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Review Roundup: PLAYHOUSE CREATURES at Orange Tree Theatre
by Chloe Rabinowitz - Mar 24, 2025

See what the critics are saying about Playhouse Creatures at Orange Tree Theatre. Learn more about the production starring Anna Chancellor and more and read the reviews here.
Review Roundup: DRACULA, A COMEDY OF TERRORS at Menier Chocolate Factory
by Chloe Rabinowitz - Mar 18, 2025

Dracula, A Comedy of Terrors by Gordon Greenberg and Steve Rosen, is now open at Menier Chocolate Factory. Read the reviews for the production here and see what the critics are saying!
Review Roundup: CLUELESS THE MUSICAL at the Trafalgar Theatre
by Aliya Al-Hassan - Mar 14, 2025

Clueless is a new musical comedy based on the Paramount Pictures classic film. The modern spin on Jane Austen’s Emma gets another timeless makeover from the original film’s writer-director alongside a majorly acclaimed creative team.
Review Roundup: THE LAST LAUGH at Noël Coward Theatre
by Aliya Al-Hassan - Feb 27, 2025

Direct from a sell-out run at Edinburgh Fringe Festival, The Last Laugh is a brand-new laugh-a-minute play which re-imagines the lives of three of Britain's all-time greatest comedy heroes – Tommy Cooper, Eric Morecambe and Bob Monkhouse.
Review Roundup: Jamie Lloyd's MUCH ADO ABOUT NOTHING at Theatre Royal Drury Lane
by Aliya Al-Hassan - Feb 20, 2025

Tom Hiddleston is Benedick and Hayley Atwell is Beatrice. Two of their generation’s finest actors collaborate with director Jamie Lloyd again in this savagely funny and beautifully tender battle of wits. Much Ado About Nothing is now open at Theatre Royal Drury Lane. What did the critics think?
Review Roundup: Jonathan Bailey in RICHARD II - What did the Critics Think?
by Aliya Al-Hassan - Feb 19, 2025

Richard II is played by Jonathan Bailey, whose past work includes Bridgerton, Fellow Travellers, Cassio in Nicholas Hytner’s National Theatre production of Othello and Edgar to Ian McKellen’s King Lear. He has also won an Olivier Award for his role of Jamie in Company and is Fiyero in the Wicked movie. What did the critics think of the show?
Review Roundup: CHURCHILL IN MOSCOW at the Orange Tree Theatre
by Chloe Rabinowitz - Feb 14, 2025

Churchill in Moscow is now playing at Orange Tree Theatre. The world premiere of Howard Brenton’s gripping drama dramatises the meetings between two unpredictable titans as history teeters on a knife-edge. Read the reviews!
Review Roundup: Mike Bartlett's UNICORN Canters Into The West End
by Aliya Al-Hassan - Feb 14, 2025

Unicorn is Mike Bartlett's explicit, funny and provocative new play, directed by James Macdonald, starring Nicola Walker, Stephen Mangan and Erin Doherty. What did the critics think?
Review Roundup: INSIDE NO.9 STAGE/FRIGHT at Wyndham's Theatre
by Chloe Rabinowitz - Jan 30, 2025

The theatrical world premiere of Steve Pemberton and Reece Shearsmith’s award-winning television comedy Inside No.9 is now open in London’s West End at Wyndham’s Theatre with a newly written story – Inside No.9 Stage/Fright. Read the reviews here!
Review Roundup: A GOOD HOUSE at The Royal Court
by Chloe Rabinowitz - Jan 21, 2025

Amy Jephta's A Good House is currently running at The Royal Court, directed by ancy Medina. See what the critics are saying and read the reviews for the production here.
Review Roundup: Did TITANÍQUE Sink or Swim in the West End?
by Aliya Al-Hassan - Jan 10, 2025

When the music of Céline Dion makes sweet Canadian love with the eleven-time Oscar®-winning film Titanic, you get Titaníque, New York’s most award-winning splash hit that turns one of the greatest love stories of all time into a hysterical musical fantasia.
Review Roundup: What Did the Critics Think of Sigourney Weaver in THE TEMPEST?
by Aliya Al-Hassan - Dec 20, 2024

The Jamie Lloyd Company presents The Tempest,  the first production in a season of Shakespeare in London’s iconic Theatre Royal Drury Lane.
Review Roundup: THE LITTLE FOXES at the Young Vic
by Chloe Rabinowitz - Dec 16, 2024

Lyndsey Turner's new production of The Little Foxes is now playing at the Young Vic. Read the reviews for the production and see what the critics are saying!
Video: Sharon D Clarke Discusses THE IMPORTANCE OF BEING EARNEST on London Theatre Review Podcast
by Blair Ingenthron - Dec 15, 2024

Three-time Olivier Award winner Sharon D Clarke discusses playing Lady Bracknell in The Importance of Being Earnest at the National Theatre and what audiences can expect on The London Theatre Review in the video here.
Review Roundup: What Went Right for THE PRODUCERS at Menier Chocolate Factory?
by Aliya Al-Hassan - Dec 11, 2024

The first major London revival of Mel Brooks’ musical adaptation of The Producers is now open at the Menier Chocolate Factory, directed by Tony Award-winning Patrick Marber and Broadway choreographer Lorin Latarro.
Review Roundup: THE IMPORTANCE OF BEING EARNEST at the National Theatre
by Chloe Rabinowitz - Nov 29, 2024

See what the critics are saying about The Importance of Being Earnest at The National Theatre, starring Ncuti Gatwa and more! Read the review for the production.
Review Roundup: THE PURISTS at the Kiln Theatre
by Chloe Rabinowitz - Nov 25, 2024

See what the critics are saying about The Purists by Dan McCabeat Kiln Theatre. Amit Sharma directs Jasper Britton, Tiffany Gray, Emma Kingston, Richard Pepple and Sule Rimi. Read the reviews.
Review Roundup: WOLVES ON ROAD at Bush Theatre
by Chloe Rabinowitz - Nov 15, 2024

See what the critics are saying about Wolves on Road at Bush Theatre. Wolves on Road is a deep-dive into the mysterious world of crypto-currency. Read the reviews for the production.
Review Roundup: Did THE CURIOUS CASE OF BENJAMIN BUTTON Impress the Critics?
by Aliya Al-Hassan - Nov 7, 2024

And finally, the wait is over. The foot-stomping and award-winning musical, The Curious Case of Benjamin Button, has arrived in London’s West End after capturing hearts and selling out at Southwark Playhouse.
Review Roundup: Lily Collins and Álvaro Morte Open in BARCELONA
by Aliya Al-Hassan - Oct 31, 2024

Late night in Barcelona. An American tourist goes home with a handsome Spaniard. What begins as a carefree, one-night stand becomes an invitation to danger, as the personal and political catastrophically intertwine. See what critics thought about the new West End Play.

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