CLUE and INTO THE WOODS Lead the St. Louis Theatre Circle Awards with 11 Nominations Each
The St. Louis Theatre Circle announced their 2024 Nominations on Friday. STAGES St. Louis’ production of CLUE and New Jewish Theatre’s production of INTO THE WOODS lead all productions with 11 nominations each. Twenty-four different companies and 55 unique productions were represented among 165 nominations in 33 categories. Awards will be handed out on Monday, March 25th, 2024, at The Loretto-Hilton Center for the Performing Arts on the Webster University campus.
Review: MINDGAME at The Kranzberg Blackbox Theater
MINDGAME is the current offering from Albion Theatre Company. Albion closes its inaugural season with another exceptional production directed by the company’s artistic director Robert Ashton. Once again, Ashton proves he has outstanding vision as a director and is a masterful storyteller. Production after production, he ensures his cast and crew are thoroughly prepared to present a polished product and MINDGAME is no exception. Ashton has well-rehearsed his trio of actors and they marvelously deliver on Horowitz’s script that is laden with psychobabble. His leadership has resulted in an incredibly satisfying production of Horowitz’s only full-length play with exceptional performances from his cast.
Review: THE BIRTHDAY PARTY at Kranzberg Black Box Theater
Albion’s extraordinary production of Pinter’s work is grounded in Suki Peter’s sharp direction, brisk pacing and her collaboration with her actors. The performances she elicits from each of the cast members are balanced perfection. Her use of the space within Brad Slavik’s smartly appointed period set design conveys the confined intimacy one would feel in an overcrowded small rundown boarding house. Marjorie Williamson’s graphic & scenic design, Gwynneth Rausch’s props and Tracy Newcomb’s superb costume design all perfectly transport the audience back into the late 1950s.
The Factory Theater Presents XMAS WAR: ENDGAME
The Factory Theater presents the continuation of last year's holiday special, Xmas War, with Xmas War: ENDGAME, December 13 - 21 at Factory Theater, 1623 W. Howard St. Factory Theater's holiday production is a double feature with the company performing last year's show and then continuing the story with this year's sequel. The production runs for two weekends only, Friday, Dec. 13 and 20 and Saturday, Dec. 14 and 21, at 8 p.m. Xmas War: ENDGAME is directed by Matt Engle and written by Scott OKen. Tickets are $15 each, and may be purchased through the Box Office by calling 866-811-4111 or by visiting TheFactoryTheater.com.
Photo Flash: Tis The Season For The Plagiarist's SEASON PASS: DEUX OVER
When 2014 came and went and The Plagiarist's Season Pass hadn't been 'dead-headed' enough to actually see every possible ending of their choose-your-own-adventure play it was sad. The cardboard and duct taped futuristic worlds, the Star Trek/Galaxy Quest-esque space suits that were just sexy enough to excite, but not scandalous enough to make one feel bad for the actors, and then there was the random malort-flavored snow-cones that for some reason were offered in between rides…2014 was a good year, if incomplete for only seeing a handful of Season Pass choices.
Photo Flash: AstonRep Theatre Presents THE CROWD YOU'RE IN WITH
AstonRep Theatre Company is pleased to conclude its 2018-19 season with Rebecca Gilman's dramaTHE CROWD YOU'RE IN WITH, directed by Co-Artistic Director Derek Bertelsen*, playing May 16 - June 16, 2019 at The Raven Theatre (West Stage), 6157 N. Clark St. in Chicago. Tickets are currently available at www.astonrep.com or by calling (773) 828-9129.
AstonRep Theatre Announces THE CROWD YOU'RE IN WITH
AstonRep Theatre Company is pleased to conclude its 2018-19 season with Rebecca Gilman's drama THE CROWD YOU'RE IN WITH, directed by Co-Artistic Director Derek Bertelsen*, playing May 16 - June 16, 2019 at The Raven Theatre (West Stage), 6157 N. Clark St. in Chicago.
Factory Theater Moves on to the NEXT BIG THING
The Factory Theater presents the second production of its 25th anniversary season, the world premiere of The Next Big Thing, playing at the Factory Theater, 1623 W. Howard St., March 9 April 21, 2018.
The Factory Theater Announces THE NEXT BIG THING
The Factory Theater presents the second production of its 25th anniversary season, the world premiere of The Next Big Thing, playing at the Factory Theater, 1623 W. Howard St., March 9 April 21, 2018. The new play is written by Company Member and Managing Director Carrie J. Sullivan and directed by Company Member Robyn Coffin.
The Plagiarists to Return with 'UBU II'
Were we prepared for the first sound queue of tonight's cultured night of theater? No. Were we pleasantly surprised to see actress Jessica Saxvik as Mrs. Ubu contort and screw her face into all the looks we imagine ourselves to possess the morning after a midnight run to Taco Bell? Yes. Are we wondering just where sound designer Brendan Monte got his source material for all the bodily functions we heard through the night (and maybe a little concerned for his physical health)? Probably. And let's face it are we also concerned for the mental health of all the minds involved in crafting Ubu II: Electric Boog-Ubu)? Obviously, but none of these questions stifled our enjoyment of this laugh a minute sequel to Alfred Jarry's slightly better known Ubu Roi.
Interrobang Theatre Project Presents FALLING
Interrobang Theatre Project concludes its 2016-17 Season, exploring 'Flesh and Blood,' with the Chicago premiere of Deanna Jent's drama FALLING, one family's battle against stigma from society and each other. Directed by Co-Artistic Director James Yost*, FALLING will play March 17 - April 16, 2017 at The Athenaeum Theatre (Studio 2), 2936 N. Southport Ave. in Chicago. Tickets are currently available at www.interrobangtheatre.org, by calling (773) 935-6875 or in person at The Athenaeum Theatre Box Office. The press opening is Sunday, March 19 at 2 pm.
The "Driver's Seat" Monthly Reading Series Continues with THE LAST MATCH
Played out under the bright lights of the U.S. Open Semifinals, The Last Match is a battle for the ages. Rising Russian star Sergei Sergeyev is pitted against American great Tim Porter in an epic showdown that follows two tennis titans through pivotal moments in their lives both on-and-off the court.
The Plagiarists to Present SALON 45: TIME - THE BEGINNING AND END OF EVERYTHING
Descended from the Old English sele, or 'hall', the word SALON has come to mean a gathering designed to entertain and enlighten (from BUST magazine). The events reached their 'apogee' during the 17th and 18th centuries in French aristocratic homes. There were rich and plenteous foods, there were games and glamour, music to engage in and these events were of course also 'binges of bon mots, banter and verbal and artistic prowess, intellectual orgies.' Salons were incubators of ideas that started with conversations.