Review: THE SHADOW OF A DOUBT At Shaw Festival
Unearthing a hidden gem is always intriguing- whether it be a true fossil, pirates booty, discarded musical manuscript, or perhaps a virtually unknown play. The Shaw Festival is the lucky producer who gets to produce a never before seen mystery by the celebrated author Edith Wharton. For the first time, audiences get to be mesmerized by THE SHADOW OF A DOUBT, Wharton's one and only play that was written in 1901, never produced and found in a library archives in 2016.
Edith Wharton's THE SHADOW OF A DOUBT Has Its World Premiere At The Shaw
The Shadow of a Doubt, Edith Wharton's drama of the world she dissected so brilliantly in novels such as The Age of Innocence, began previews July 16 at The Shaw's Royal George Theatre. Peter Hinton-Davis directs the world premiere of the Pulitzer Prize-winning novelist's only known full-length play.
DAMN YANKEES, GASLIGHT & TOO TRUE TO BE GOOD Coming to The Shaw Festival
The Shaw Festival’s 60th season will continue with performances of the romantic musical comedy Damn Yankees, psychological thriller Gaslight and surreal tour de force Too True to Be Good. All three shows will begin welcoming audiences to preview performances in the coming days and weeks.
ICI Announces Board Expansion At Critical Time In The Art World
Independent Curators International (ICI) is proud to announce the appointment of seven new board members: Adam Abdalla, Neil Barclay, Lauren Kelly, Cindy Livingston, Angel Otero, Carol Salmanson, and Christopher Wise. ICI's board expansion adds a broad range of expertise to the organization's leadership, and will strengthen its commitment to supporting the needs of a diverse network of curators and art workers at a time when the art world is facing unprecedented challenges.
BWW Review: STAGE KISS is a Delightful Summer Romp at SHAW FESTIVAL
When the stage directions in a script indicate 'to kiss' any good actor knows it will be 'stage kiss.' That is, kind of awkward at first attempt in the rehearsal hall, but hopefully with practice becomes convincing enough to the audience without the actors actually becoming emotionally involved with each other during the run of the play. That's alot of information to digest for an action that merely calls for two people playing their lips on each other's . Briefly stated, that is the underlying premise in the Shaw Festival's delightful romp, STAGE KISS playing at the Royal George Theatre.
Sarena Parmar's The Orchard (AFTER CHEKHOV) Makes Its World Premiere At The Shaw Festival
The Shaw Festival proudly presents the world premiere of Sarena Parmar's The Orchard (After Chekhov) - a moving, modern Canadian reworking of Anton Chekhov's kaleidoscopic play The Cherry Orchard. Ravi Jain directs this fresh adaptation about a Punjabi-Sikh family fighting to save their orchard from foreclosure in early 1970's Canada. The Orchard (After Chekhov) begins previews June 7 at the Jackie Maxwell Studio Theatre. ?
Shaw Festival to Stage Interactive ANDROCLES AND THE LION
Under the direction of Artistic Director Tim Carroll, Bernard Shaw's charming retelling of the beloved Aesop fable Androcles and the Lion is an interactive spur-of-the-moment theatre experience. The fusing of audience engagement with music and song, along with Shaw's delightful text, creates a distinctly different performance every time. Previews of Androcles and the Lion begin June 6 at the Court House Theatre.
BWW Review: UNCLE VANYA is a Fresh Take on a Chekov Classic
The Shaw Festival continues to launch its 2016 season with a fresh take on another classic - this time Anton Chekov's UNCLE VANYA. This moving dramedy explores family harmony and dysfunction with budding loyalties and conflicting love. Jackie Maxwell, outgoing artistic director at the Shaw Festival brings to life this new adaptation by Annie Baker. It's a crisp translation with contemporary overtones that brings this Chekov classic to the new age. Neil Barclay stars as the title role and leads a talented ensemble including Donna Belleville, Kate Besworth, James Daly, Sharry Flett, Marla McLean, Patrick McManus, Peter Millard, Moya O'Connell and David Schurmann.