Review: GET HAPPY, Barbican Pit
It’s very much the time of year for seasonal silliness, and whilst run-of-the-mill pantomimes are a safe choice, they are also a predictable one. Theatre company Told by an Idiot’s Get Happy is anything but that.
BWW Review: CHARLIE AND STAN, Theatre Royal Bath
At a time when we're getting too many words, words, words from a bumbling Prime Minister and his cronies, what a relief to discover a charming, kind and life-affirming silent movie-style production that harks back to simpler times. The enticing live piano score by composer Zoe Rahman, is the dialogue, aided by the odd ditty (song arrangements by Sophie Cotton) and clever projected captions taking you back to the heydays of Victorian music hall and Hollywood silent pictures.
BWW Review: LOVE'S LABOUR'S LOST and MUCH ADO ABOUT NOTHING, Theatre Royal, Haymarket
The Royal Shakespeare Company have burst back to the West End with their double bill of Love's Labour's - both Lost and Won. This pairing really is a remarkable achievement. Set in the summer of 1914 and the winter of 1918, director Christopher Luscombe has combined the charm and elegance of an Edwardian country estate with a wit, silliness and sense of play that would surely have made Will proud.
Edward Bennett and Lisa Dillon Lead RSC's MUCH ADO and LOVE'S LABOURS LOST London Transfer
The RSC's hugely acclaimed 2014 pairing of Love's Labour's Lost and Much Ado About Nothing (or Love's Labour's Won) arrives in London this Christmas, following runs at Chichester Festival Theatre and Manchester Opera House. From 9 December 2016 to 18 March 2017, Edward Bennett and Lisa Dillon will delight audiences at the Theatre Royal Haymarket in Christopher Luscombe's elegant, effervescent productions.