Written by distinguished Canadian M tis playwright Marie Clements, with a gripping score by JUNO Award-winning composer Brian Current, this work confronts the immense tragedy of more than 1,200 missing and murdered First Nations, Inuit and M tis women and girls in Canada, and the devastation to communities and families both First Nations and non-First Nations left to grapple with their loss.
First Full U.S. Staging of Dvorak's DIMITRIJ to Open at Bard SummerScape
Opening next Today, July 28, Bard SummerScape presents the long overdue American staged premiere of Dimitrij (1882). Set to a libretto by Marie Cervinkova-Riegrova, one of the relatively few 19th-century women to contribute to the genre, Antonín Dvorák's grand opera is rarely produced outside the Czech Republic, and only received its U.S. concert premiere more than a century after its composition.
Opening next Today, July 28, Bard SummerScape presents the long overdue American staged premiere of Dimitrij (1882). Set to a libretto by Marie Cervinkova-Riegrova, one of the relatively few 19th-century women to contribute to the genre, Antonín Dvorák's grand opera is rarely produced outside the Czech Republic, and only received its U.S. concert premiere more than a century after its composition.
Bard SummerScape 2017 Presents First Fully Staged Production Of DIMITRIJ, 7/28-8/6
Committed since its inception to reviving important but neglected operas, Bard SummerScape has long proven itself “an indispensable part of the summer operatic landscape” (Musical America). With the long overdue American staged premiere of Antonín Dvo?ák's Dimitrij as its operatic centerpiece, this year's immersion in “Chopin and His World” is no exception.
Committed since its inception to reviving important but neglected operas, Bard SummerScape has long proven itself “an indispensable part of the summer operatic landscape” (Musical America). With the long overdue American staged premiere of Antonín Dvo?ák's Dimitrij as its operatic centerpiece, this year's immersion in “Chopin and His World” is no exception.
First Full U.S. Staging of Dvorak's DIMITRIJ Highlights Opera at Bard SummerScape
Committed since its inception to reviving important but neglected operas, Bard SummerScape has long proven itself 'an indispensable part of the summer operatic landscape' (Musical America). With the long overdue American staged premiere of Antonin Dvorak's Dimitrij as its operatic centerpiece, this year's immersion in 'Chopin and His World' is no exception.
Committed since its inception to reviving important but neglected operas, Bard SummerScape has long proven itself 'an indispensable part of the summer operatic landscape' (Musical America). With the long overdue American staged premiere of Antonin Dvorak's Dimitrij as its operatic centerpiece, this year's immersion in 'Chopin and His World' is no exception.
First Full U.S. Staging of Dvorak's DIMITRIJ to Open at Bard SummerScape
Opening next Friday, July 28, Bard SummerScape presents the long overdue American staged premiere of Dimitrij (1882). Set to a libretto by Marie Cervinkova-Riegrova, one of the relatively few 19th-century women to contribute to the genre, Antonín Dvorák's grand opera is rarely produced outside the Czech Republic, and only received its U.S. concert premiere more than a century after its composition.
Opening next Friday, July 28, Bard SummerScape presents the long overdue American staged premiere of Dimitrij (1882). Set to a libretto by Marie Cervinkova-Riegrova, one of the relatively few 19th-century women to contribute to the genre, Antonín Dvorák's grand opera is rarely produced outside the Czech Republic, and only received its U.S. concert premiere more than a century after its composition.
Bard SummerScape 2017 Presents First Fully Staged Production Of DIMITRIJ, 7/28-8/6
Committed since its inception to reviving important but neglected operas, Bard SummerScape has long proven itself “an indispensable part of the summer operatic landscape” (Musical America). With the long overdue American staged premiere of Antonín Dvo?ák's Dimitrij as its operatic centerpiece, this year's immersion in “Chopin and His World” is no exception.
Committed since its inception to reviving important but neglected operas, Bard SummerScape has long proven itself “an indispensable part of the summer operatic landscape” (Musical America). With the long overdue American staged premiere of Antonín Dvo?ák's Dimitrij as its operatic centerpiece, this year's immersion in “Chopin and His World” is no exception.
