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Nathan Holland
Latest News on Nathan Holland:
BWW Review: BALLROOM at CVRep Playhouse (Feb 4, 2020)
Battery Dance presents 41st Annual New York Season featuring Four World Premieres (Apr 19, 2017)
FROM THE HORSE'S MOUTH Celebrates Indian Dance, April 27 (Apr 18, 2017)
BWW Review: BALLROOM at CVRep Playhouse (Feb 4, 2020)
Battery Dance presents 41st Annual New York Season featuring Four World Premieres (Apr 19, 2017)
FROM THE HORSE'S MOUTH Celebrates Indian Dance, April 27 (Apr 18, 2017)
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BWW Review: BALLROOM at CVRep Playhouse
Post-world-war-two America somehow managed to erase what 1920s women had fought so hard to create, and what the war effort at home had literally proved, that women could just as easily do a man's job. During the war, women were working in factories, becoming mechanics, if it was a 'man's job' women were out there doing it while the men fought the war. When the men came home, somehow women said hurrah! and happily became housewives and mothers. 'Whew! So glad to be back where I belong!' every magazine, billboard, and family-centric television show seemed to say, characterizing women as happy homemakers whose identity was determined by her biology aka her ability to keep a man happy in bed while producing babies, and all of the domesticity that implies.
Post-world-war-two America somehow managed to erase what 1920s women had fought so hard to create, and what the war effort at home had literally proved, that women could just as easily do a man's job. During the war, women were working in factories, becoming mechanics, if it was a 'man's job' women were out there doing it while the men fought the war. When the men came home, somehow women said hurrah! and happily became housewives and mothers. 'Whew! So glad to be back where I belong!' every magazine, billboard, and family-centric television show seemed to say, characterizing women as happy homemakers whose identity was determined by her biology aka her ability to keep a man happy in bed while producing babies, and all of the domesticity that implies.
FROM THE HORSE'S MOUTH Celebrates Indian Dance, April 27
In celebration of the history and scope of Indian dance in America, From the Horse's Mouth will dedicate its next theater/dance performance event to this storied art form, including its early connections to Ruth St. Denis, Ted Shawn, Jack Cole, and the fascinating early Indian dancers in America Balasaraswati, Ragini Devi, Indrani, and many more. Live music will be included in this colorful tribute, curated by Rajika Puri, doyenne of Indian Dance in NYC.
In celebration of the history and scope of Indian dance in America, From the Horse's Mouth will dedicate its next theater/dance performance event to this storied art form, including its early connections to Ruth St. Denis, Ted Shawn, Jack Cole, and the fascinating early Indian dancers in America Balasaraswati, Ragini Devi, Indrani, and many more. Live music will be included in this colorful tribute, curated by Rajika Puri, doyenne of Indian Dance in NYC.
Battery Dance Sets 41st Annual New York Season at The Schimmel Center
Battery Dance presents its 41st Annual New York Season on Wednesday, May 10 and Thursday, May 11, 2017 at 7:30pm at The Schimmel Center at Pace University.
Battery Dance presents its 41st Annual New York Season on Wednesday, May 10 and Thursday, May 11, 2017 at 7:30pm at The Schimmel Center at Pace University.
Battery Dance Presents 41st Annual NY Season with 5 World Premieres
Battery Dance presents its 41st Annual New York Season on Wednesday, May 10 and Thursday, May 11, 2017 at 7:30pm at The Schimmel Center at Pace University, 3 Spruce Street, NYC.
Battery Dance presents its 41st Annual New York Season on Wednesday, May 10 and Thursday, May 11, 2017 at 7:30pm at The Schimmel Center at Pace University, 3 Spruce Street, NYC.
Peabody Chamber Opera Presents WOMEN IN THE DARK
The Peabody Chamber Opera returns to Theatre Project with Women in the Dark, three short operas about various situations in which a woman or women are 'in the dark,' for four performances,February 16 - 19 at Theatre Project, 45 West Preston Street, Baltimore.
The Peabody Chamber Opera returns to Theatre Project with Women in the Dark, three short operas about various situations in which a woman or women are 'in the dark,' for four performances,February 16 - 19 at Theatre Project, 45 West Preston Street, Baltimore.
