Review: FALSETTOS presented by Court Theatre and TimeLine Theatre Company
FALSETTOS, originally written as two-one act musicals set in 1979 and 1981, respectively, feels simultaneously dated and prescient. In this co-production from Court Theatre and TimeLine Theatre Company, director Nick Bowling leads a first-rate ensemble that preserves the musical as a period piece but also makes it feel utterly alive. Lauren Nichols’s set design evokes a 1970s retro roller rink and Theresa Ham’s costume designs also use extremely ‘70s colors (and each character wears a signature color). But many of the show’s central themes hit now as ahead of their time and eerily relevant. In particular, the musical’s reverence for Jewish culture and tradition and its unabashed embrace of queer love are especially moving at a time when anti-Semitism and homophobia seem tragically on the rise in America.
Cast Set For FALSETTOS at Court Theatre
Court Theatre and TimeLine Theatre Company will present William Finn and James Lapine’s Falsettos, a tribute to family and its many forms; a playful interrogation of faith and identity; and a celebration of the beauty, complexity, and necessity of love.
Review: 1776 at Marriott Theatre, Lincolnshire IL
In this political year, it seems very appropriate that the new production at Marriott Theatre in Lincolnshire is Sherman Edwards and Peter Stone’s musical 1776, the background story of the days leading up to the signing of the Declaration of Independence.
Video: First Look at 1776 at Marriott Theatre
Get a first look at 1776, winner of multiple Tony Awards including Best Musical, at Marriot Theatre. The production opens on Wednesday, August 28 at 7:30pm and runs through October 13, 2024 at Marriott Theatre.
Review: THE LEHMAN TRILOGY at TimeLine Theatre Company/Broadway In Chicago
THE LEHMAN TRILOGY is a sweeping play that covers 164 years of history as it weaves together fact and fiction to chart the rise and fall of Lehman Brothers. The play’s title mirrors the ambition of the piece: It has a run-time of over three hours that unfolds in three acts — all performed by only three actors. The trilogy in the title is thus a literal reflection of the play’s structure and the roles, but it’s also suggestive of the piece’s mythical nature. Likewise, playwright Stefano Massani’s script (adapted by Ben Power) has a rhythmic storytelling style; the actors often narrate their own stories and actions in a chamber theater type of presentation. Although the run time is long, the fact that THE LEHMAN TRILOGY covers so much ground means it remains interesting throughout — although I found I was ultimately more intellectually than emotionally stimulated.