BWW Review: SHOTS OF WHISKEY, AND HARD LESSONS LINGER ON THE PALATE IN THIS HUMOROUS BUT INSIGHTFUL GHOST STORY WITH LONE STAR SPIRITS at FreeFall Theatre
Imagine for a minute going home... moving away, and coming back to the town you once knew. The town you grew up in, fell in and out of love, and yet something still calls you back home. This ideal and the centralized themes that lessons from our past will continue to haunt our futures is the heart of the story found deep within the roots of Josh Tobiessen's Lone Star Spirits on stage at freeFall Theatre after its transfer from the Hippodrome in Gainsville. Josh Tobiessen's script is smart, edgy and full of laughs and is a thrilling comedy keeping you tuned in from the first beer to the last shot of whiskey. Director Stephanie Lynge and the entire producing team at the Hippodrome have put together a top notch show that is so fine-tuned you feel just as much a part of this small town as the characters at its center. Something very intriguing about this story is the dialogue and the flow in which its delivered. I think Director Stephanie Lynge said it best in her Director's Notes by saying, 'When you read the script, you can hear the pattern of the dialogue and how it trips along, builds to a joke, and then tops it again with another. And each individual character has their own voice, even in the writing. You can hear the dry humor of Jessica and the stumbling nature of Walter just from reading off the page. A truly gifted comedic writer like Mr. Tobiessen is a gift to a director and the actors as well, guiding us into the world he has created.' This is just one very true testament of what makes this show great.
BWW Previews: HILARIOUS LONE STAR SPIRITS COMES TO FREEFALL AFTER HIT HIPPODROME RUN at FreeFall Theatre
Marley (freeFall favorite Marissa Toogood) is back in her small Texas hometown for what she hopes to be an easy trip to deal with some family business. When she arrives at her estranged father's liquor store with her hipster fiancé, there is a collision between who she is and where she comes from. By the time Marley finally manages to reveal to her father the real reason for her visit, things are further complicated by the ghost of the bear-wrestling pioneer who used to live in the store. LONE STAR SPIRITS is a fast-paced comedy with hairpin turns that takes a hilarious and sympathetic look at family, spirituality, those who stay and those who leave, and the ghosts that haunt us either way.
LONE STAR SPIRITS Comes To FreeFall After Hit Hippodrome Run
freeFall Theatre in St. Petersburg and The Hippodrome Theatre in Gainesville have joined forces to co-present LONE STAR SPIRITS opening February 29 and closing March 29 at freeFall Theatre in St. Petersburg. There will be two previews on February 28 at 8pm and February 29 at 2pm.
LONE STAR SPIRITS is Coming To The Hippodrome Theatre
The Hippodrome Theatre in Gainesville and freeFall Theatre in St. Petersburg and have joined forces to co-present LONE STAR SPIRITS opening January 24 and closing February 16. The Hippodrome will then transfer the production to freeFall for performances at their venue opening on February 29 and running through March 29.
Florida Professional Theatre Companies Join Forces For Exciting Co-Productions
freeFall Theatre in St. Petersburg, FL and The Hippodrome Theatre in Gainesville, FL have joined forces to co-present two productions in their 2019/2020 season. freeFall will present MARIE & ROSETTA opening January 18 and Hippodrome will present LONE STAR SPIRITS opening January 24. The company will then transfer the productions to their respective spaces after the initial run of each show. Both shows will run a combined total of over 8 weeks.
Florida Professional Theatre Companies Join Forces For Exciting Co-Productions
freeFall Theatre in St. Petersburg, FL and The Hippodrome Theatre in Gainesville, FL have joined forces to co-present two productions in their 2019/2020 season. freeFall will present MARIE & ROSETTA opening January 18 and Hippodrome will present LONE STAR SPIRITS opening January 24. The company will then transfer the productions to their respective spaces after the initial run of each show. Both shows will run a combined total of over 8 weeks.
Photo Flash: First Look at Griffin Theatre's GOLDEN BOY, Now Playing at Theater Wit
Griffin Theatre Company presents a revival of Clifford Odets' Tony Award-nominated drama of life, in and outside the boxing ring, GOLDEN BOY, directed by ensemble member Jonathan Berry, playing now through April 6, 2014 at Theater Wit, 1229 W. Belmont Ave. in Chicago. Tickets are available at www.theaterwit.org, in person at the Theater Wit Box Office or by calling (773) 975-8150.