The Peabody Chamber Opera Returns with WOMEN IN THE DARK
The Peabody Chamber Opera returns to Theatre Project with Women in the Dark, three short operas about various situations in which a woman or women are 'in the dark,' for four performances, February 16 - 19.
The Peabody Chamber Opera returns to Theatre Project with Women in the Dark, three short operas about various situations in which a woman or women are 'in the dark,' for four performances, February 16 - 19.
Peabody Chamber Opera Presents WOMEN IN THE DARK
The Peabody Chamber Opera returns to Theatre Project with Women in the Dark, three short operas about various situations in which a woman or women are 'in the dark,' for four performances,February 16 - 19 at Theatre Project, 45 West Preston Street, Baltimore.
The Peabody Chamber Opera returns to Theatre Project with Women in the Dark, three short operas about various situations in which a woman or women are 'in the dark,' for four performances,February 16 - 19 at Theatre Project, 45 West Preston Street, Baltimore.
Andrew Samonksy, Jason Graae, Beverly Ward and More to Star in MERRILY WE ROLL ALONG Concert at Rubicon
The 2015-16 Janet and Mark L. Goldenson Broadway Musical Concert Series at Rubicon Theatre Company concludes with a concert presentation of Stephen Sondheim and George Furth's MERRILY WE ROLL ALONG.
The 2015-16 Janet and Mark L. Goldenson Broadway Musical Concert Series at Rubicon Theatre Company concludes with a concert presentation of Stephen Sondheim and George Furth's MERRILY WE ROLL ALONG.
Andrew Samonksy, Jason Graae, Beverly Ward and More to Star in MERRILY WE ROLL ALONG Concert at Rubicon
The 2015-16 Janet and Mark L. Goldenson Broadway Musical Concert Series at Rubicon Theatre Company concludes with a concert presentation of Stephen Sondheim and George Furth's MERRILY WE ROLL ALONG.
The 2015-16 Janet and Mark L. Goldenson Broadway Musical Concert Series at Rubicon Theatre Company concludes with a concert presentation of Stephen Sondheim and George Furth's MERRILY WE ROLL ALONG.
Battery Dance Launches Adel Euro Campaign for Dancers Seeking Refuge
Battery Dance, a New York-based organization focused on dance diplomacy, announced today the launch of the Adel Euro Campaign for Dancers Seeking Refuge, which will focus on relocating, hosting and training Middle Eastern dance refugees in New York City over the next year.
Battery Dance, a New York-based organization focused on dance diplomacy, announced today the launch of the Adel Euro Campaign for Dancers Seeking Refuge, which will focus on relocating, hosting and training Middle Eastern dance refugees in New York City over the next year.
Photo Coverage: Opening Curtain Call, Celebration for 3-D Theatricals' SIDE SHOW
3D Theatricals (3DT), recipient of the 2015 Los Angeles Drama Critics Circle's Joel Hirschhorn Award for Excellence in Musical Theatre during 2014, beckons all patrons of the arts to buckle up and hold on for a rip-roaring journey back into time by way of the acclaimed Broadway musical SIDE SHOW, based on the true life story of conjoined twins Daisy and Violet Hilton. Side Show has been set for ten performances - exclusively at historic Plummer Auditorium in Fullerton, CA, running April 25 - May 10. BroadwayWorld has photos from the opening night curtain call and festivities below!
3D Theatricals (3DT), recipient of the 2015 Los Angeles Drama Critics Circle's Joel Hirschhorn Award for Excellence in Musical Theatre during 2014, beckons all patrons of the arts to buckle up and hold on for a rip-roaring journey back into time by way of the acclaimed Broadway musical SIDE SHOW, based on the true life story of conjoined twins Daisy and Violet Hilton. Side Show has been set for ten performances - exclusively at historic Plummer Auditorium in Fullerton, CA, running April 25 - May 10. BroadwayWorld has photos from the opening night curtain call and festivities below!
