Photos: Inside the KILLINGTON Wrap Party
The upcoming independent film KILLINGTON, starring Sophie Sumner (America's Next Top Model - Winner), had its Wrap Party this week at The Water Tower Bar in the Williamsburg Hotel, Brooklyn, New York.
BWW Previews: Tony Award Winner Jay Johnson Will Headline 'Jay Johnson & Friends (Real And Imaginary)' at The Moss Theatre
One Performance Only! This Sunday, November 3, 2019!
Long ago but not far away at all, there were many TV Variety Shows, Award Ceremonies, Music Centers and Theatre abounding with live Musical Performances, all with massive budgets; and dancers in this town, Los Angeles, made a darn good living, albeit having to work their asses off to do so, but it was a good and plentiful, fulfilling life. Besides myself, there was a plethora of working, professional dancers who ended up bonding together pretty easily, as a dancer's life is one of a nomad, or gypsy, going from one job to another, but in doing so, finding kindred spirits and lifelong connections.
Jay Johnson, husband of one of these dancers and artistically gifted himself, was part of the artistic community, as was his wife, Sandi, and, typical with dancers, became close friends and comrades with other dancers, choreographers, and like-minded performers.
As Jay was earning international fame as a ventriloquist, actor and comedian, and starring on the hit TV Series 'Soap,' us dancers were slaving away, happy to be able to make a living doing what we loved.
Jay is best known for his role on ' Soap' as Chuck Campbell, a ventriloquist who believed his puppet Bob was real and demanded everyone treat Bob as human.
Laurel Little Theatre Presents NOISES OFF
Laurel Little Theatre continues their 57th season with the Michael Frayn comedy "NOISES OFF" running the first weekend of March under the direction of Sam Buchanan.
BWW Review: LONDON CALLING, A MUSICAL Doesn't Connect
London Calling, The Clash's third album, is considered by many to be one of the band's greatest achievements. It is also the title of a musical that has been knocking around for the last decade, now being presented at the Hollywood Fringe Festival. Using songs by The Clash, it is the story of four bandmates who share a dream of making it big. According to the program it is not based on The Clash's rise to fame but on the writers' own experiences of, 'A youth spent playing in bands, living in squats and pursuing dreams…'
Gateway Center for Performing Arts' Youth Theatre Company to Close 2015-16 Season with THOROUGHLY MODERN MILLIE
Gateway Center for Performing Arts' Youth Theatre Company finishes its 2015/2016 Mainstage Season with the beloved musical Thoroughly Modern Mille. This Tony Award winning musical is set in 1922 follows Millie Dillmount, straight off the bus from Salina, Kansas as she searches for more in New York City. With grand plans to marry the 'modern' way, for money and not love, she finds herself on a madcap adventure that proves everything is not what it seems. With music by Jeanine Tesori, lyrics by Dick Scanlan and Book by Dick Scanlan and Richard Morris, you won't want to miss tunes like Not for the Life of Me, Forget About the Boy, and Gimme Gimme in a story filled with bobbed hair, raised skirts and fiery tap numbers!
South Bend Civic Theatre to Open 2012 Season with BLUE, 1/20
South Bend Civic Theatre opens its 2012 season on a high note with the Midwest premiere of Blue, directed by special guest Ron OJ Parson, running January 20th - February 6th. Written by Charles Randolph-Wright with original music by Grammy winner Nona Hendryx, Blue tells the story of the well-to-do Clark family in all their dysfunctional glory. A clan whose success is built on a thriving funeral home business, the Clark family is a bundle of contradictions: diligent hard-working Samuel maintaining the family business; his mother Tillie, as downhome and brutally honest as they come; his sons, Sam and Reuben, trying to find their own way
out of the mess; and ruling the roost is his wife Peggy, whose aspirations for class and style push the family bonds to the breaking point. Her only refuge in the turmoil is the music of her idol Blue Williams, who haunts the play with his voice and presence, turning music into memory and who holds the key to the problems of the family.
South Bend Civic Theatre to Open 2012 Season with BLUE, 1/20
South Bend Civic Theatre opens its 2012 season on a high note with the Midwest premiere of Blue, directed by special guest Ron OJ Parson, running January 20th - February 6th. Written by Charles Randolph-Wright with original music by Grammy winner Nona Hendryx, Blue tells the story of the well-to-do Clark family in all their dysfunctional glory. A clan whose success is built on a thriving funeral home business, the Clark family is a bundle of contradictions: diligent hard-working Samuel maintaining the family business; his mother Tillie, as downhome and brutally honest as they come; his sons, Sam and Reuben, trying to find their own way
out of the mess; and ruling the roost is his wife Peggy, whose aspirations for class and style push the family bonds to the breaking point. Her only refuge in the turmoil is the music of her idol Blue Williams, who haunts the play with his voice and presence, turning music into memory and who holds the key to the problems of the family.
South Bend Civic Theatre to Open 2012 Season with BLUE, 1/20
South Bend Civic Theatre opens its 2012 season on a high note with the Midwest premiere of Blue, directed by special guest Ron OJ Parson, running January 20th - February 6th. Written by Charles Randolph-Wright with original music by Grammy winner Nona Hendryx, Blue tells the story of the well-to-do Clark family in all their dysfunctional glory. A clan whose success is built on a thriving funeral home business, the Clark family is a bundle of contradictions: diligent hard-working Samuel maintaining the family business; his mother Tillie, as downhome and brutally honest as they come; his sons, Sam and Reuben, trying to find their own way
out of the mess; and ruling the roost is his wife Peggy, whose aspirations for class and style push the family bonds to the breaking point. Her only refuge in the turmoil is the music of her idol Blue Williams, who haunts the play with his voice and presence, turning music into memory and who holds the key to the problems of the family.