First Full U.S. Staging of Dvorak's DIMITRIJ Highlights Opera at Bard SummerScape
Committed since its inception to reviving important but neglected operas, Bard SummerScape has long proven itself 'an indispensable part of the summer operatic landscape' (Musical America). With the long overdue American staged premiere of Antonin Dvorak's Dimitrij as its operatic centerpiece, this year's immersion in 'Chopin and His World' is no exception.
Committed since its inception to reviving important but neglected operas, Bard SummerScape has long proven itself 'an indispensable part of the summer operatic landscape' (Musical America). With the long overdue American staged premiere of Antonin Dvorak's Dimitrij as its operatic centerpiece, this year's immersion in 'Chopin and His World' is no exception.
Salon/Sanctuary Concerts Presents THE FLOOR OF HEAVEN: SCENES FROM A MERCHANT SONGS OF HIS VENICE
Shakespeare's The Merchant of Venice is poised between two Empires - The Sceptered Isle and La Serenissima. In honor of the 400th anniversary of the death of Shakespeare and the 500th anniversary of the birth of the Venetian ghetto, The Floor of Heaven interweaves moments from Shakespeare's complex and revolutionary text with the play's original music and songs from the English-Venetian soundscape that Shakespeare's characters would have played and heard.
Shakespeare's The Merchant of Venice is poised between two Empires - The Sceptered Isle and La Serenissima. In honor of the 400th anniversary of the death of Shakespeare and the 500th anniversary of the birth of the Venetian ghetto, The Floor of Heaven interweaves moments from Shakespeare's complex and revolutionary text with the play's original music and songs from the English-Venetian soundscape that Shakespeare's characters would have played and heard.
Annie Potts Narrates National Chorale's Musical Premiere of GOODNIGHT MOON Tonight at Lincoln Center
National Chorale, New York's premier professional choral company, under the Artistic Direction of Everett McCorvey, continues its 2016-2017 Season at Lincoln Center with Beethoven's Symphony #9 and the World Premiere of a musical adaptation of Goodnight Moon tonight, November 18, 2016 at 8pm at the David Geffen Hall at Lincoln Center for the Performing Arts, 10 Lincoln Center Plaza, NYC.
National Chorale, New York's premier professional choral company, under the Artistic Direction of Everett McCorvey, continues its 2016-2017 Season at Lincoln Center with Beethoven's Symphony #9 and the World Premiere of a musical adaptation of Goodnight Moon tonight, November 18, 2016 at 8pm at the David Geffen Hall at Lincoln Center for the Performing Arts, 10 Lincoln Center Plaza, NYC.
National Chorale Presents Beethoven's Symphony #9 and a Musical World Premiere of Goodnight Moon
National Chorale, New York's premier professional choral company, under the Artistic Direction of Everett McCorvey, continues its 2016-2017 Season at Lincoln Center withBeethoven's Symphony #9 and the World Premiere of a musical adaptation of Goodnight Moon.
National Chorale, New York's premier professional choral company, under the Artistic Direction of Everett McCorvey, continues its 2016-2017 Season at Lincoln Center withBeethoven's Symphony #9 and the World Premiere of a musical adaptation of Goodnight Moon.
Annie Potts to Narrate National Chorale's Musical Premiere of GOODNIGHT MOON at Lincoln Center
National Chorale, New York's premier professional choral company, under the Artistic Direction of Everett McCorvey, continues its 2016-2017 Season at Lincoln Center with Beethoven's Symphony #9 and the World Premiere of a musical adaptation of Goodnight Moon on Friday, November 18, 2016 at 8pm at the David Geffen Hall at Lincoln Center for the Performing Arts, 10 Lincoln Center Plaza, NYC.
National Chorale, New York's premier professional choral company, under the Artistic Direction of Everett McCorvey, continues its 2016-2017 Season at Lincoln Center with Beethoven's Symphony #9 and the World Premiere of a musical adaptation of Goodnight Moon on Friday, November 18, 2016 at 8pm at the David Geffen Hall at Lincoln Center for the Performing Arts, 10 Lincoln Center Plaza, NYC.
Heartbeat Opera Presents the ONE ACT FESTIVAL, Now thru 3/22
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
Heartbeat Opera Presents the ONE ACT FESTIVAL, 3/18-22
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
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