BWW Reviews: 3-D Theatricals Big Bold SIDE SHOW Is a Hot Ticket
The musical Side Show played Broadway in 1997 for 91 performances and was Tony nominated but never got the recognition it deserved. A revamped version went to Broadway in 2014, but it, too, closed early. Like Jason Robert Brown's Parade, another noteworthy Broadway miss, it's worth the attention, but its dark grotesque presentation of carnival freak shows is not the most appealing fare for commercial theatre audiences. Many are repelled by the sight of a man with three legs, a bearded lady, a half-man, half-woman or in the case of Daisy and Violet Hilton, by the appearance of twins who are conjoined. The girls hated the term Siamese twins, for they were not Siamese, and also if people asked them if they wanted to be normal. What is normal? Now in a revival production of the original - not the 2013 revamped production, which played La Jolla and the Kennedy Center in Washington D.C. before Broadway - by 3-D Theatricals at Plummer Auditorium, Fullerton, Side Show comes out as winning and memorable as when it first appeared.
The musical Side Show played Broadway in 1997 for 91 performances and was Tony nominated but never got the recognition it deserved. A revamped version went to Broadway in 2014, but it, too, closed early. Like Jason Robert Brown's Parade, another noteworthy Broadway miss, it's worth the attention, but its dark grotesque presentation of carnival freak shows is not the most appealing fare for commercial theatre audiences. Many are repelled by the sight of a man with three legs, a bearded lady, a half-man, half-woman or in the case of Daisy and Violet Hilton, by the appearance of twins who are conjoined. The girls hated the term Siamese twins, for they were not Siamese, and also if people asked them if they wanted to be normal. What is normal? Now in a revival production of the original - not the 2013 revamped production, which played La Jolla and the Kennedy Center in Washington D.C. before Broadway - by 3-D Theatricals at Plummer Auditorium, Fullerton, Side Show comes out as winning and memorable as when it first appeared.
BWW Reviews: Battery Dance Company's 37th NY Season - Past, Present and Future
After traveling through Europe, Africa and Asia, Battery Dance Company returned home to New York City for its 37th season, performing and offering workshop classes. Members of the company have made it their mission to offer instruction on proper dance technique and choreography to regions where no formal dance education is available. These trips inspired the company to create new and exciting works, which fuse traditions of folkdance with modern and ballet technique.
After traveling through Europe, Africa and Asia, Battery Dance Company returned home to New York City for its 37th season, performing and offering workshop classes. Members of the company have made it their mission to offer instruction on proper dance technique and choreography to regions where no formal dance education is available. These trips inspired the company to create new and exciting works, which fuse traditions of folkdance with modern and ballet technique.
BWW Reviews: A Star Is Born in NUTTIN' BUT HUTTON
Triple threat actress/singer/dancer Betty Hutton is perhaps one of the greatest yet lesser known musical film stars of the 40s and 50s. Star of Annie Get Your Gun and The Greatest Show on Earth, Hutton possessed a uniquely energetic style that can be most realistically described as 'manic'. It seems that she was in constant motion, never stopping for an instant and propelling her musical numbers through her electric singing and dancing to new heights of excitement. Diane Vincent was so taken by Robert Osborne's 2000 interview with Hutton on TCM (Turner Classic Movies) that she knew she had to research and put together a show to celebrate the lady's immeasurable talent. And here it is, some 13 years later, the world premiere of Nuttin' But Hutton, a revue in two acts with music both familiar and unfamiliar from all of Hutton's films.
Triple threat actress/singer/dancer Betty Hutton is perhaps one of the greatest yet lesser known musical film stars of the 40s and 50s. Star of Annie Get Your Gun and The Greatest Show on Earth, Hutton possessed a uniquely energetic style that can be most realistically described as 'manic'. It seems that she was in constant motion, never stopping for an instant and propelling her musical numbers through her electric singing and dancing to new heights of excitement. Diane Vincent was so taken by Robert Osborne's 2000 interview with Hutton on TCM (Turner Classic Movies) that she knew she had to research and put together a show to celebrate the lady's immeasurable talent. And here it is, some 13 years later, the world premiere of Nuttin' But Hutton, a revue in two acts with music both familiar and unfamiliar from all of Hutton's films.