Griffin Theatre Presents GOLDEN BOY Revival, Now thru 4/6
Griffin Theatre Company is pleased to present a revival of Clifford Odets' Tony Award-nominated drama of life, in and outside the boxing ring, GOLDEN BOY, directed by ensemble member Jonathan Berry, playing today, February 15 - April 6, 2014 (with previews) at Theater Wit, 1229 W. Belmont Ave. in Chicago.
Photo Flash: Griffin Theatre's GOLDEN BOY, Now Playing at Theater Wit Through 4/6
Griffin Theatre Company presents a revival of Clifford Odets' Tony Award-nominated drama of life, in and outside the boxing ring, GOLDEN BOY, directed by ensemble member Jonathan Berry, playing through April 6, 2014 at Theater Wit, 1229 W. Belmont Ave. in Chicago. Tickets are available at www.theaterwit.org, in person at the Theater Wit Box Office or by calling (773) 975-8150. The press opening is Monday, February 24, 2014 at 7 pm.
Photo Flash: First Look at Lifeline Theatre's THE KILLER ANGELS
Commemorating the 150th anniversary of the Battle of Gettysburg, Lifeline Theatre presents Karen Tarjan's adaptation of Michael Shaara's Pulitzer Prize-winning Civil War novel, The Killer Angels (originally commissioned by Lifeline in 2004). The production will be directed by Matt Miller, who joins Lifeline Theatre as a director for the first time. ?A cast of ten actors brings over twenty historical characters to life, led by returning artist Don Benderas General Robert E. Lee, along with Lifeline Theatre ensemble member Chris Hainsworth. BroadwayWorld has a first look at the cast in action below!
Lifeline Theatre Kicks Off 2013-14 Season with THE KILLER ANGELS, Begin. 9/6
The Killer Angels runs September 6 - October 27 at Lifeline Theatre, 6912 N. Glenwood Ave. (free parking and shuttle; see below). Opening night is Monday, September 16 at 7:30 p.m. (Previews are Fridays, September 6 and 13 at 7:30 p.m.; Saturdays, September 7 and 14 at 8 p.m.; and Sunday, September 8 at 4 p.m.)
ACCIDENTAL RAPTURE Plays 16th Street Theater, Beginning 1/12/12
Why wait until December 21, 2012? 16th Street starts its 2012 Season with the end of times. Eric Pfeffinger's ACCIDENTAL RAPTURE, a comedy about faith, friendship and the end of the world plays January 12 - February 18, 2012 at 16th Street Theater, 6420 16th Street in Berwyn, with a press opening of Thursday, January 19 at 7:30 PM. Directed by Kevin Christopher Fox. Accidental Rapture is the first offering in 16th Street's Season Five 2012: Love, Faith and the Unknown.
ACCIDENTAL RAPTURE Plays 16th Street Theater, Beginning 1/12/12
Why wait until December 21, 2012? 16th Street starts its 2012 Season with the end of times. Eric Pfeffinger's ACCIDENTAL RAPTURE, a comedy about faith, friendship and the end of the world plays January 12 - February 18, 2012 at 16th Street Theater, 6420 16th Street in Berwyn, with a press opening of Thursday, January 19 at 7:30 PM. Directed by Kevin Christopher Fox. Accidental Rapture is the first offering in 16th Street's Season Five 2012: Love, Faith and the Unknown.
Seanachai Premieres Scenes From the Big Picture
For the second year running, Seanachai teams with the Storefront Theatre to showcase another large cast production, this time set in the North of Ireland. With only a murmur heard of the Troubles that simmer under the surface, McCafferty's 'marvelous, engrossing, ensemble play' smashes the big picture into vivid snapshots of a single day of contemporary Belfast life. Originally presented by London's Royal National Theatre in 2003, this tale of 'lust, loss, hope, anger, grief, tenacity, old age [and] young fury' makes its Midwest premiere under the splendid direction of Scott Cummins.