Photo Flash: Paul Ainsley's Celebration of Life in Hollywood
On Sunday, February 3, 2013 at the North Hollywood Church of Religious Science some of Hollywood and Broadway's finest gathered to honor and remember Paul Ainsley, who passed away on January 20, 2013. The afternoon was not a memorial as much as it was a celebration - a roast - a closing night party. It was an event that would have had partying right next to all his friends. Scroll below for photos from the event!
On Sunday, February 3, 2013 at the North Hollywood Church of Religious Science some of Hollywood and Broadway's finest gathered to honor and remember Paul Ainsley, who passed away on January 20, 2013. The afternoon was not a memorial as much as it was a celebration - a roast - a closing night party. It was an event that would have had partying right next to all his friends. Scroll below for photos from the event!
OKLAHOMA! Hits The Redondo Beach Performing Arts Center 9/16-10/4
James A. Blackman III and Civic Light Opera of South Bay Cities proudly present Rodgers & Hammerstein?s Oklahoma! September 16 - October 4, 2009 at the Redondo Beach Performing Arts Center. The production is helmed by the 2008 Ovation Award winning team from Miss Saigon: Director Stephanie Coltrin, Musical Director Alby Potts, and Choreographer Karen Nowicki.
James A. Blackman III and Civic Light Opera of South Bay Cities proudly present Rodgers & Hammerstein?s Oklahoma! September 16 - October 4, 2009 at the Redondo Beach Performing Arts Center. The production is helmed by the 2008 Ovation Award winning team from Miss Saigon: Director Stephanie Coltrin, Musical Director Alby Potts, and Choreographer Karen Nowicki.
OKLAHOMA! Hits The Redondo Beach Performing Arts Center 9/16-10/4
James A. Blackman III and Civic Light Opera of South Bay Cities proudly present Rodgers & Hammerstein?s Oklahoma! September 16 - October 4, 2009 at the Redondo Beach Performing Arts Center. The production is helmed by the 2008 Ovation Award winning team from Miss Saigon: Director Stephanie Coltrin, Musical Director Alby Potts, and Choreographer Karen Nowicki.
James A. Blackman III and Civic Light Opera of South Bay Cities proudly present Rodgers & Hammerstein?s Oklahoma! September 16 - October 4, 2009 at the Redondo Beach Performing Arts Center. The production is helmed by the 2008 Ovation Award winning team from Miss Saigon: Director Stephanie Coltrin, Musical Director Alby Potts, and Choreographer Karen Nowicki.
OKLAHOMA! Hits The Redondo Beach Performing Arts Center 9/16-10/4
James A. Blackman III and Civic Light Opera of South Bay Cities proudly present Rodgers & Hammerstein?s Oklahoma! September 16 - October 4, 2009 at the Redondo Beach Performing Arts Center. The production is helmed by the 2008 Ovation Award winning team from Miss Saigon: Director Stephanie Coltrin, Musical Director Alby Potts, and Choreographer Karen Nowicki.
James A. Blackman III and Civic Light Opera of South Bay Cities proudly present Rodgers & Hammerstein?s Oklahoma! September 16 - October 4, 2009 at the Redondo Beach Performing Arts Center. The production is helmed by the 2008 Ovation Award winning team from Miss Saigon: Director Stephanie Coltrin, Musical Director Alby Potts, and Choreographer Karen Nowicki.
Cabrillo Music Theatre Announces Casting for BREAKING UP IS HARD TO DO
Fresh on the heels of its 18 Ovation Award nominations (the most by any Southern California theatre company), Cabrillo Music Theatre continues the 2008-2009 season with the West Coast Premiere of the new musical sensation, BREAKING UP IS HARD TO DO, featuring a book by Erik Jackson and Ben H. Winters, and lyrics by Neil Sedaka, Howard Greenfield and Cody Philip.
Fresh on the heels of its 18 Ovation Award nominations (the most by any Southern California theatre company), Cabrillo Music Theatre continues the 2008-2009 season with the West Coast Premiere of the new musical sensation, BREAKING UP IS HARD TO DO, featuring a book by Erik Jackson and Ben H. Winters, and lyrics by Neil Sedaka, Howard Greenfield and Cody Philip.
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